ShadowBoxing
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If this already has a thread, sorry. I noticed it being discussed in various places, but not in it's own thread (which I think it deserves)
http://www.newsarama.com/Chicago_07/Marvel/Ross_Return.html
http://www.newsarama.com/Chicago_07/Marvel/Ross_Return.html
by Matt Brady
Hes been away from Marvel for while but later this year or early next Alex Ross is coming back to Marvel, once again paired with Jim Krueger for an as of now, unnamed, in-continuity project with well, you see that guy in the image to the right?
Yeah Captain America. With the promise that more information will be coming soon, Ross spoke with Newsarama about his return to Marvel, Captain America, and what the project just might be about.
Newsarama: Alex, youve been away form Marvel for a while what got this whole ball rolling, and what got things started?
Alex Ross: Nick Barrucci of Dynamic Forces. Basically, he had projects like the Marvel Zombies/Army of Darkness crossover and Spider-Man/Red Sonja and things like that that he was working on with Marvel. Hes been trying to do a project like this with me for a while, so it was really Nicks concept for both the story and me that brought this entire project together and got things started moving forward.
NRAMA: So its something like a packaging deal?
AR: Not exactly. I wont get into the specifics, but Nick represents my interests in the deal and has basically mended fences and is building bridges at Marvel for me.
NRAMA: Lets talk about your role in this project
AR: Designer, cover artist, co-storyteller with Jim Krueger.
NRAMA: So this isnt going to be a situation like Justice where you do finishes over someones pencils?
AR: Right Im on design, covers, and story only. This is more like Earth X or Astro City.
NRAMA: So this image that has been revealed Captain America with the word Return on it
AR: Yeah that was my little cute idea
NRAMA: Yeah but youve got that word over a character whos dead. Add them together and youve got a pretty provocative image. As much as youre willing to say, what does the word Return mean in this context?
AR: It could mean many things. It implies as much a return of Captain America, sure, as it also implies my return to Marvel and maybe some other things. But I can tell you that my ego wasnt fueling the design of that image
NRAMA: So this is the story about the return of Captain America?
AR: That image would sure lead you to think that, huh? And thats about all I can say.
NRAMA: So where did the story come from?
AR: Again, its all Nick everything that makes this situation happen were all because of Nick. Its a simple idea thats being followed through by him engaging me, Jim Krueger to basically take our Justice pairing, and put us back into a similar situation, but this time at Marvel, and build a bridge for us back to a publisher that wed spent so many years doing work for.
NRAMA: With a lot of your projects, and acknowledging that not much can be said about this particular one, youve stayed outside of continuity or within your own developed continuity that youve developed with collaborators
AR: Ive never really been anywhere else, honestly. Everything Ive done has been a ghettoized continuity ghetto in the sense of separate, not the meaning its come to be connected with in more modern slang, I guess.
NRAMA: That said, where does this project lie?
AR: This one is full continuity with the cooperation of Tom Brevoort and Steve Wacker to work with whats happening in the Marvel Universe as closely as we can, so that the series, although it will hopefully comprise its own story successfully and stand alone as its own entertaining tome by the time its done, it is immediately responsive to the goings on today.
NRAMA: Given the character and the word, it would seem very suggestive of that.
AR: Yeah this is not a What If? story or an alternate earth, here.
NRAMA: Touching upon what you mentioned earlier, why have you preferred to stay in your own continuity, or create your own continuity for your projects?
AR: Most of the time I hate the continuity offered by both companies, but down deep, Im an Avengers and Captain America fan, and as of late, Ive enjoyed much of what Ive read from Marvel on those fronts. I like a lot of what Bendis and Brubaker are doing in particular. The Avengers books and Cap are on the top of my stack to read each week that they come out, and its cool to be seeing those two titles really being at the top of the list at Marvel in terms of mattering the most. Youve gotta read that book if you want to really have a clear feeling of whats going on in the Marvel Universe, and what the larger picture is. For a guy like me, thats just cool to see.
NRAMA: Speaking specifically of Captain America, what are your thoughts on where things have been going lately in the titles? Its obviously been a pretty polarizing ride for the fans of late where do you fall in?
AR: I fall into the category of Im going to enjoy the storyline for as long as it takes and I view it as being such. Its been a well-handled, interesting story since Brubaker killed him in the 25th issue, and Im fascinated to see each month, how they continue to play out the situation of Captain America dying, and not being there. But, and I think Im like a lot of fans here, I see it as a storyline, not the end all for the character.
Obviously, given the image [laughs].
NRAMA: That being said how long as this upcoming project in the planning stages? Was this set up after Captain America #25?
AR: This particular project has been in the planning stages for two years. Its just very ironic that something like Caps death wouldve happened in this same time frame, but as we go forward, we can work with that, and in many ways, that makes our story more poignant.
NRAMA: One more time back to the image it appears that Caps not the only one in what looks to be a larger picture. How much can you say about that?
AR: It certainly looks like hes not alone, that much is true.
NRAMA: Couldnt that be said of any Captain America story?
AR: True. But in this case, there are some more haunting elements in the piece to get the viewers attention. And thats all I can say for now.
NRAMA: Fair enough. Usually on your projects with Jim, the two of you are looking to imbue them with a more iconic, mythic feel, to add a large theme over the storys plot. Is that what youre going for here, even though it is in continuity, and if so, is that approach more difficult because you are, again, in continuity? For example, is it easier to do something more mythic in a Justice than it is to do it on Justice League?
AR: Hey, Im hoping I got some of that out of my system with Justice - that now I can just play along with the toys. Im really looking forward to playing with certain versions of the characters. Im looking forward to, of course, illustrating Cap whos remained class for some 60-some years now, and then, Im looking forward to working with the current designs on characters that I love.
But as for an iconic story I dont know how you cant have an iconic, larger than life feel in a story when Captain America is involved. The very nature of doing any story related to Captain America is about iconography. His very power as a character has less to do with his being part of a super-solder program, and more with him having an effect upon a world of super-humans he is far weaker and more human than. Cap is a living symbol more than Superman, more than Batman, he is all symbol. When Cap walks in a room, he has an effect upon everyone in it. Thats whats at the core of his power.
NRAMA: And thats what makes him in a sense more powerful that he can command and earn the respect of these other beings who are all somewhere between super-human and godlike in their power AR: Exactly Spider-Man should be able kick Caps ass on a sheer power scale, but the thing is, this is a guy who can figure out how to hold his own against the Hulk for a given length of time if he needs to. Hes a wise tactician, and more than that, hes an inspiration. Hes the hero that was before any of them came to be, hes the hero that returned that led a new age of heroes, and now, perhaps even more then ever, has become a larger symbol in his death. This story certainly touches upon that.