Spider-Man
Superhero
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- Aug 29, 2000
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Elfman's score replacement for Spider-Man 3: what do you want from him? Here's a few of my essentials...
I'll add more as I think of them...
- Evolve the Main Titles. Must use an evolved version of the Main Titles theme during the Main Titles. Young can handle a darker vision, and since Venom may take over the credits some with Sandman, then the Main Titles will need to evolve more than it did from 1 to 2.
- Strings must rule the sky! Whenever Spider-Man took off and was web-slinging, violins took over the theme and controlled the musical rhythm. This is a must in order to keep the feel of the movie the same. Unfortunately, one of the best times this could've been illustrated in Young's Spider-Man 2 work was during the train sequence, and he missed the mark by a mile.
- Theme weaving. This isn't Superman... the theme isn't only triumphant... it's complicated, as is the character. It needs to be able to weave in and out of emotion without creating original score to replace what the groundwork is. It also needs to weave in and out of the Peter Parker theme. They need to be used correctly.
- Original music needs to match existing music. This isn't Chris Young's time to shine... he's finishing off a job, not starting over. New villian themes need to work in harmony with the existing theme. And any other evolved themes need further work to match what is already established.
I'll add more as I think of them...