CC: WOLVERINE AND THE X-MEN is another project you are working on, which is support to start airing on the BBC sometime this year. With the X-MEN having a pretty rich musical history already, what sort of challenge did that present you?
MICHAEL NIELSEN: When we came in the tone was already set by the lead composer, our good friend, DEAN GRINSFELDER. Again, they were going for full, movie music. They didn't want it to sound like a cartoon or tv-show at all. So there was already a sort of template set for the music, but we wanted to bring our own perspective to the music as well. The biggest challenge though was simply the amount of music which must be done. We have half-hour episodes that had close to 28 minutes of music. So each week we get episode after episode that is almost wall-to-wall music. It's just such a different mindset to have to score to picture
KAVEH COHEN: Yes...I'd have to agree. For any television projects I've been involved in, the volume of music needed in such a short period of time has always been the biggest challenge. Also it's a challenge to keep things fresh...especially for a show like X-Men, because it has such a heritage and such a huge fan-following. This show is great and very well written. There is a lot of action every week and that is a challenge too - to keep it fresh an exciting. It's very fun though because it's a totally different process. You end up writing music that you wouldn't have - had it not been for what you are seeing in the picture.
CC: Are you going a different direction, musically, from where the X-Men have been in the past?
MICHAEL NIELSEN: It's definitely a departure from where last animated series went. This is much more along the lines of the last three movies.
CC: How far along are you on the show?
KAVEH COHEN: We've done about 10 episodes but have another 16 to go!