Roderick Kingsley and Silver Sable. While it isn't as riveting as last episode's stuff in either emotional punch or action, it was a very enjoyable and exciting episode to kick off the "gang war" type story.
ASM had quite a few gang war type stories in the past but some of the most memorable ones involved Dr. Octopus battling it out with types like Hammerhead and the Owl for control of the underworld, often with other figures like Black Cat and of course Spider-Man caught between. There was usually a lot of action and even some schlocky contrivances, such as Hammerhead once being stuck as as a sort of "energy ghost" form, but they usually were quite enjoyable and tense to read.
The 90's Spider-Man cartoon attempted to go through a "gang war" type story with their "tablet of time" episodes during the whole "Neogenic Nightmare" thing in Season 2, where Kingpin, Alistar Smythe, Silvermane, Hammerhead, Tombstone, and even the Lizard were all involved for that nutty Maguffin. The action was of course awkward as ever due to FoxKids restrictions and was usually very busy. The fact that Kingpin was usually the unquestioned ruler of all crime in that show, to the point that even Dr. Octopus was often taking orders from him didn't help, either.
This episode, thankfully, manages to maintain the sort of hectic, "omigod there are a million bad guys in this episode all fighting each other" sort of pace that a Gang War episode needs while providing some character focus, good fight sequences and even a few amusing wisecracks from Spider-Man, who in some ways is over his head.
It all starts with an auction, with Osborn's henchman offering the genetic codes for creating more "super-soldiers" as powerful as the Rhino to the highest bidder. Hammerhead is there to represent the Big Man as usual, but the thug soon encounters an old flame; Silver Sable, who here is the daughter of Silvermane, the former crime boss of NY until he went to prison, and Big Man took over. Dr. Octopus and the Vulture arrive to represent "the super freaks" (and notice the hot women they have on their arms), with Roderick Kingsley, known as a perfume tycoon, and Fredrick Foswell's undercover identity as "Patch" rounding out the cast for the bidding. The bidding quickly rises above the set limits of the accounts known to file and is delayed another day.
The Black Cat makes an extended cameo in the beginning seeking to steal the codes for an unknown buyer, but is quickly shoo'd off and dismissed as being "under their league". It remains to be seen if the Black Cat will take being dismissed like that lying down in later episodes.
It is worth getting into how Silver Sable has been handled. Created as a supporting character in ASM in 1985, Silver Sable, like many characters, got her own series in the 90's that ran for about three years before returning to guest star status. She was a mercenary who preferred to hunt down terrorists and criminals for heft fees that she funneled to her own country, usually alongside a group of muscle bound goons with big guns, the Wild Pack. She's been animated a few times so far, more so than some other Spidey characters. She popped up in the last season of the 90's show in her then current incarnation, helping fight Kingpin and Red Skull. In the short lived MTV SPIDER-MAN show, she returned, but this time as a far more ruthless mercenary; she was after a corrupt politician, but was willing to kidnap and endanger innocent people to claim her target. In SS-M, she is voice by Nikki Cox and is renamed Sable Manfredi, being Silvio "Silvermane" Manfredi's daughter, basically a full on gangster. It is interesting that this show has chosen to abandon all mercenary pretenses here, likely assuming she would fit in better as Silvermane's representative. In the comics he does have a daughter, but she isn't as recognizable. Cox does a good enough job as Sable although her design has always been a bit plain; she's basically a commando woman dressed in silver, with her unique weapons perhaps being more recognizable than her. Cheeks Galloway captures that bit although gives her some football player style paint under her eyes for that commando feel in battle.
Foswell tries to get more money from his bankroll, J.J., who is disinterested in his Silvermane story and is tired of funding Foswell's investigation, considering him a has-been for getting a Pulitzer "twelve years ago" on the story but not being as notable since. Peter Parker not only takes pity on the man, but knows that getting a lead will help Spider-Man bust some criminals, so he agrees to try to snap some pictures at the next auction. As it always is with Peter, this means the likelihood of missing out on a dinner date with Liz, who seems more than aware of Peter's perennial "lateness/missing" of dates, but appears to go along with it. For all we know, she may consider his job as a newspaper photographer best known for taking Spider-Man's pictures as "dangerous". I mean, she was just dating a star quarterback; if Peter offered her nothing but brains, she never would have fallen for him.
As much as I like this show, at this point the Peter/Liz/Gwen triangle is starting to drag a little. It seems obvious to everyone, even subconsciously Peter himself that Gwen is who he is really into deep down, Liz is just a distraction. Yet it also seems obvious that the show may only decide to get to that around the finale. While it's perfectly realistic for Peter to date a cheerleader when said cheerleader is clearly into him (I mean what 16 year old male wouldn't), it does sometimes seem clear to me that this dynamic is being padded out for time. Still, if it ended too fast, some of the soap opera drama wouldn't be as strong as it has become, so it's a bit of a Catch-22. Methinks Peter deep down knows he is into Gwen for something stronger, but he is unwilling to risk their friendship on it, and Liz is a far easier choice. Not only is she more assertive (although, frankly, Gwen kissed Peter, how damn assertive can a geek girl get), but if thinks turn sour in the relationship, Peter is no worse off with Liz than he was in Season 1, whereas losing Gwen as a girlfriend would also mean possibly losing her as a friend in general. Or at least that is how I am seeing it.
There also is a short scene rekindling the idea that Norman Osborn favors Peter over Harry with allowing Peter to use one of his prototype palm pilot devices. As the Green Goblin is due a return, it makes sense to revive this subplot now.
Peter is surprised to see Foswell as "Patch", the goon he encountered for information earlier in the season, which was a nice nod to earlier episodes. The history of Silvermane is revealed as well as the notion that with him due to be released from prison, the streets are soon to be swallowed in a turf war between his organization and the Big Man's that has taken over, and the Dr. Octopus/Master Planner racket that has sprung up as a consequence of the Big Man's actions. Kingsley ends up buying the codes for half a billion dollars, although why a legitimate businessman is involved is unknown at the time. Some posters at other forums have grumbled about him being made into an African American here, but I honestly don't mind. I share Weisman's notion that a NY of 2008 has to be made to look and be more ethnically diverse than a NY in a comic in the 70's or even the 90's usually was. John Semper, himself African American, also realized that for his 90's series, which was why he made sure to insert black characters who had never appeared in a cartoon before, such as Blade, Rocket Racer, and Prowler, as well as creating the character of Det. Terry Lee, so that way the series wasn't completely reliant on Robbie Robertson for diversity. Wiesman's approach has been to throw in virtually every obscure Spider-Man character that has been created into high school, even if it was years earlier than in the comics, like Gloria Grant and the hilariously interupted Hobie Brown, as well as altering the ethnicities of some characters, like Liz herself (who is seemingly Hispanic), Ned Lee, and now Kingsley. I never have a major problem with this; it isn't like race was a big part of who they were, and NYC is a very diverse place. I'd rather see an African American Kingsley than some made up businessman who is black but has no recognition.
Kingsley is voiced by Courtney D. Lance, Tony Award winning actor and husband of Angela Bassett, and formerly of LAW & ORDER: CRIMINAL INTENT. Along with Scorpion, the Hobgoblin is one villain that Wiesman has noted in interviews he would be interested in bringing into a third season, if it gets green lit, and that would be quite interesting. Lance does a good job in the role here.
Spider-Man shows up at the designated warehouse where Kingsley is to pick up his "goods", settling into getting some pictures for Foswell and his own paycheck and making that date with Liz. Of course things go terribly wrong; both Sable and Hammerhead, as well as their various armed goons (Sable a military chopper, Hammerhead his incredible limo with a handy henchwoman) show up to steal the prize from Kingsley. Hammerhead gets some more fleshing out as not only having his trademark steel-plated cranium (yeah, you and U.S. Archer, pal!), but as a career thug who used to not only work for Silvermane, but dated his daughter, before falling in with the Big Man. Which means the two have bad blood between them and are all to eager to fight amongst themselves for the codes. These results in some exciting fight sequences with all of the factions and Spider-Man out to reclaim the flash drive. The only caveat is that it is hard to believe that Sable's "super kicks" could really hurt Spider-Man unless she had some, like, adamantium toed boots or something. At the very least, her weaponry was more distinctive and accurate to the comics than in the MTV show, where she just seemed to have boring electro-prongs. Still, it is a bit of a contrivance that the same Spider-Man that can withstand being punched through half his school by Venom would really take about a minute or two to recover from being kicked by Sable unless she was on some of A-Rod's "boli" or something.
After quite a battle, Kingsley escapes with what is revealed to have been a double switch, allowing Sable and Hammerhead to fight over an empty case. Meanwhile, Dr. Octopus still proves himself a loyal super villain by offering the information of the attempt to mass produce duplicates of the Rhino to O'Hirn himself, who sets out to crush the codes himself.
Yes, all this and the Rhino too! This was one of the busiest episodes since the pilot.
It all leads to a final battle in a towering parking lot between Spidey, Sable, Hammerhead, Kingsley, and the Rhino. In a short lived but hilarious turn of events, Spider-Man and Rhino join forces to destroy the drive, only for Rhino to quickly turn on Spidey and try to crush him alive. Guess he was the nastier of the duo alongside Flint Marko/Sandman. In the end Rhino is gassed by Capt. Stacy alongside DeWolf and Stan Carter.
Stacy, who like Rhino is also voiced by Clancy Brown, also has his subplot carried along. Isn't it great that this isn't WOLVERINE AND THE X-MEN and that intense storylines don't HAVE to bury character development and interaction virtually all the time? This episode seems to make more than clear that Stacy knows that Peter Parker is Spider-Man through subtle nods and exchanged lines from their Criminology class and then on the streets. Everyone is counting down the days until Gwen bites it, but in the comics, it was her father who bit it during a battle with Dr. Octopus years sooner. While a network may balk at killing off a teenage girl, they certainly didn't shy away when Bruce Timm wanted to have Darkseid kill Dan Turpin out of spite in SUPERMAN: THE ANIMATED SERIES in the late 90's. The two of course have an interesting dynamic; they're not using real names in broad daylight despite masks and all like they would in a Bendis written USM comic, but assuming the audience is more than bright enough to catch on. Shows are often written much better when the writers don't assume the audience are blithering idiots who need to be told everything, especially "children's" cartoons.
The episode ends with an effective cliffhanger, with Osborn being revealed as setting up the entire ordeal with a false data drive simply to get a half billion in free funds to use as he wishes for his new enterprises. As the man who, alongside Big Man & Hammerhead created many of the super-powered menaces that now plague NY to occupy Spider-Man, Osborn may now be trying to pull all the strings under his control, or at least get Silvermane, Dr. Octopus, and Big Man to take each other out, before ruling the ashes. It certainly is far reaching enough for a man who nearly everyone is calling to reveal himself the real Green Goblin, with Harry merely a patsy to avoid being suspected further; or was merely field-testing the Goblin Gear.
Peter shows up very late to Liz's house, but the girl appreciates that he showed up at all, even if he still has Gwen on the brain.