The Spawn comment arose from my memory of a Spawn DVD that claimed some sort of special effects award. Looking this up, it won best special effects at the catalonian international film festival in '97. But I agree there are better effects movies out there. I was being sarcastic.
Nevertheless, I'll give you T2. Those effects were ground breaking, but the were not used to the extent that a proper Hulk treatment would require. Most of the terminator/terminator fight scenes were still actor vs actor. And the animation industry is better than that now.
I knew you were being sarcastic, dcHulk. That's why I brought up Anaconda to add to the "award winning" special effects comment.
And yeah, I think the special effects/CGI would have had to be much more limited in 1998 than what we saw in 2008, or even 2003 for that matter. Although I think it could have been feasible in 1998 to have made a Hulk film using the combined efforts of animatronics and CGI for specific shots, how satisfying that would have been for fans and the general public is questionable.
Around the 1:30 mark.[YT]aRRMMmWnevo&feature=player_embedded[/YT]
Are you crazy? You want to see the "ninja turtle" method applied to the incredible hulk? Again, LL and others tried this way and it didn't work. They didn't go the cgi route for financial reasons, but rather practical and realistic ones.
It would have been cool to see the final finished prototype.
I would have loved to have known how they would have handled the tranformations
It would have been cool to see the final finished prototype.
I would have loved to have known how they would have handled the tranformations
Think Mr. Hyde from LXG.
would have o.d.!I would have loved to have known how they would have handled the tranformations
Keep the action in CGI, sure, but the emotiong scenes, stuff with Betty, use the animatronics. It gives COnnelly/Tyler something real to perform with.
Might have to re watch it then one day soon.
dcHulk - thanks for the LXG links. In the videos, that is Steve Johnson the make-up effects creator, not Steve Norington the director.