Arnold Is Back for Terminator 5

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Guys, in the article, Arnie specifically states that the Terminator's skin ages because it's made of actually human tissue. He'll be an actually older Terminator. And if they use it thematically, it'll be gold. Machines that age and all that.
 
Well that's the excuse they're using i suppose but when i said arnold looked old in the last stand i meant the way he moved reflected that as well.

Everything seemed labored and almost pained i want to say. If the T-800 is actually a machine in the stages of breaking down then maybe that can work? but if they are depicting it moving and fighting just like it did in the past films that's gonna look silly.
 
I can sort of see this going to a T-800's advantage. Who would be scared of some vaguely pervy grandfather type with a funny accent? Then come to find out grandpa is a machine.
 
Some updates:

http://www.deadline.com/2013/06/meg...ramount-paying-the-rest-to-bring-arnold-back/

A spate of reports of movement on The Terminator franchise is a good sign that the movies are finally starting to percolate. The Wrap wrote that Paramount would be the distributor, and the latest is Schwarzenegger, during an appearance in Sydney, said he’s coming back and the movie will start in January. None of this is really a surprise: Back in December, Megan Ellison, who’d spent $20 million to buy The Terminator sequel rights during 2011 Cannes, partnered on the franchise with her brother David. She makes prestige films, he makes popcorn fare like Star Trek and Mission: Impossible, so the union made sense. Through Skydance Productions, David makes all his movies with Paramount, so it was kind of obvious the films would likely land there. I’m told that each Ellison will finance 33% of the film’s budget, with Paramount finding the remaining third. Skydance and Paramount are just coming through the gigantic ordeal of making World War Z, which, despite a massive budget, looks like it will do some serious global business.

As for Schwarzenegger, he’s been attached since back in May, 2011, when Megan Ellison beat out Lionsgate and paid around $20 million for the franchise. She bought it from Pacificor, which had paid $29.5 million to pull the property out of bankruptcy. The latest rumor is that Megan Ellison would make a hail mary pass attempt to draft her Zero Dark Thirty director Kathryn Bigelow. That would be a coup, but it’s being denied, which means either that it’s not true, or Bigelow passed already. The project has been director-less since Fast 6‘s Justin Lin bowed out of the project when it was being developed solely by Megan Ellison. I met Lin at Sundance and he made it clear he wouldn’t return because he was not involved in the development of the script. Ellison in January hired Avatar and Shutter Island‘s Laeta Kalogridis and My Bloody Valentine‘s Patrick Lussier to write the script, so it stands to reason that the film should be ready to shoot by early next year. The big shame in almost three year delay from the rights deal to that production start is that there is a ticking clocks that impacts the number of Terminator films that can be made. Franchise creator James Cameron–who has stayed on the sidelines since directing the first two classic films–is the benificiary of changes in copyright law. Basically North American rights to the franchise revert back to him in 2019. That is because the copyright reversion now takes place after 35 years, and The Terminator was made in 1984. There should be no reason the Ellisons’ Annapurna Pictures and Skydance Productions shouldn’t be able to make two sequels that end the human race’s battle against Skynet. But the original thought was that the film would span three pictures, and that might not be possible. No studio would roll the dice on that kind of potential quandary. There is no telling if Cameron would consider lending the rights for more movies. He actually sold his rights in the picture to then partner Gale Anne Hurd for $1, to ensure he would not be removed as the director. So even though he has made gazillions of dollars from Titanic and Avatar, cashing in on his signature project, the one he got screwed over on, might be symbolically important to him. On the other hand, none of the sequels were near as good as Cameron’s first two films, so he might just want to keep moving forward with his Avatar sequels and retire The Terminator in 2019. Arnold will be 71 by then so it might be euthanasia on Cameron’s part by then. No comment all around.
 
I thought Arnie just managed to be convincing as the T-800 in T3. And that was back in 2003. It's ten years since then. The only real mention in that film was "I'm an obsolete design" or something like that. If they really played up to his age this time it could be ok. But as I've said before, all the projects now are just for old time's sake, to remember the glory days.
 
I thought Arnie just managed to be convincing as the T-800 in T3. And that was back in 2003. It's ten years since then. The only real mention in that film was "I'm an obsolete design" or something like that. If they really played up to his age this time it could be ok. But as I've said before, all the projects now are just for old time's sake, to remember the glory days.

That because it was a comedy.

Taking it seriously, combined with the expected battle damage make up, should make things easier to work.
 
Thinking about it, I think I'd like to see Arnie re-programmed as a bad guy again. That'd be interesting and a change of pace after having the flippant good guy in T2 and T3. Perhaps even have what was said in T3 play out. John Connor killed in the future by Arnie's T-101, playing up to his childhood connection.
 
I watched The Terminator earlier and I would LOVE the new movie to capture the essence of that and T2.
 
I'd love something like T2 again. It's so incredibly cold and blue. I swear it's the coldest, bluest movie ever. I actually feel chilly watching it. That cinematography is one of the key things that made it work so well. None of the other movies have taken note of this. The tone was so dark and so adult, and T3 and Salvation are basically big cartoons. I hate to use this comparison, but it's like the difference between The Dark Knight and Batman & Robin.

And really, it's the cinematography/color scheme, and these things alone, that make T2 so classic. It's really nothing mind-blowing in terms of dialogue or acting. It's not much better than the other ones in that regard. But I'm telling you, cold, blue, and adult. That's the whole way to make T5.

And even T2's score was incredibly metallic and industrial, and was also cold. There's just this constant sense of apocalypse and doom droning throughout the entire film. It's an unmatched film in the genre - it really is.
 
Go for Blomkamp! :argh:
 
Between Terminator 1 and 2 he looked vastly different, so I have no problems seeing old Arnie as a T-800.
 
Hasn't he been like 3 models at least? T-800, T-850 or T-101. Whatever the case, his skin is supposed to be real and age but you wouldn't expect a terminator's fleshy outer coating to make it that long in any event.
 
Hasn't he been like 3 models at least? T-800, T-850 or T-101. Whatever the case, his skin is supposed to be real and age but you wouldn't expect a terminator's fleshy outer coating to make it that long in any event.

Model 101s are Terminators that look like Arnold. In the first two, he was a T-800 Model 101. In the third, he was a T-850 Model 101.
 
They approached Nicolas Winding Refn? I gave some thought to him directing a Terminator movie. Drive had that '80s noiric tone that the first Terminator had.
 
That'd be awesome if they decided to make the next film a slower paced film. But a big action tentpole? I don't know.
 
They approached Nicolas Winding Refn? I gave some thought to him directing a Terminator movie. Drive had that '80s noiric tone that the first Terminator had.

Much like Driver protecting mother and son, like Arnie in T2.
 
Another Terminator with Arnie would be cool and I wouldn't even neccesarily mind it being PG13 as long as it was more 'Sci-Fi Action' like T2 and less 'popcorn' like Salvation...

I'd give it to Alex Proyas myself but that's just me..
 
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