dude stannis
Avenger
- Joined
- Jul 28, 2003
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Too bad The Case of Charles Dexter Ward and Herbert West-Reanimator have already been made into films. Del Toro would've owned faithful adaptations of both.
Too bad The Case of Charles Dexter Ward and Herbert West-Reanimator have already been made into films. Del Toro would've owned faithful adaptations of both.
What was Dexter Ward adapted as besides the mentioned above?
I always felt that Re-Animator could be done and done better than the Stuart Gordon film. I like Re-Animator, but something that relies less on gore and nudity and more on secluded atmosphere would be pretty damn cool.
Dexter Ward has been made a few times, but my favorite is still the Vincent Price version, moronically called The Haunted Palace.
The Haunted Palace.
I loved the Re-Animator film as a horror comedy on it's own. But, oh man, a Re-Animator done faithfully would fill me with sheer terror just as the story did.
I actually haven't seen any of the Dexter Ward adaptations. But I doubt they're that good. Seeing as how none of them have Liam Neeson playing Dr. Willett.
Do The Hound. It's smaller scale and works with the limited setting. And, selfishly, I really wanted to see a short film version of it.
The Resurrected in 1992 by Dan O'Bannon. He has a director's cut that's never been released called The Ancestor which is a little more faithful, too.
MIKE FLEMING JR. said:EXCLUSIVE:
The project originally sold quietly as a spec script to Universal, where del Toro had his deal. It was the first one I wrote after Pans Labyrinth, and I sold it to Donna Langley at Universal, he said. She loved it, I was going to direct it, and then Hellboy II happened, and then I was off to New Zealand for The Hobbit. Donna suggested I move aside and produce it. It went out to directors, but I didnt quite like anyone for it. Finally I went through the experience of Pacific Rim with Warner Bros and Legendary, and it was the best experience I have ever had making a movie, period. I had a really good working relationship with Thomas Tull and Jon Jashni, and they asked what I wanted to do next. I sent them At The Mountains Of Madness, I sent them [The Count Of] Monte Cristo, another project Ive tried to do for 20 years. I also sent Crimson Peak, but didnt expect a reaction because its not a typical Legendary movie. Much to my surprise, Thomas Tull called 9:30 at night on the day I sent it and said, I dont know how it ends, but I am on page 45 and I love it. Next day, Jon Jashni called and said we think its the best project for us, just the right size. Universal allowed him to move the project, with the caveat the studio can put up money for a stake in the film.
Dont think for a moment that del Toro has given up his dreams for At The Mountains Of Madness, based on the HP Lovecraft horror classic that Universal unplugged late in the process even though del Toro had Tom Cruise poised to star and James Cameron poised to supervise 3D as producer. Del Toro hopes that Legendary will be part of that effort.
They love it, but we just finished Pacific Rim, he said. They want to let that film happen [it opens July 12] and then my hope is, down the line we can do it. People ask how do i choose projects. All the projects in my roster are there because I love them, but the financing process is serendipity. And often, the ones I think will happen dont, and the ones I think wont happen, do.
Actually, I'm pretty sure GDT said that Prometheus put the final nail in the coffin for this film. I guess there were too many similarities between the two stories.