The first part of the latter track being my favorite piece in the entire film. Just adds so much weight to that scene it's the cherry on top of a fantastic moment. Such a great example of the powerful use of score and visuals/dialogue.
yes! thats how i feel as well, the "revealed" track, the music that starts out the track, right when they discover each others identity with the shreeking "catlike" violins and the sadness, it adds so much to that little part, its very emotional and one of my favorite moments of not only of the expanded score but of the film.
this was a pretty hard decision but i went with the Returns score. i mean, theres no way you can beat it. its the best score of ANY batman film made thus far. like the film, its highly original and i seriously doubt we will ever get such a moving, detailed, operatic, emotional score like this ever again (unless elfman does the next batman movie). the 1989 score has some truly great iconic moments that i love, attack of the batwing, the circus type music of "waltz to the death" which i remembered as a kid used to bug me they are playing this happy music while batman gets the sh** beat out of him in the bell tower. but it really depends on what mood im in. i own the first 3 film soundtracks, 1989, Returns, Forever, as those are my favorite batman films. they are all great listens but depends on my mood. if im in a dark mood, i go for the Returns score. i just love it, up there with elfmans best compasitions.
i agree, the layers for Returns and the deep subject matter, i can see why this film divided certain fans. its very dark and moody, not just a fun comic book movie like Forever or B89. its got more of a twisted, rough edge that wouldnt be scene again until TDK. i may not be a nolan fan by any means, but TDK had more in common with Returns dark, nihlistic approach then any of the other movies, though still not haveing the same artistic, emotional, comic book style of Returns.