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This is a continuation thread, the old thread is [split]356275[/split]
Not as of yet.I know it's a game and all But Harvey could of just had another group of thugs tackle her down or something!!,Plus 24 hrs latter?Is that covered in the prequel comic?
I see what you did there. We get it that you don't like Gilda Dent being the Holiday Killer or that twist ending. Got it. But that doesn't make it a poor story. The focus of the story is not on who the Holiday Killer's identity truly is, but on the relationship between Bats, Dent and Gordon. That is so well developed it, along with another iconic Bat-story you dismiss called TKJ, is literally the basis for The Dark Knight. A movie widely considered the definitive Batman film and you yourself like. It must have done something right.
Can you point a story where said criminals have ever been as talented as Gilda Dent and pulling it all off? Joker's initial story that Ed Brubaker wrote (this is post-Loeb however, so i'm not using that pointing how smart young Bruce was) is a really good detective story as Batman is trying to understand who and what exactly Joker is, he almost manages to even win.And again why is it impossible to believe that Gilda could have outsmarted someone not even looking for her? I guess citizens are only allowed to defeat Batman's mind if they dress like clowns or wear bright green tights with a lot of question marks.
I don't think i've read him say ti was a satire, both Moore and Morrison did say they we're inspired by TDKR and it was an experimental writing, but i more remember Morrison talking how it's like an european horror story. I mean it is just bat-crazy stuff such as the glass example.That's actually Batman coming to grips with his allegorical role in the cyclical madness of Arkham (it becomes very trippy metaphysical at that point). I don't mind that. But this is a Batman who Morrison alter admitted was a satire of Frank Miller's in TDKR. He is literally insane in this story (Morrison's words) and a broken man-child who cannot rationalize having adult relations with another person and who has a mental breakdown at the start because of a word association game. If I recall, doesn't he end up stabbing a huge hole in his own hand (which would cripple him for life in reality) with a shard of glass because he is having flashes of his dead parents?
I don't consider it an assault for Batman having his more mentally weak days, i mean Morrison's modern Batman run begins with Batman pretty much going: You know with Barbara getting shot, Jason Dying, Knightfall, No Man's Land and now Infinite Crisis, i've had enough! I can't take this aymore!I like the story. More for how it explored Amadeus Arkham and several of the villains in such a dark, poetic and creepy way. But while the Batman who emerges is mentally stronger, he is depicted intentionally as weak, paranoid and likely nuts. Morrison meant this to be him fighting to keep from going over the edge and in some ways mocking Miller's Batman. It's a great story, but it is again a far cry from the Batman you describe to love in your posts. In fact, it is an assault on that image.
One thing I don't get and annoys me is how Harvey captures Selena so easy,She kicks a group of big thugs's a**But a gun is pull on her and she just gives up!?She could of easily smacked the gun out of his hand and run away by the time Harvey grabs the again!
I know it's a game and all But Harvey could of just had another group of thugs tackle her down or something!!,Plus 24 hrs latter?Is that covered in the prequel comic?
jacobed said:I don't care who you are, if you have a gun pointed to your head you are going to yield.
LuisTX85 said:Would it stop Batman?I think not!
jacobed said:He'd never have the chance to point it at Batman's head, Two face would be too busy laying on the ground unconscious after Batman tore him open a new one.
Didn't that happen in Batman and Robin too?In Batman TAS under a similar circumstances with Two face where he had Bats in a life or death situation. Bats threw a bunch of coins in the air causing Two face to become indecisive about what to do.
Didn't that happen in Batman and Robin too?
Batman Forever that happened in. They might have gotten the idea off BTAS.
I always confuse the two. I always feel like the titles should've been reversed.
B&R is a total abomination that had no good qualities whatsoever .
LuisTX85, that seems like a civilized post.![]()
The problem with Gilda being the killer is the total lack of foreshadowing and clues. It's like having a detective story where instead of the clues finally revealing the true killer, he simply gives a short monologue at the end stating it was him, with very little evidence to back it up.
Her being able to outwit the entire mob, Batman and her own husband is a stupid contrivance not because she is an ordinary person but because there is literally nothing to suggest she was capable of doing so. It all happens offscreen, and Loeb cleverly fills the gaps by stating "she did it". Simjilar is Alberto's "death", a fakeout made predictable by Loeb's overreliance on the device - justr read Hush.
That of course is the least of TLH's horrible storytelling, the biggest being the almost total lack of development in Harvey to Two-Face like what was present in the far superior Eye of the Beholder which examines the childhood abuse by his father that developed his disorder. He instead becomes a villain because I guess he's angry half his face is gone. Even his coin gimmick is barely explained. There is no doubt TLH has great scenes, and even the relationship between the three protagonists is mostly good, but the holiday murders and greater focus on them in general mean what could have been a great story of the rise and fall of Harvey Dent and the impact on the three, is instead an entertaining read despite hack storytelling, made much better in many eyes because of Tim Sale's gorgeous artwork.
Yeah, and on-topic - love the new front cover for Arkham City, much better than the last. Still would've liked it better if Catwoman was alongsaide him, but still, loks wonderful and can't wait to have it on my shelf.
Unfortunately no, but it is worth tracking down. I happily have a copy at the town library. It's highly disturbing that The long Halloween with all its flaws is far better remembered over the Eye of the Beholder, which is a much better examination of Harvey, whereas in TLH the focus is barely there. Strangely TLH rips a lot off a lot of it while being nowhere near as good. Many iconic scenes fans cite from TLH (such as Gordon/Harvey/Bats on the rooftop) are shamelessly copied from this.Is this story collected in any trade? This isn't the first time you mention it, and i'm very curious to read some good Two-Face story.
Unfortunately no, but it is worth tracking down. I happily have a copy at the town library. It's highly disturbing that The long Halloween with all its flaws is far better remembered over the Eye of the Beholder, which is a much better examination of Harvey, whereas in TLH the focus is barely there. Strangely TLH rips a lot off a lot of it while being nowhere near as good. Many iconic scenes fans cite from TLH (such as Gordon/Harvey/Bats on the rooftop) are shamelessly copied from this.
There's an excellent examination of it here that has 1/3 of the story and fills in the gaps. Definitely worth a read over Loeb's:
http://scans-daily.dreamwidth.org/1802964.html
Unfortunately no, but it is worth tracking down. I happily have a copy at the town library. It's highly disturbing that The long Halloween with all its flaws is far better remembered over the Eye of the Beholder, which is a much better examination of Harvey, whereas in TLH the focus is barely there. Strangely TLH rips a lot off a lot of it while being nowhere near as good. Many iconic scenes fans cite from TLH (such as Gordon/Harvey/Bats on the rooftop) are shamelessly copied from this.
There's an excellent examination of it here that has 1/3 of the story and fills in the gaps. Definitely worth a read over Loeb's:
http://scans-daily.dreamwidth.org/1802964.html