JLBats said:
I actually could buy Radiohead as sell-outs. Allow me to explain.
On OK Computer, Radiohead literally rage against the machine, deriding the replacement of humans and emotions with machinery. Then, with Kid A, they exchanged guitars for computer clicks and synths. Kid A represented Radiohead denying everything their last album stood for and embracing everything they hated. Ultimately, the only thing in the world whispering "OK computer" is Thom Yorke, as he exchanges the beauty and complexity of their past for the soulless 1s and 0s of their future. No Surprises there.
although the analysis is right, there's some factual information that's a little bit off
nobody in Radiohead claimed ever to hate electronic music, they are all fans of a lot of experimental electronic bands, their decision to gear towards a more electronic feel was taken as a way of showing their version of what had become by then a very mainstream genre by bringing it back to its escence
if you think there are no guitars in Kid A, check again, it's filled with guitars, they're only not as obvious as before
you forgot to mention Amnesiac, which is kinda like the continuation/companion of Kid A. talking about one without mentioning the relationship and interaction with the other shows very little knowledge and understanding of the massive piece of work both albums comprise, like two different views of the same event, even when the narration, point of view, apporach and intent are totally oposite, it's basically the same thing being adressed
Hail To The Thief, their latest album was everything BUT commercial... the band did use their status as "only band that matters" prior to the release of the album, specially by the way of press releases and interviews where they announced HTTT as being their "happy, pop album", but what was everybody's surprise when they pulled off a very dense album, filled with elements from all their career: jangly guitars, surprising crescendos, random electronic elements, hermetic lyrics which turn more cryptic and disturbing this time, hummable melodies and complicated and interesting arrengements
I still really don't see how they sacraficed their integrity, specially when they have been doing specially what they have wanted to
a friend of mine has an interesting theory about Radiohead's music: it's all because of Tom Yorke's lazy eye, all that rage, vile, angst, akwardness and despair stems from that evil, lazy eye of his