PhotoJones
Avenger
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- Mar 4, 2005
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Fallen Son: Captain America - I read this one at the shop, and I'm glad I did. The mini hasn't been as great as I wanted it to be. Sure, I like the Wolverine issue and the Avengers one wasn't too bad. This one is just...off. I can only assume the next two issue are going to continue the downward trend of mediocrity.
The problem is that not a lot makes sense. Clint puts on the Cap outfit and runs around as the new Captain America for literally 5 minutes before deciding that no one should wear the stripes and that Tony's a dickbag for supporting the registration. It's not even like he had epiphany or anything. It's just awkwardly written. Tony and Clint run into Patriot and the "new" Hawkeye (Kate), and Clint tells Tony they're going to let them go. What? Then Clint leaves. Unregistered. And Tony's left to shout to to no one, "I'll be looking for you!" Yep. What the **** is that? I was unaware that Tony Stark, Director of SHIELD was taking orders from Clint Barton. The larger problem, and this a Marvel problem, is that we need a clear cut characterization for Tony. Is he so for the Registration he's willing to sacrifice morals and relationships to track down his former friends? Or is concerned for the safety of his friends, and wants to ensure that he finds them before the rest of SHIELD does? I would obviously prefer the latter, but it's really become up to the writer. That's pretty sad when a character's motivation changes from title to title.
Before that scene, Tony and Clint get to hang out (or what passes for hanging out after you sucker punch someone), and that comes off as a little more natural. Tony lets Clint play around with Cap's shield, and explains that aside from Steve himself, that Clint's the only person skilled enough to handle the thing. That's a nice touch. The artwork is also, naturally, excellent. I don't remember the name of the colorist, but think I prefer the Eternals' colorist over this guy. I like the more watercolory, earthy feel when coloring JRJR's work more than the flashy, Liquid! style that burst on to the scene in the late 90's. Still, it's not bad at all.
Like I was saying before, I'm glad I had the will power to resist the temptation of picking this series up. I mean c'mon...Yu, McGuinness, JRJR? Those are like my modern comic book gods. It's proof though, that if I can quit smoking, I can quit anything.
Next up: Mighty Avengers #3...
The problem is that not a lot makes sense. Clint puts on the Cap outfit and runs around as the new Captain America for literally 5 minutes before deciding that no one should wear the stripes and that Tony's a dickbag for supporting the registration. It's not even like he had epiphany or anything. It's just awkwardly written. Tony and Clint run into Patriot and the "new" Hawkeye (Kate), and Clint tells Tony they're going to let them go. What? Then Clint leaves. Unregistered. And Tony's left to shout to to no one, "I'll be looking for you!" Yep. What the **** is that? I was unaware that Tony Stark, Director of SHIELD was taking orders from Clint Barton. The larger problem, and this a Marvel problem, is that we need a clear cut characterization for Tony. Is he so for the Registration he's willing to sacrifice morals and relationships to track down his former friends? Or is concerned for the safety of his friends, and wants to ensure that he finds them before the rest of SHIELD does? I would obviously prefer the latter, but it's really become up to the writer. That's pretty sad when a character's motivation changes from title to title.
Before that scene, Tony and Clint get to hang out (or what passes for hanging out after you sucker punch someone), and that comes off as a little more natural. Tony lets Clint play around with Cap's shield, and explains that aside from Steve himself, that Clint's the only person skilled enough to handle the thing. That's a nice touch. The artwork is also, naturally, excellent. I don't remember the name of the colorist, but think I prefer the Eternals' colorist over this guy. I like the more watercolory, earthy feel when coloring JRJR's work more than the flashy, Liquid! style that burst on to the scene in the late 90's. Still, it's not bad at all.
Like I was saying before, I'm glad I had the will power to resist the temptation of picking this series up. I mean c'mon...Yu, McGuinness, JRJR? Those are like my modern comic book gods. It's proof though, that if I can quit smoking, I can quit anything.
Next up: Mighty Avengers #3...