Bought/Thought May 23

Zaptoitnow

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Countdown 49 - Ive always been a fan of the DC multiverse, but I'm not sure what point it presents if the goal of the series is to keep each universe isolated. Also, I think we all knew that this was headed towards another crisis when they referred to IC as the "Middle Crisis" so whats the point anyways?

She-hulk 18 - Loved She-hulk battering Iron man, but I loved that Jenifer was more angry and threatening than Shulkie.

Captain America 26 - Just finished this one so I thought I'd add it. I liked how Bru played on the fact that now it's Bucky missing Steve, after having come back from the dead, in a warped vision of how Cap originally acted in the sixties when they found him. Can't wait to see what comes of the Kill Tony plot.
 
Haha. Okay boys reel it in, less criticism of terrible posters, more reviews of things before I go to the comic shop in a half hour.
 
I can't remember what comes out, but I do know this week's a good one. I'll find out in about an hour.
 
Capt America #26
"Kill Tony Stark"

That last line was soooo Lame
 
This is one thread that you can generally count on to suck for the first page or so.
 
It took long enough for the thread.:mad:
 
Capt America #26
"Kill Tony Stark"

That last line was soooo Lame

Are you serious? Wow, I totally disagree.

Captain America- PICK OF THE WEEK! Our heroes grieve as a hero is slain. The spotlight falls on Cap's crew as they try to figure out how to best deal with their emotions. Falcon makes a tough choice, Carter is ridden with guilt, and Bucky demands vengeance upon the man most blame behind it all. Loving this. Brubaker really is crafting one of the greatest Cap runs ever. Just like when Bendis and Maleev were writing Daredevil, this feels like I'm reading comics history in the making. 9/10

Ant-Man- I'm really digging Eri... I mean, DEREK'S new love interest. She's just his type. I hope she sticks around. Nice to see Ant... I mean, the Slaying Mantis doing what he does best: conning people, and coming out on top. I wish Marvel would give this the push it deserves. This character is far more entertaining than any other shrinking comics character we've had thus far. He's pretty much the best legacy character I've seen since Kyle Rayner. 8/10

She-Hulk- Possibly the best issue in a while. I've been less than impressed with the book lately, but I really liked the ending. I am, by no means, a big Hulk fan, but I can't wait for the War to begin. 8/10

Fantastic Four- I liked this arc, but it felt kind of... I dunno, useless? Really, it just felt kind of pointless, unless you've been reading Beyond and Annihilation. Right now, I'm leaning towards dropping. Maybe the Frighful Four arc will change my mind. 7/10

X-Men- Picked this up for the Cable/Deadpool crossover. I'm glad Nate didn't get his powers back. His substitutes are much more interesting, particularly Blackbox and the infonet. Since I came right in the middle, I was a little lost. It should set up a very nice Deadpool/Sabretooth battle over in Cable and Deadpool, though. 7/10
 
Haha. Okay boys reel it in, less criticism of terrible posters, more reviews of things before I go to the comic shop in a half hour.

Hey *******, lets see your amazing jaw dropping posts before calling people out next time.
 
Just so you guys know, Assassin hates everything Marvel and I highly doubt he even bought Captain America.
 
Well, as a fan of Tony Stark (some of his more recent dubious actions excluded) I can't get behind any call for his death so that line gets my :down . :(
 
Just so you guys know, Assassin hates everything Marvel and I highly doubt he even bought Captain America.

i did buy it, i just find it lame that they're going with the obvious bucky vs tony
 
I haven't read the issue but why would Bucky attack Tony in response to a Red Skull driven assassination?
 
Captain America #26 - Well, this one's got me a little nervous. First of all, a lot of things take place off panel. Things like Falcon's speech, Tony's speech and the entirety of Steve's funeral. They're all referenced by characters in the issue, and in the case of Sam's speech, referenced many times. That must have been one hell of a speech. Where is it?

Going along with that, I have to wonder that if those scenes are shown in future issues, then where are we going? At this point, Steve's dead, and it's time to advance the plot. If I'm going to read Sam's eulogy, I wish I could've read it now, and not in the next issue or two. Basically what I'm saying is that I don't want to still be dealing with the immediate aftermath of Steve's death in three or four months. It wouldn't advance the story, and the impact would definetly be lessened.

Other than that, there's not much to complain about. Sam meets the New Avengers after hours, before having to up and leave due to a conflict; he's a registered hero now, you know. The conflict turns out to be Bucky who tore apart an entire bar because one of the patrons bad mouthed Steve. The issue ends with Bucky vowing to kill Tony Stark.

Not bad. But not nearly as good as the book has been. And not even close to what last issue was. Obviously, I'm interested to see where it goes from here, but like I said, I don't want to dwell too much on Cap's death. I know that's the whole storyline, but it's not either at the same time. If that makes sense.

I do want to mention that other than the cover, Brubaker, Epting, Perkins and D'Armata's names are not in the actual interiors. I can't tell which pages were Epting's or which were Perkins, and I think that's a good thing. There's no jarring switch between artists, and the issue flows extremely well. Epting and Perkins are doing their best work in this run, by far. :up:
 
Pretty light week for me, which is always a good thing. My pick of the week would be Cap #26, although it was pretty depressing.
seeing the withered corspe of Cap was a sad sight. I think it was Marvel's way of telling us, "HE'S REALLY FRICKIN DEAD!"And even though he said it, we all know that Bucky won't kill Iron Man.
At the end i was alittle confused, was Falcon in on Bucky's plan too? I also pickd up FF4, which now helps Black Panther make sense. A Galactus contingency plan that involves the entire Wakadan Air force, a shape shifter, and the cooperation of the Hulk!? T'Challa is Badass #1. And now i understand the damn frogs.
 
Another Wednesday, another review. Firstly, without reviving any of last week's venom, I do want to note that I never encouraged "fans" of my reviews to compliment me by ignoring or even sometimes deriding the reviews of others. Admittedly, those who type long reviews raise the bar for those who just have the time to post a few sentences, but I NEVER consider anyone's reviews bad. In fact I usually read them all, long or short, every week. Or at least scim. That way I can address some bits that come up in my own reviews. I remember once a few months ago I told one poster who asked when I was posting a review to at least acknowledge the 2-3 posters who'd already done so. I try not to be a hog intentionally.

And in a show of goodwill, they say the first step is admitting a problem. Hi, my name is Dread and I am a Bendis-Basher. ;)

Not a big week but all books I genuinely enjoy, so hopefully today's review can be upbeat, although the cynic in me always tries to find something to complain about. Oh, and the DR. STRANGE: THE OATH trade came out today, and anyone who missed BKV's Dr. Strange mini needs to grab it. It's a solid read even for non-devotee's.

As always, full spoilers.

DREAD'S BOUGHT/THOUGHT for 5/23/07:

DYNAMO 5 #3:
Before photojones2 once again helpfully reminds me to get a pull list at my LCS, I have finally realized that for whatever reason my LCS bungles first-print issues of this series. They have gotten every issue at least 1-2 weeks late every month. Amazingly, they are timlier with the reprints. But niggles aside, I looked at April's sales charts and was more than dismayed to see that DYNAMO 5 #2, an issue that Diamond & Image breathlessly said "sold out" like the first issue, didn't even sell within the Top 200! It sold at #205, basically outselling SONIC THE HEDGEHOG, UNCLE SCROOGE, and ARCHIE. For those wondering, INVINCIBLE outsells it at #140. Now, I am not saying that sales in any way predict quality. And I also acknowledge that any company outside the "Big Two" struggles mightily to get ANY comic within the Top 100-200 in sales, so for Image's projections it likely is selling on course. But I bring this up as a point of caution not to believe any breathless announcement that a comic has "sold out". That simply means all the copies that Diamond ordered from stores made it to stores themselves; most books print a little extra aside for damages, but rarely is this number tallies. A comic that had 1,000 copies ordered, and then sold all of them, "sold out" without exactly busting the bank. And it really is a shame, though, because I enjoy DYNAMO 5 and even hunting after most issues becomes worth it as soon as I finish the story. I wonder if the price has something to do with some of these low showings; the book has been under 22 pages for the last two issues and is $3.50. True, you are essentially paying for ZERO ads within the story itself (any ads for Image stuff come after the story is finished), but to the casual fan it may seem too pricey with $2.99 being almost universal. The first issue was justified as it was no ads and some 24-26 pages of story, so I guess we are making up for it now. Still, I geninuely like this quirky little book and naturally would love to see it do better, along with INVINCIBLE, or BLUE BEETLE, or ANT-MAN, or any number of solid books I enjoy that don't sell as well as they should. Naturally, it is another exciting superhero adventure of the 5 kids of deceased superhero adulterer Capt. Dynamo as they deal with Quake, a sometimes-partner to their late father who's gone off his meds and has become violently unstable since his mentor's death. His costume has a mid-90's design to it, and the chest emblem reminded me a little of Kardiac from Superbuddies.net, which is a bit obscure. Scatterbrain and Myraid also get the team to comment in at Visionary's "V-Problem", much to the dismay of the lad. And to think, with all of them being step-siblings, you'd think there'd be no angst, ha-ha. Of course, as this is also written by the guy who does NOBLE CAUSES (about a family of superheroes), he's used to teams who can't inter-date, which at least breaks up some super-team monotamy. The story does have a final twist, however, as it calls into doubt whether Capt. Dyamo is really dead, or there is some other psychic/shapeshifter/impersonator at work. Quite frankly I find these sort of done-in-one, somewhat lighter-fare, superhero genre-pleasing (with some twists) stories much more exciting than some of the more predictable and cynical team comics that the Big Two put out (I never said ALL. Just SOME). The Letter page is named "Dynamo Jive" and in the Erik Larson article at the end, he goes on to explain the "origin" of Robert Kirkman, for those who care. Tidbits include being an Image fanboy as a youth (when the company was just formed), and originally pitching "Science Dog" as a comic in itself, explaining why it is a "comic within a comic" in INVINCIBLE. Very interesting. So, if you're one of many who can't find this book, it's not because it stinks, it's because your LCS doesn't order enough copies. Who'd have thunk that at one point, this die-hard Marvel Fanboy would find two of his Top 5-10 favorite titles at Image? Give the other companies a try, folks, that's all I can tell you.

THE SPIRIT #6: With Dini taking breaks on DETECTIVE and 52 over, I've not been buying as much DC as I was a month ago. There's this, Dini DETECTIVE and BLUE BEETLE, basically. But that's fine because, much like DYNAMO 5, this has quickly emerged as one of my favorite monthly titles. It doesn't well as well as it deserves either, but it's in the Top 90 and DC & Cooke are at least comitted for another 2-3 issues, and probably more. Even BLOODHOUND made it #10 a few years back and that sold much worse than this. So does BLUE BEETLE for that matter, and that book might actually make it to #18. Anyway, this is what one has come to expect from Cooke's THE SPIRIT, another noir tale that makes good work of his style and cinematic-style pacing, as well as has bits of Tim Burton-esque character development, usually on the "villian" of the piece. In this case, the story works backwards by starting with an explosion and Spirit asking for an explaination from a bald girl who has blue skin, who isn't from BLUE MAN GROUP. The story winds into the sordid tale of a rocker named Almost Blue, the step-brother to Spirit's enemy (who he has been chasing since issue #3, who basically created him), and blue meteors. Much like with his other work, Cooke makes it all work with this pacing and the fact that he embraces Golden Age fare with all the trappings, rather than trying to explain it away. It works as comic pulp, much like HELLBOY does. Highlights include Spirit basically overcoming being bum-rushed by dozens of goons off panel with a casual, "Please. They're just punks" line. As the story is told from another's POV, the Spirit himself only shows up sparingly in the flashback, which actually works to give him an aura of mystery to him; he's Cary Grant in a domino mask. It's what the little icon says next to the title every month: Action-Mystery-Adventure. It always delivers. Chasing down the last 5 issues of this may be a chore, but I would definately recommend it. It's not as iconic as NEW FRONTIER was, but it's definately good, stress-free DC readin'. Which, considering all their crossovers and weekly series and universe upheavals, may be a blessing.

FANTASTIC FOUR #546: Two months of complaining about the "new" in the title is enough. I know some people are not entirely pleased about some of the space-jobbing that Silver Surfer took last issue, and if you are, prepare to get even more irked, because Black Panther pulls off such prep-time mojo that Batman crossed over and literally said, "You have too much prep-time." Yes, Batman, who had Turner-esque Darkseid-punching armor laying around. Although to be fair, Black Panther is a genius, it's nice to see someone other than Iron Man pull this stuff off, McDuffie could be said to merely be imitating Hudlin's now-current style of "Panther godmodes everyone", and it works better than "T'Challa grapples Surfer, somehow". Naturally, Pelletier's art is as pretty as ever, although Storm's sure got some poutin' lips (Beyonce', eat your heart out!). T'Challa had an "Anti-Galactus" plan back at Wakanda, but as he lacked a few things, including "a shapeshifter and the Hulk" (!), he improvises with a jury-rigged version of the machine that Dr. Doom used once or twice to strip Silver Surfer of his Power Cosmic. Barring how T'Challa figured out how to build one, too, it works better than the grappling bit, especially as he hands off the power to Johnny, because he had more experience using it during Waid's FF days (Dr. Doom's lack of experience often caused issues when he had it, plus, well, arrogance). It's full of McDuffie's fun, TV-tested dialogue and has lots of superhero moments in it. There is one major issue, however, and it is that at the end of this story, all of McDuffie's actions with Gravity seem slightly pointless. He has the hero sacrifice himself in BEYOND!, only to somehow "merge" with the element of gravity itself in doing so, leading Epoch to declare him a Champion of the Universe to replace Quasar. She embues him with all the powers he'd have in a kajillion years if he had time to develop in his cosmic coccoon thingie. He sacrifices that power to "feed" Galactus, apparently because waves of gravitronic energy can be stand in for whatever life-energy Galactus gets from planet-snacking, and everyone goes home happy. So Gravity winds up alive again, without new powers, and his identity exposed from his tombstone/funeral. About all I can say this accomplished is it kept Gravity relatively shielded from appearing in CIVIL WAR, although I suspect that may soon change as other writers have been interested in using him, and McKeever has fled to DC so he won't get another go. It just seemed like a bit of a waste to kill him, simply to resurrect him in quite literally his next arc somewhere without any sort of major shake-up. At least as Champion of the Universe he'd have been different, even if seeming like Nova Lite at the moment. And did stripping his secret identity from him really open up any story possibilities? And why does he want to see his parents back home in Wisconsin (home of the GLA, or is that GLC now?) over his probably-still-grieving-girlfriend? I could imagine this experience giving Gravity some more perspective on being a hero, but without that "gee, shucks" aspect of being a rookie, he may come off as too generic. Within less than 2 years worth of comics he has already died and been resurrected, and then insiders wonder why fans are so cynical about death in narratives. Aside for all that, though, it's McDuffie doing a fun New FF adventure and I can let some bits slide; maybe he has plans to use Gravity again in the title, maybe even to boost the roster to a Fantastic Five? If not, though, it still seems to be a waste. I still enjoy the title, though. And, yes, I know this is horribly hypocritical and biased considering last week, I lambasted a simular "fun hero book" that had issues in MIGHTY AVENGERS, pretty much because I am harder on Bendis than McDuffie. All I can say is, I am subjective, a hypocrite, and give some amount of preferential treatment at times. But doesn't everyone? McDuffie doesn't nearly have as many errors on his record in my eyes than Bendis has, and nowhere near as much company influence. Plus, perhaps the more recent CW angsting lowered the bar considerably (the Richards are still vacationing in space, and once again Reed may put a love of scientific adventure before wife-duties. I just hate having to see his CW actions get mentioned, because his actions were almost unjustifiable; it's like when Bendis keeps digging up the scars of HOM/Dissassembled. Dude, just change the subject.

IRREDEEMABLE ANT-MAN #8: If last month's MIGHTY AVENGERS tie in did anything, it perhaps kept this book steady around #121 for April, which is abysmal for a Big Two book. I fear a NEXTWAVE situation is at hand, only it won't get half as much credit; before issue #12, it will be announced that the book is canned, so it will spend the last few months as a dead book walking. And it is a real shame because this issue, more than some, really showed some aspect of a good status quo for Eric O'Grady forming, albeit before his past inevitably returns to haunt him from SHIELD. He falls in with DAMAGE CONTROL, Inc, whose staff now include Monstro (apparently), Kirkman's creation from AMAZING FANTASY #15 some years ago. In a way this book combines all of Kirkman's strengths; it allows him to be able to work with whatever bits of 40+ year continuity he wants, plus it allows him to "worldbuild" a bit and create new characters, as well as use past old ones of his. It reminds me a bit of Invincible, only, well, based in 616 and with a complete scheming "hero". After out-foxing Black Fox out of loot (heh, bad pun) and rescuing a girl from rubble, Eric falls in with DamConInc, who offer him a job. Kirkman does some playing around with the team, and makes headway from turning them back from their "more wicked" twists from the WOLVERINE CW story. In addition to doing clean-up, they also perform civilian rescues now, and employ people suited for that. Not mentioned, but Monstro has experience as a super-strong tanker and a fire-fighter, so he's ideal for that. Eric naturally locks onto the prettiest girl he saw, and that is Visioneer, a low-level telepath who uses her powers to find people in rescues; subtle and clever. He sold the stolen gems for 20k (and gets a funny fake ID), only to be visitted by Black Fox who demands his money back, especially as Eric sold the gems for at maybe 20% of what they were worth. Rather than be rattled, Eric genuinely works with the thief to repay his debt and even score a few extra grand in cash himself. Considering Black Fox usually spent his time as a Z-List annoyance for Spider-Man, it's cool of Kirkman to dust him off like this and make him workable without him, oh, becoming a cyborg, demon, or raping/killing anyone. Ant-Man's "grilling" of the pawn shop mug was cool. Equally amusing was his "fight" against Mr. Hyde to try to help She-Hulk, a battle that doesn't go so well and almost reminds someone of trying to hop onto a strange team with a low level in CITY OF HEROES or something. "**** this, I am outmatched, see ya!" And that is why Ant-Man is such a great character and title, because you rarely if ever see a "hero" like this. He's a hero in the sense that he rescues civilians and occasionally stops some creep, but that is about it. He's selfish and lazy with his powers, always looking out for number one. And much like folks like this in real life, he almost always has to have an eye over his shoulders for when his past returns to haunt him. Oh, and he dons a new monniker. Will the title next month be THE IRREDEEMABLE SLAYING MANTIS? Good stuff, and I'll enjoy it while it lasts. Naturally, Corey Walker's art meshes well with Kirkman's style, and I love the sideburns he's giving Eric.

NEWUNIVERSAL #6: I've liked this series somewhat, as someone who really didn't bother with NEW UNIVERSE as a kid, and the biggest issue I felt was the pacing; Ellis is decompressed. But this issue, for some reason, clicked. Maybe it was helped by Justice, who always is a vibrant, exciting character; he slaughters a whole block full of people after seemingly seeing their sins; is this all accurate, like Bruce Willis in UNBREAKABLE, or is he just crazy? Maybe both? Izzy gets Ken back to her place to try to explain things to him (and barely understanding them herself), but Ken is still in crying, whimpering, "omigod" mode, so it goes nowhere (this state is also known as "USM's natural state"). The military preps up their plans on how to deal with the metahumans with an expert from Spitfire's past, and in this reality, the President appears to be a younger Hillary Clinton. Yeah, comic writers don't use politics at all. Anyway, I don't know what did it, maybe the prospect of no more HEROES for a few months to outdo it, but I enjoyed the issue moreso than some of the sluggish past issues and hopefully this title is finally about to go somewhere. Oh, and I will take this moment to note how, while Joe Q seems to hate the term "616" to dennote Mainstream Marvel and feels it reminds him too much of Pre-Crisis DC, let me list all the alternate realities that his company makes comics for besides "Marvel Universe" and "Ultimate": There is this NEWUNIVERSAL, there is Marvel Zombies, there is EXILES, there is SUPREME POWER, there is (or was) shoddy `1602 sequals, and there even were some new New Universe stuff last year. So, yeah, Joe, the fans are right on this one. You pick a longer term that is innaurate and they pick a shorter term that is accurate, that even other writers, like Dan Slott, use. So, :p Anyway, still onboard for this. It's not my favorite Marvel book but it allows Ellis to worldbuild so he doesn't offend anyone, and play by his own rules while being somewhat grounded.

To Be Continued...
 
Just so you guys know, Assassin hates everything Marvel and I highly doubt he even bought Captain America.

0523072025.jpg
 
Last but not least: A recent back-issue.

SENSATIONAL SPIDER-MAN ANNUAL #1: Proving I am not beyond suggestion or recommendation, this annual from a few weeks ago came recommended, especially for someone who was curious as to how Fraction, known for P:WJ and co-writing IMMORTAL IRON FIST, would handle Spider-Man. The answer is "well enough", although MJ is argueably the main focus of the story. Larroca does the art here and his "aping Hollywood faces" style that he uses for NEWUNIVERSAL is here, too; if you ever wanted to see MJ as Liv Tyler and Ben Affleck as a SHIELD agent, here is your chance. Interestingly, Larocca imitates Romita Sr.'s style for the flashback scenes and pulls it off fairly well. No artist, IMO, has ever done a better design for MJ. In a way the flashbacks in the story had a slight period feel to them, as while Marvel "sliding scale" time says this all happened maybe 10-12 years ago (circa 1995) and uses the concept of "mix tapes" (CD's weren't as universal, yet), the characters dress as they did in their earlier stories depicting styles and trends of the 60's-70's. It works if you go with it in the sense that THE SPIRIT works by using Golden Age noir designs while never saying what year the stories are based in. The tale details MJ & Peter on the run post CW with May still in a coma; Peter unloads some emotional baggage on a detective named Lamont while MJ runs into a guy who used to do security for her back when she was seperated from Peter and in LA doing model shoots; they almost had a drunken fling and he still has some hots for her, although as an agent of SHIELD he scoped out the Coffee Bean to arrest her (or get her to give up Spider-Man's location). The story uses flashbacks to detail the life she and Peter have led together and some of their awkward meetings; such as a first date and Peter, delurious with the flu, admitting to being Spider-Man (yes, that happened, and no one believed him). Gwen, to my surprise, wasn't treated as the true love of Peter's life with MJ merely being Second Prize, as some writers recently have made popular. Of course, most of this was from MJ's POV but it works on Peter's end, too. MJ is despised by the EIC and many writers treat her as an annoying detail to Peter, but Fraction here doesn't, presenting her as a dynamic character who is essential to Peter's stability through thick and thin and definately has some cajones and cunning of her own (stalling her smitten SHIELD suiter with a winding tale of history just to give Peter time to whisk her away). The scene atop the Empire State Spire reminded me of some of the movie pics, but that was alright. If I had one niggle, it is that for a guy who's life is now upside down from an exposed identity, Peter is doing absolutely nothing to repair it, freely leaping around town without his mask or, in other books, freely admitting his name and whatnot. Larocca drew the mask fine on the cover, so, not sure what the issue was. But, that's just me grasping at straws. It also had an MJ who was part of Spider-Man's world and actually seeming like she enjoyed the perks of her husband's powers for once, which has been so damned rare. Sure, Sue Richards doesn't always make "use" or mention of Reed's "advantages", but MJ's supposed to have more spunk, right? Sue was usually the soccer-mom type. I won't call it the best Spider-Man story ever, but for a one-shot it was a solid read and true to the characters, so it's satisfying. Not everyone sees this marriage as a hinderance, and it is good to see reminders of that. For the record, if Fraction landed on a Spidey title, that could work. He's not out to remake the wheel, just make it turn well, which is always refreshing to see again.
 
Irredeemable Ant-Man #8 - Well hello there, Cory Walker. I was very pleasantly surpirsed to see this issue is penciled an inked by the C-Man, again. I thought last issue was a one off deal. And Kirkman, with this issue, has written not only the best issue of Ant-Man, but also - and I'm making the claim right now - the most enjoyable Marvel comic you'll read this year. This series gets better and better, and this is not an exception.

The new Damage Control gets fleshed out a little more. They offer Eric a job doing serach and rescue and he takes on account of the pretty girl, Visioneer. He also gets away with the Black Fox's loot and sells the jewels to a crooked pawn shop for what he thinks is a good deal - $10,000. The pwan shop owner (who Kirkman clearly has a great deal fun writing) also hooks Eric up with a fake ID so he can reenter the world as someone not on the run. His new name is Derek Sullivan. And he's not Ant-Man anymore, either, no siree. Derek is the Slaying Mantis. Yes, it's as bad as it sounds, and he's reminded of it by his newgirlfriend (that's right, they've started dating by now) Abby (Visioneer).

What's really a joy to see, is Eric not being a dick. Things are really starting to look up. Sure he's running around town in a stolen Ant-Man suit, and all of SHIELD is looking for him, but he's trying to put that behind him. He's Derek now. And with the money he got from hawking the jewels, he's being very generous with his money. Yep, selfish Eric O'Grady is actually being a nice guy. He tips very well, and this time it's not to show off to anyone. He sees people less fortunate then himself, and he wants to help.

But he's not an angel yet. A battle between Mr. Hyde and She-Hulk interupts a makeout session with Abby, and Eric quickly runs off to lend a hand. After realizing that Hyde is WAY out of his league, he waits for the fight to move down the block, out of the eyesight of Abby. Then he leaves letting She-Hulk handle it. Of course, that's not the story he gives to Abby, but no one changes overnight, right?

Great, great, great characterization. Eric is growing. A Marvel character that's actually growing and changing with each issue. It's actually weird to see. It's like it's not a Marvel book, and really, it's not. It's a new character, being done by an Image creative team. Even the colorist is an Image guy - Bill Crabtree. There's a line that Kirkman inserts in the book. It's given by the secretary of Damage Control, and I think it has a deeper meaning than the context that it's in.

"We've got a bit of an IMAGE issue."

Ain't that the truth? :cwink:
 
Irredeemable Ant-Man #8 - Well hello there, Cory Walker. I was very pleasantly surpirsed to see this issue is penciled an inked by the C-Man, again. I thought last issue was a one off deal. And Kirkman, with this issue, has written not only the best issue of Ant-Man, but also - and I'm making the claim right now - the most enjoyable Marvel comic you'll read this year. This series gets better and better, and this is not an exception.

The new Damage Control gets fleshed out a little more. They offer Eric a job doing serach and rescue and he takes on account of the pretty girl, Visioneer. He also gets away with the Black Fox's loot and sells the jewels to a crooked pawn shop for what he thinks is a good deal - $10,000. The pwan shop owner (who Kirkman clearly has a great deal fun writing) also hooks Eric up with a fake ID so he can reenter the world as someone not on the run. His new name is Derek Sullivan. And he's not Ant-Man anymore, either, no siree. Derek is the Slaying Mantis. Yes, it's as bad as it sounds, and he's reminded of it by his newgirlfriend (that's right, they've started dating by now) Abby (Visioneer).

What's really a joy to see, is Eric not being a dick. Things are really starting to look up. Sure he's running around town in a stolen Ant-Man suit, and all of SHIELD is looking for him, but he's trying to put that behind him. He's Derek now. And with the money he got from hawking the jewels, he's being very generous with his money. Yep, selfish Eric O'Grady is actually being a nice guy. He tips very well, and this time it's not to show off to anyone. He sees people less fortunate then himself, and he wants to help.

But he's not an angel yet. A battle between Mr. Hyde and She-Hulk interupts a makeout session with Abby, and Eric quickly runs off to lend a hand. After realizing that Hyde is WAY out of his league, he waits for the fight to move down the block, out of the eyesight of Abby. Then he leaves letting She-Hulk handle it. Of course, that's not the story he gives to Abby, but no one changes overnight, right?

Great, great, great characterization. Eric is growing. A Marvel character that's actually growing and changing with each issue. It's actually weird to see. It's like it's not a Marvel book, and really, it's not. It's a new character, being done by an Image creative team. Even the colorist is an Image guy - Bill Crabtree. There's a line that Kirkman inserts in the book. It's given by the secretary of Damage Control, and I think it has a deeper meaning than the context that it's in.

"We've got a bit of an IMAGE issue."

Ain't that the truth? :cwink:

That was something I missed; yeah, it did seem like Eric was trying to turn over some sort of new leaf, or at least put his past behind him and start over. But, well, he still looks out for Number One first. And Abby comes with the benefit of being single and into him; most women weren't.
 
That was something I missed; yeah, it did seem like Eric was trying to turn over some sort of new leaf, or at least put his past behind him and start over. But, well, he still looks out for Number One first. And Abby comes with the benefit of being single and into him; most women weren't.

I hope that Slott can continue the whole "growing characters" trend with Avengers: Initiative. He's certainly got a lot more room to play with, and a "bigger budget".

I read your review, and my heart literally sank when you listed the sales numbers. I had forgotten Marvel books could sell that low. It's a real shame because if any book at Marvel deserves readers, it's this one. Kirkman's love for writing superhero stories shines like the goddamn Sun. The only hope is that Marvel (and the fans) pull another Spider-Girl, and it's spared out of pity. If that's the case, then I'll write my first letter to Marvel urging them not to kill the book. It's too good to cancel. Can't that be enough?
 
I hope that Slott can continue the whole "growing characters" trend with Avengers: Initiative. He's certainly got a lot more room to play with, and a "bigger budget".

I read your review, and my heart literally sank when you listed the sales numbers. I had forgotten Marvel books could sell that low. It's a real shame because if any book at Marvel deserves readers, it's this one. Kirkman's love for writing superhero stories shines like the goddamn Sun. The only hope is that Marvel (and the fans) pull another Spider-Girl, and it's spared out of pity. If that's the case, then I'll write my first letter to Marvel urging them not to kill the book. It's too good to cancel. Can't that be enough?

Yeah, it definately is a shame. It reinforces the fact that "innovative" books aren't usually rewarded unless they have some A-List team that can sell anything. Like Bendis on yet another Avengers book or something. I agree he oozes enthusiasm and Eric O'Grady/Ant-Man is so much more interesting than some other hero books.

Character growth is a fundamental thing, and it is great to see some writers employ it skillfully (and within a reasonable rate), and appalling to see those who don't.
 

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