CrimsonDeath
Like a Dog Chasing a Car
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- Jul 1, 2007
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Another week, another brilliant episode of Breaking Bad. When it seemed like Gus was getting more screentime, and we'd be seeing a vulnerable side, I was a bit worried. Flashes of similar mystique-crushing villain origins like the Star Wars prequels and Hannibal Rising sprang to mind. But the execution of it was brilliant. After being so powerful an off-screen presence for much of this season, Giancarlo Esposito really got to flex his acting muscles in a powerhouse performance this week.
Yes, this encouraged more sympathy for him. But though he's long been a scary character, I don't think he's ever been a downright hateable character. Gus has always come across as someone who is fair and does what's right for business, ruthlessly so. And as such, it was only the impulsive actions of Walt and Jesse that put them on his hitlist, and only our emotional connection to them that really set us against Gus as viewers.
But once again, Walt to me feels like the destructive influence ruining everything for everybody. I'd say Jesse would be better off ditching Walt and pairing with the more stable, even supportive Gus than endure Walt's self-centred belittling, but Gus may very well now be a sinking ship.
How crazy was that whole scene with Hank and Walt bugging the car at Los Pollos Hermanos? I don't think a single week of this season has passed without me shouting "Oh, F**K!" at the screen at least once, but during that sequence I found myself shouting it several times. The kind of agonisingly tense set-piece Breaking Bad has mastered.
I've seen a lot of people grumbling about this season elsewhere, saying it's too slow or boring, but I think they're missing the point. After the adrenaline-rush of the abridged first season, and the meticulous plotting of the second season, Season 3 was to me a transitional season, where you could feel a tangible sense of Vince Gilligan and co expanding the scope and gravitas of the show to make it not just the best show on TV, but a serious challenger to become a contemporary to all-time greats like The Sopranos and The Wire. Thus far, I see Season 4 as the culmination of that potential. Each week, we are being treated to something with the kind of depth and intricacy not quite like anything else we've encountered on television before. I don't think we're going to get the full scope of Gilligan's achievement with Breaking Bad until the whole series has finished. But for now, I'll say Season 4 is quite possibly emerging as the best season yet.
Great analysis and completely agree with everything.
Walt is the cancer that slowly corrupts and destroys everyone around him.
Almost all are worst off for having met him and dealt with him. I think his own family might end up paying the ultimate price eventually in the end game.
As for the people that complain about the pacing, I almost guarantee that most of them just started watching the show recently, and went through all the seasons in a very short amount of time. Had they started watching from the beginning, they would see that the pacing is almost the same, and that the show lays it out in a very deliberate, intricate manner. I see no difference from other seasons, I may be wrong. No wait, there is a difference now, my jaw hits the floor at least once per episode and I am always in the edge of my seat trying to figure out where it's going, engrossed in the intricacy and just flat out enjoying the ride. It's all been set up with depth of character to build to some great pay off. The end of the season is gonna be killer I bet.
I'm pretty sure Walt lied about being in remission. I think the cancer is back, and he doesn't have much time left.
Agreed.
t:
All the terrible things Gus has done to the Cartel, his persistence to cut ties with them; it's all much more poignant if Gus and Max were in love.
I have a new found appreciation for Gus that I didn't have before. 