I read a book summary that made it clear the movie left out an EXTREMELY IMPORTANT plot point, so I'm guessing the movie isn't too faithful.The main criticism of this movie is that the story goes all over the place and follows many different strands, but the book was exactly like that so I wonder has the movie been a little too faithful as I have yet to see it.
I read a book summary that made it clear the movie left out an EXTREMELY IMPORTANT plot point, so I'm guessing the movie isn't too faithful.
I mean, it's fine if the movie has many different strands, but it wasn't clear at all which of the strands was supposed to drive the story. Things just seemed to...happen. Characters acted in extremely predictable, formulaic ways. Tom Hardy and Noomi Rapace hit all the right emotional points but...I didn't get a strong sense of what was driving Hardy's character in particular to do these things. Gary Oldman wasn't on screen long enough for us to get a good sense about him, aside from the aforementioned formulaic behavior.
And then the film doesn't even give us a satisfying wrap-up of the journey that led Hardy's character to be in such deep s*** (the movie randomly [blackout]has the murdered boy's father killed to display the paranoid "open season" on everyone[/blackout].)
What I took from the film was, things just happen and there's ultimately no point.
Have low expectations for that.Ah right, will have to see it for myself then to judge really, its a real as the book was superb, but that also had a lot of different plot points to cover but wrapped them up in a very satisfying way, especially The ending when we found out who the killer was and what was driving him.
Have low expectations for that.
That's the part the movie completely misses. The killer is a nobody. Literally has nothing to do with anyone and I felt was actually used as a red herring.
Have low expectations for that.
That's the part the movie completely misses. The killer is a nobody. Literally has nothing to do with anyone and I felt was actually used as a red herring.
That's why I thought he was used as a red herring. We get NO emotional conclusion to that part of the story, since [blackout]the murdered boy's father is dead and he never gets to see the killer brought to justice[/blackout].Worst of all was the killer was talkinglike he knew Hardy's character, then BAM he's dead. My girlfriend read the book and he says the killer is super connected to Hardy's character, but the movie didn't feel like doing anything with it.
That's why I thought he was used as a red herring. We get NO emotional conclusion to that part of the story, since [blackout]the murdered boy's father is dead and he never gets to see the killer brought to justice[/blackout].
Instead it's used as a springboard into the story involving [blackout]the crazy jealous dude who wants his superior officer's wife AND the political paranoia[/blackout] that finally comes to a head. And even then, how that ended wasso I left the theater feeling rather empty at how everything transpired.
Weird. Here's how the climax goes in the book, as far as I remember:
[BLACKOUT]The killer is Leo's brother Vlad, and the killing spree is a sick, twisted attempt at getting Leo's attention. Leo and Raisa enter Vlad's house, but Leo sits down with Vlad at the table. Meanwhile outside, the soldiers hunting Leo surround the house, but Vassili slips inside ahead of them, because he plans to kill Leo and then blame it on Vlad, with no witnesses to question his version of events. This gets Vassili killed by Vlad. Vlad wants Leo to kill him, but Leo can't/won't. Raisa ends up clasping her hand around Leo's hand which is holding the gun, and Leo and Raisa basically pull the trigger together.
In the end, Leo and Raisa adopt the kids orphaned by Vassili when he killed their parents.[/BLACKOUT]
This completely fizzled.
I was about to say. Deadline put up an article saying "Tom Hardy's Child 44... WHAT HAPPENED?!" I never saw a damn commercial for it, so I imagine that's what happened.