Kurosawa
Superhero
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Sadly you're right. Honestly I think the problem started in post-crisis.
At times I'm annoyed by the look of a younger looking Superman because he just doesn't strike me as this powerful presence like he was pre-crisis, when he (at least to me) looked older. I don't see that demanding presence in the modern Superman comics.
Plus another thing I don't like is that Superman becomes very unsure of his beliefs in post crisis. I always believed that while Superman is not as uncompromising as Batman (no one is), he should still be very firm with him believe.
Thats why with the film, I'd prefer if they go with an older actor who can show that demanding presence, like Jon Hamm.
It absolutely started Post-Crisis due to a number of decisions. Personality wise Post-Crisis Superman is basically Superboy crossed with Tom Welling off of Smallville. He has very little personality wise in common with the classic version of the character. The extreme naivete and Lil' Abner farmboy aspects date back to the Donner movies actually, as the Post-Crisis version was influenced by them. They cut the powers, but more importantly when they made him a Peter Parker/Colossus hybrid, they cut out the MAN part of SuperMAN. He is no longer an independent adult, but instead an eternal juvenile running home to momma for milk and cookies or being emasculated by his shrew of a wife. Superman is basically humiliated by everyone in the comics nowadays. He's a whipping boy.
Goddamn it that wasnt my point. My point was that there are writers who get both characters and can write great stories for both characters.
And really now, All Star Superman is one of the best, if not THE best Superman story ever. STAS is loved by everyone, and so is JLU where every character had his/her moments. Did you watch the Superman heavy episodes like "For the man who has everything", "Doomsday", "Hereafter", etc? Superman was amazing in them!
But you have to ***** about writers belittling your favourite character right? Even when nothing suggests that its really the case. And no, Miller doesnt count because nobody takes him seriously. Besides, every time Batman takes down Superman he has 10 contigency plans working at once, all the plot armor and luck in the world, and barely lives to tell the story. In TDKR he and Green Arrow tricked and poisoned Superman with K before beating him. In Hush, Loeb wanted to show off in a ridiculous story (which is overrated because of marketing and Jim Lee's art), and even then he had Bruce admit that Superman is fighting the mind control and holding back, while at the same time the leaking gas main was preventing him from using his heat vision.
Nobody makes fun of Superman. You just dont want to see him lose. You want to read your Golden Age stories where he pushes the Earth back to orbit and beats god with his pinkie while everyone bows down to him.
Those are Silver Age stories and I'm more concerned with his personality than his power level, although he was so weak in the Timmverse that I called him "kinda powerful man". Of the people you listed only Morrison wrote Superman close to right and he still holds to the Byrne spawned farmboy crap that was never part of Siegel's intentions and was never important at ALL until the Donner movie. Classically, a small part of Clark's upbringing was on a farm. . Now it is one of the most dominant and important parts of his character. There is nothing wrong with rural farm characters, but that is simply not what Superman was designed or intended to be.
Last comics writer to get Superman 100% right was Alan Moore. All-Star Superman was great but it seemed even greater than it was because 99% of most recent Superman material is unimpressive. But it's not the greatest Superman story of all time, and I personally wouldn't even rank it in the top-ten if you consider single-issue stories.
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