DC gets an overhaul

[GL's Light]

I know they say this isnt in response to Disney, but I think that deal might have helped them decide to go ahead with this...

I doubt it. The time frame is too short for the Disney deal to have played a role.

 

[GreenKToo]

Columbia Pictures buys Supermax Script

http://www.joblo.com/index.php?id=28452

Hmm. Possibly no green arrow? Then what would be the point?
Crazy aint it.

 

[FlawlessVictory]

Credit to Drz from the DC Comics board:

Wednesday, September 9th, 2009
By David Hyde

WARNER BROS. CREATES DC ENTERTAINMENT​

Diane Nelson to Serve as President, DC Entertainment​

Paul Levitz to Segue from President & Publisher of DC Comics ​

To Writer, Contributing Editor and Overall Consultant to DC Entertainment​

(Dateline – Burbank, CA) Warner Bros. Entertainment Inc. (WBEI) has created DC Entertainment Inc., a new company founded to fully realize the power and value of the DC Comics brand and characters across all media and platforms, to be run by Diane Nelson, it was announced today by Barry Meyer, Chairman & CEO, and Alan Horn, President & COO, Warner Bros.

DC Entertainment, a separate division of WBEI, will be charged with strategically integrating the DC Comics business, brand and characters deeply into Warner Bros. Entertainment and all its content and distribution businesses. DC Entertainment, which will work with each of the Warner Bros. divisions, will also tap into the tremendous expertise the Studio has in building and sustaining franchises and prioritize DC properties as key titles and growth drivers across all of the Studio, including feature films, television, interactive entertainment, direct-to-consumer platforms and consumer products. The DC Comics publishing business will remain the cornerstone of DC Entertainment, releasing approximately 90 comic books through its various imprints and 30 graphic novels a month and continuing to build on its creative leadership in the comic book industry.

In her new role, Nelson will report to Jeff Robinov, President, Warner Bros. Pictures Group, in order to best capitalize on DC Entertainment’s theatrical development and production activities and their importance to drive its overall business with each of the divisions of Warner Bros.

Nelson will bring her expertise and more than 20 years’ experience in creative brand management, strategic marketing and content development and production to ensuring DC Entertainment’s dual mission of marshalling Warner Bros.’ resources to maximize the potential of the DC brand while remaining respectful of and collaborative with creators, talent, fans and source material. Additionally, Nelson will continue to oversee the franchise management of the Harry Potter property, which she has done since 2000, and also continue to represent the Studio’s interests with the author of the Harry Potter books, J.K. Rowling. Nelson will segue from her post as President, Warner Premiere but maintain oversight responsibilities of that division. (An executive succession plan for Warner Premiere will be announced shortly.)

Paul Levitz, who has served as President & Publisher of DC Comics since 2002, will segue from that role to return to his roots as a writer for DC and become a contributing editor and overall consultant to DCE. This transition will take place as expeditiously as possible without disrupting DC’s business operations.

In his new role, Levitz will be called upon for his deep knowledge and more than three-decade history with DC Comics, both as a comic creator and an executive. Besides serving as a writer on a number of DC Comics titles, he will be a contributing editor and consultant to DC Entertainment on projects in various media. Additionally, he will consult as needed on the transition and integration of the DC Comics organization into DC Entertainment and will utilize his unique experience, knowledge and relationships with the comics industry’s creative community to help achieve DC Entertainment’s goal of maximizing the value of DC properties. Further, Levitz will advise DC Entertainment on creative and rights-holder relationships, in particular regarding the legacy relationships that have been a part of DC Comics for decades.

Widely recognized and respected for his support of writers, artists and creators in the comics industry, Levitz is best known creatively for his work with DC Comics, having written most of the classic DC characters, including Batman, Wonder Woman and the Superman newspaper strip. At Comicon International in 2008, Levitz was awarded the Bob Clampett Humanitarian Award as part of the Will Eisner Comic Industry Awards, the only industry executive ever so honored.

“DC Comics and its super hero characters are truly touchstones of popular culture, and the formation of DC Entertainment is a major step in our company’s efforts to realize the full potential of this incredible wellspring of creative properties,” said Meyer. “Diane knows our studio as a creative executive, a marketer and a senior manager, and this varied background will help her effectively and creatively integrate the DC brand and properties across all our businesses. We’re also thrilled that Paul will remain involved with DC and we’ll be able to tap his expertise to help us reach our goals for this new business.”

“It’s no secret that DC has myriad rich and untapped possibilities from its deep library of iconic and lesser-known characters,” said Horn. “While we’ve had great success in films and television, the formation of DC Entertainment will help us to bring more DC properties across additional platforms to fans around the world, while maintaining brand integrity and authenticity. Diane is a terrific choice to lead DC Entertainment, and with Paul in his new role as a valued consultant and contributing editor, both our company and comic fans win.”

“Based on the great success we’ve had working with DC Comics to create some of the most popular and successful super hero films of all time, I’ve long believed that there was much more we could do across all of Warner Bros.’ businesses with this great body of characters and stories,” said Robinov. “The prioritization of DC and the creation of DC Entertainment is a great opportunity that reaches far beyond the film group. There are endless creative possibilities to build upon the many significant successes already achieved by my colleagues Kevin Tsujihara and the Home Entertainment Group in the videogame, home video and direct-to-platform arenas and Bruce Rosenblum and the Television Group in live-action, animated and digital series. Collectively, we have the ability to grow a body of properties highlighting the iconic characters and the diversity of the creative output of DC Comics.”

“The founding of DC Entertainment fully recognizes our desire to provide both the DC properties and fans the type of content that is only possible through a concerted cross-company, multi-platform effort,” said Nelson. “DC Entertainment will help us to formally take the great working relationships between DC Comics and various Warner Bros. businesses to the next level in order to maximize every opportunity to bring DC’s unrivalled collection of titles and characters to life.”

“After so many roles at DC, it’s exciting to look forward to focusing on my writing and being able to remain a part of the company I love as it grows into its next stage,” said Levitz. “It’s a new golden age for comics and DC’s great characters, and I hope my new position will allow me to contribute to that magic time.”

DC Comics will celebrate its 75th anniversary in 2010 (NEW FUN COMICS #1, the first DC comic, began publishing in 1935), at which time more explicit details regarding DC Entertainment’s corporate and management structure, film and content release slate, creative roster and business objectives will be unveiled at a multi-faceted anniversary celebration and press conference in the first quarter of the year.
Current DC properties in development and/or production at Warner Bros. Entertainment include:
– “Human Target” is being produced by Warner Bros. Television for a mid-season debut on Fox.

– “Midnight Mass” is in series development at Warner Bros. Television for consideration for the 2010-11 season.

– “Jonah Hex,” Warner Bros. Pictures’ supernatural Western starring Josh Brolin, Megan Fox and John Malkovich, recently wrapped production in Louisiana.

– “The Losers,” Dark Castle/Warner Bros. Pictures’ action-adventure drama starring Jeffrey Dean Morgan, Zoe Saldana and Chris Evans, began principal photography mid-July in Puerto Rico.


– “The Green Lantern,” Warner Bros. Pictures’ next big superhero tentpole release, recently cast Ryan Reynolds as the titular character. The film has a projected second quarter 2011 release date.

– “Lobo,” based on the DC Comics anti-hero, has Guy Ritchie attached as a director; Joel Silver, Akiva Goldsman and Andrew Rona are producing for Silver Pictures and Warner Bros. Pictures.

– Warner Premiere’s direct-to-platform DVD animated release of “Green Lantern: First Flight” debuted July 28.

– Warner Bros. Animation currently produces “Batman: The Brave and the Bold,” which airs on Cartoon Network.

– Warner Bros. Interactive Entertainment released “Batman: Arkham Asylum” on August 25, a dark, action packed videogame adventure for Xbox 360 videogame and entertainment system, PlayStation3 computer entertainment system and Games for Windows.

Prior to being named President, DC Entertainment, Nelson most recently served as President, Warner Premiere since its founding in 2006. Warner Premiere is a Studio-based production company which develops and produces high-quality, direct-to-DVD and short-form digital content, including the highly successful line of DC Universe animated DVD titles, and also pioneered the development of the motion comics category. Under Nelson’s leadership, Warner Premiere functions as a full-service production entity with its own resources and release schedule, furthering the Studio’s mandate of being a destination for both established and up-and-coming talent to create stand-alone properties as well as experiment in new media.

Before that, Nelson served as Executive Vice President, Global Brand Management, Warner Bros. Entertainment, with the primary responsibility of working cross-divisionally and throughout Time Warner to maximize and optimize all the various windows and outlets available to the Studio’s signature franchises, brands and event properties on a global basis. In this post, Nelson’s primary focus was the management of the Harry Potter brand, which she has overseen since the brand’s launch at the Studio in 1999. These efforts have helped drive the success of the brand to become the most successful film franchise of all time, as well as a respected consumer property that has generated billions of dollars for the Studio.
At Global Brand Management, Nelson and her team of more than 15 employees worked in all media and platforms to support a number of other key franchise properties, including “The Matrix Reloaded,” “The Matrix Revolutions,” “Batman Begins,” “The Dark Knight,” “Happy Feet,” “Polar Express” and “Charlie and the Chocolate Factory,” among others.

Prior to overseeing Global Brand Management, Nelson had served as Executive Vice President, Domestic Marketing, Warner Bros. Pictures. Nelson rose quickly through the ranks, having also served as Senior Vice President, Domestic Marketing, Warner Bros. Pictures and prior to that, Senior Vice President, Family Entertainment, Warner Bros. Corporate Worldwide Marketing and Planning. She was also Vice President, Worldwide Corporate Promotions, a post to which she was promoted in March 1998, after joining the Studio in September 1996 as Director of Worldwide Corporate Promotions.

Nelson came to the Studio from Walt Disney Records, where she served as Director of National Promotions. She is a graduate of Syracuse University’s Newhouse School of Communications.

# # #​

Contact: Susan Fleishman/Warner Bros. Entertainment
818/954-1919 [email protected]

Scott Rowe/Warner Bros. Entertainment
818/954-5806 [email protected]

David Hyde/DC Comics
212/636-5450 [email protected]

http://dcu.blog.dccomics.com/2009/09/09/warner-bros-creates-dc-entertainment/

 

[REDophile]

This is great news if it pans out. It won't affect the production of GL either.

 

[GL's Light]

A new DC Entertainment division is exactly what I've been hoping to see. Diane Nelson has an impressive background. Here's wishing her every success!

Originally Posted by bunk
Columbia Pictures buys Supermax Script

According to Dark Horizons they're separate scripts that shouldn't be confused with one another despite their similarities.

 

[Octoberist]

finally!

 

[Keyser Soze]

So Paul Levitz is returning to his original job as a writer for DC? It's been a long, long time since Levitz has been in that position, I wonder what he'll be working on.

(EDIT: Never mind, I found out. I thought it was curious that Geoff Johns was being abruptly shunted off Adventure Comics, but now it all makes sense. Paul Levitz will be taking over as writer on the book. It makes sense that this is where Levitz will make his return to active writing for DC. After all, it was Paul Levitz who put Adventure Comics on the map - as writer, then later as editor - during its earliest incarnation.)

I also find it interesting that, in the first quarter of 2010, we're set to have a major press conference to coincide with DC's 75th anniversary, laying out a detailed film release slate for future years. With all the rumors and projects in the early stages of development circulating around, I think a somewhat concrete schedule is what many fans have been waiting for.

Overall, this sounds like generally good news. Let's just hope it all pans out.

 

[FlawlessVictory]

3RD UPDATE: DC Comics senior staff have just been told by Paul Levitz about the Warner Bros restructuring of their company. There's still no public announcement. But DC Comics insiders are now telling me that Levitz, the president and publisher, said he will "transition out" after a new publisher is sought and found. He chose to leave after 35 years at the comic book company rather than accept a demotion. As I reported early this morning, Warner Bros gave him an option to stay but in a different capacity. I now am told that there never was a scenario where he would have been reporting to Diane Nelson or where that didn't sit well with him. "He was a constructive, positive partner in the restructure," a source advises me. (But his reporting structure was going to change -- previously, he'd reported to Alan Horn -- .) One insider told me Levitz's conversation with senior staff went like this, "Don't worry. No one should sweat right now. It's all going to be fine."

http://www.deadline.com/hollywood/update-will-dc-comics-paul-levitz-leave/

 

[louiebling$]

Whoa.... DC Entertainment? Levitz leaving..... this really is a good thing or bad thing scenario.

 

[Octoberist]

I think DC Entertainment is for the entire spectrum.

DC Comics will remain DC Comics, if I'm not mistaken

 

[FlawlessVictory]

^Correct. The only thing changing with DC Comics is that Levitz will no longer be its president. However, he is not leaving the company, he will stay with the company as a writer and now will also be a consultant to the newly formed DC Entertainment.

And louiebling, I would say this is a definitely an all around GOOD scenario.

 

[FaT_tONle]

And now that director Chris Nolan is working on back-to-back pics, who knows when the threequel will get a start date.

Someone care to explain this to me... already brought it up in another thread.

 

[Evil Twin]

I don't know if I'd characterize Levitz's stepping down as "all around good". Without question, Levitz has been very supportive and protective of Vertigo. And it's certainly a creator friendly imprint. It's not hard to imagine a more bottom line publisher taking a hard look at that imprint and culling a lot of the lower selling books that the publisher only has a small stake in. The market already has problems with a lack of diversity.

 

[FlawlessVictory]

Someone care to explain this to me... already brought it up in another thread.

At first, I took that to mean back to back as in TDK then Inception. But now that I think of it more, not sure what that really means. We haven't heard anything else he may be attached to, and he recently dropped out of The Prisoner.

 

[FaT_tONle]

Don't know how doing a film scheduled two years after TDK is characterized as "back to back" but whatever...

 

[FlawlessVictory]

I don't know if I'd characterize Levitz's stepping down as "all around good". Without question, Levitz has been very supportive and protective of Vertigo. And it's certainly a creator friendly imprint. It's not hard to imagine a more bottom line publisher taking a hard look at that imprint and culling a lot of the lower selling books that the publisher only has a small stake in. The market already has problems with a lack of diversity.

Yea, I get what you are saying. I thought all around good because he will still be involved with the company and he will be a consultant to DCE which is very important. But I hope a scenario like you mentioned doesn't happen.

 

[FlawlessVictory]

Don't know how doing a film scheduled two years after TDK is characterized as "back to back" but whatever...

If Nolan was involved with another film immediately following Inception, I'm pretty sure we would have heard about it. And knowing how much he focuses on "one movie at a time", I doubt this is the case here.

 

[GhostPoet]

It's about time they started taking DC series. so many great heroes that could be made into great films if they take it serious.

 

[GL's Light]

Vertigo has low sales in terms of monthly titles, but their trade paperbacks tend to sell a lot better. Plus Warners has turned to Vertigo as source material for adaptations with some regularity. The only big change that's occurred recently for Vertigo is that Warners has handed down an edict that the film rights to future Vertigo properties must belong to Warners (the film rights to a lot of earlier Vertigo comics were creator-owned, which is why Road to Perdition was made at DreamWorks and Preacher is set up at Sony). So for those reasons I don't think Vertigo is in danger of being shut down or dramatically downsized.

 

[FlawlessVictory]

4TH UPDATE: Here's what the Warner Bros statement says Paul Levitz will do. "Paul Levitz, who has served as President & Publisher of DC Comics since 2002, will segue from that role to return to his roots as a writer for DC and become a contributing editor and overall consultant to DCE. This transition will take place as expeditiously as possible without disrupting DC’s business operations. In his new role, Levitz will be called upon for his deep knowledge and more than three-decade history with DC Comics, both as a comic creator and an executive. Besides serving as a writer on a number of DC Comics titles, he will be a contributing editor and consultant to DC Entertainment on projects in various media.

Additionally, he will consult as needed on the transition and integration of the DC Comics organization into DC Entertainment and will utilize his unique experience, knowledge and relationships with the comics industry’s creative community to help achieve DC Entertainment’s goal of maximizing the value of DC properties. Further, Levitz will advise DC Entertainment on creative and rights-holder relationships, in particular regarding the legacy relationships that have been a part of DC Comics for decades."

http://www.deadline.com/hollywood/update-will-dc-comics-paul-levitz-leave/

 

[Octoberist]

I wonder how this affects Geoff John's involvement with The Flash, Shazam? I hope nothing since that was only a recent thing..

 

[Octoberist]

http://www.deadline.com/hollywood/update-will-dc-comics-paul-levitz-leave/

Thank God he's still with DC..

 

[bunk]

Credit to Drz from the DC Comics board:

http://dcu.blog.dccomics.com/2009/09/09/warner-bros-creates-dc-entertainment/

 

[GL's Light]

I wonder how this affects Geoff John's involvement with The Flash, Shazam? I hope nothing since that was only a recent thing..

I'm sure that recent developments - like Geoff Johns getting involved with The Flash and Shazam! and directors being signed for Lobo and Deadman - were done with this restructuring in mind and with the key players being consulted. After all, the press release notes some development deals that predate this restructuring, so it's not as if they're starting from a completely blank tableau.

 

[hippie_hunter]

Columbia Pictures buys Supermax Script

http://www.joblo.com/index.php?id=28452

They bought a different Super Max script with a very similar premise.