Dracula Year Zero Rises at Universal

Am I the only person who like the '92 Coppola version?

So far sounds like another movie ruined inadvertantly by The Dark Knight.
 
I wouldnt say so.

From reading the other posts I 'd say there are a few people, inlcuding me, who like Coppolla's Dracula.

Thats not to say I won't be interested in watching another talented directors take.

Note the word 'talented'. If it was some hack director in charge - I'd have no interest.

Proyas' involvent is key.
 
I'd love to see Proyas do a direct adaptation of the novel. I really love that book.
 
Am I the only person who like the '92 Coppola version?

So far sounds like another movie ruined inadvertantly by The Dark Knight.

I enjoyed what Coppola did, it wasn't exactly faithful though. I personally would love to see a direct adaptation instead of this premise that sounds an awful lot like that docu-film about Vlad done years ago.
 
I could do without a Keanu Reeves Jonathan Harker this time around though. ;)
 
I would have credited a filmaker like FFC with a bit more sense if that is true.

I have a problem believing that a director of his stature would bow to such pressure - especially on such a high profile movie.
 
I would have credited a filmaker like FFC with a bit more sense if that is true.

I have a problem believing that a director of his stature would bow to such pressure - especially on such a high profile movie.

I was checking out the trivia on imdb and this is what they say;

Coppola has openly criticized his own reasoning for casting Reeves as Jonathan Harker. According to him, he needed a young, hot star that would connect with the girls.
 
Ouch.

Francis Ford Coppolla; What were you smoking at the time?


.............and can I have some? :yay:
 
Ouch.

Francis Ford Coppolla; What were you smoking at the time?


.............and can I have some? :yay:

Whatever he was trippin' on, at least it reflected well on the awesome visuals if not the casting.:grin:
 
When I watch it with Coppola's commentary, you could tell how desperate he was for it to be a hit.

And yes, viaully it was incredible. 1992 was a great year for visual films. Dracula, Batman Returns and Alien 3 all had great visuals.
 
When I watch it with Coppola's commentary, you could tell how desperate he was for it to be a hit.

And yes, viaully it was incredible. 1992 was a great year for visual films. Dracula, Batman Returns and Alien 3 all had great visuals.

It saved his company from banruptcy, I'd have been eager for it to be a hit too!:hehe:

Originally posted by SUPERBENITEZ
Basic Instinct had great visuals too.

:D

By far the best visuals of 1992.:grin:
 
Am I the only person who like the '92 Coppola version?

The ending rubbed me the wrong way, but otherwise I thought it was good. If nothing else it was nice to see someone take the source material seriously. There's a quote about the novel Dracula, I forgot from whom, that it's "the most flawed masterpiece ever written". There's so much that's brilliant in it, and so much that's inconsistent and bizarre. But there is that brilliance there, and it shouldn't be that Dracula is just some modern folk tale that everyone adds or subtracts details as they see fit.

Coppola did a good job of capturing the atmosphere of the book, including how god damn weird it is, and pretty much respected the story.
 
Correction: vampires have been done to death.

And the thing that gripes me is that even though Vampire Films are plenty, only few are actually excellent, most of it is garbage to be honest.
 
Mike De Luca Exclusive Interview


http://www.collider.com/entertainment/interviews/article.asp/aid/7418/tcid/1/pg/2

Collider: Okay, let’s move on to if you don’t mind “Dracula Year Zero”. So what’s that about?

Mike De Luca: “Dracula Year Zero” is a origin story for kind of an origin story for Prince Vlad of Transylvania and how he came to be a vampire and what were the circumstances surrounding his transition from you know ruler of this modest country to King of the Undead.

Collider: Is Alex Proyas still doing it?

Mike De Luca: Yeah, we’re supposed to pick him up after his finishes the Nick Cage movie, “Knowing”.

Collider: I’m a big fan of Alex, was this one of those things where he came in a pitched you the way we just talked about, you know his take on the material or is this one of these things where you went after him?

Mike De Luca: No, I went after him and he did come back and pitch a take on the material that was great.

Collider: And is this one of these…and pardon me because I don’t really know much about the story…but does this take place in modern times?


Mike De Luca: No, it’s almost a mix of historical fact and supernatural fiction. It takes place during the time of the original Price Vlad.

Collider: Okay, again it’s…there’s going to be a Dracula fan who reads this who’s just going to be angry with me for not knowing enough about the history.

Mike De Luca: I’m just blanking on what century it was. I want to say the 12th century, I could be wrong, but it’s in there. It’s in that zone. Hold on one second.

Collider: Sure.

Mike De Luca: It’s 13th century, I just looked it up. Vlad was born in 1390, so it’s the 14th century.

Collider: So what was it about the script that pulled you into this….to wanting to make this movie?

Mike De Luca: The script was an ingenious blend of “Braveheart” and a horror film. Prince Vlad is positioned as a young ruler who to protect his kingdom from the tyranny of the invading Turk army allows himself to become a vampire and in doing so ends up defeating the invading Turks but is now stuck being Dracula for the rest of his undead life.

Collider: So I’m very curious how Alex is going to approach this material. Like what kind of style because Dracula has been done many times.

Mike De Luca: It’s Dracula as a warrior prince so it’s Dracula as Gladiator or Dracula as Braveheart.


Collider: That actually sounds very interesting. I’m curious if he’s going to go very dark, if it’s going to be you know a bright kind of thing, but I mean these are questions for once he actually gets on the project.

Mike De Luca: Yeah, I can’t imagine it being bright.

Collider: Neither can I. I can’t imagine a “Braveheart” look, you know with the bright sun.

Mike De Luca: No, it’s just about…it’s about what kind of devil’s bargain would you agree to to protect your people.

Collider: So will the film go and follow him like through for hundreds of years?

Mike De Luca: If we’re lucky. If people enjoy the first film you could take the story all the way up to the time period of Bram Stroker’s Dracula.



_________________________________





 
From the Coming Soon.net:

http://www.comingsoon.net/news/movienews.php?id=15338

Dracula Year Zero Rises at Universal

Source: Variety July 11, 2006



Universal Pictures has acquired the spec script Dracula Year Zero by new screenwriters Matt Sazama and Burk Sharpless and set it up with Michael De Luca to produce via his De Luca Productions, says Variety.

The story explores the origin of Dracula, weaving vampire mythology with the true history of Prince Vlad the Impaler, depicting Dracula as a flawed hero in a tragic love story set in a dark age of magic and war.

Alissa Phillips of De Luca Productions, who brought the project in, will serve as co-producer. Donna Langley, president of production, and Jeffrey Kirschenbaum will oversee the project.


------------------------------


it's just like coppola's dracula. if they're going to do it again give us something else. like, i don't know, an evil dracula who's not crying throughout the entire movie.
 
I am a sucker for vampire movies. I am still waiting for the Historian to be made. I know it was written but there has been no news.

I like the origin of him but it must be more tragic to go with his evil nature.

I would love for Daniel Day Lewis to play a Dracula-esque figure in either the Historian or this but most likely not unless they get a killer director for the movie.

DDL is soo picky with his movies. He only does one every few years or so and it must be a top notched.
 
Coppola did a good job of capturing the atmosphere of the book, including how god damn weird it is, and pretty much respected the story.

Gota disagree with the second half of this. Yes, he captured how weird the novel is, but didn't really respect the story.

The novel is NOT a romance. At all. No where is Dracula a sympathetic character. He's a horrible, ugly, beast of what once was a man. You never feel sorry for Dracula in the novel. You hate him.

Watching the bonus features on the special edition DVD, it offends me that everyone involved with the film(notably Coppola and James V. Hart) were convinced that they made THE faithful version of Dracula. They were also very convinced that the novel was a romance. It's not. Where i'm not sure of the whole thing, on the special features James V. Hart said that Dracula's been alive for 800 years and that it must be very depressing and lonely. And Dracula finally feels the need to love. And that's wrong. Why does he have to be lonely and depressed? The book says in life that he was an evil man. So now he's alive for 800 years. Why can't he decide to be hateful and destroy?

They also ruin the character of Lucy. In the novel, she's a sweet, shy, timid, lovely young woman, who actually doesn't really know how to handle the fact that 3 men are madly in love with her. And when she dies and becomes a vampire, it's devestating. She becomes the complete opposite of what she was in life: Sexual, animalistic, violent. In the film, Hart and Coppola turn her into (more or less) a ****e, who isn't really likable. She plays games around each man who loves her, and would seemingly want to marry all three of the men just so she could have one giant orgy. And when she becomes a vampire, she becomes the same kind of person she was in life, albeit an extreme version: no one really likable.

and in my opinion, if you screw with that, you screw up the story, and when yous screw up the story, you're not being respectful to the story.
 
http://www.comingsoon.net/news/movienews.php?id=52406

EXCL: Alex Proyas' Dracula Year Zero Update
Source: Edward Douglas
January 29, 2009


ComingSoon.net/ShockTillYouDrop.com just got off the phone with filmmaker Alex Proyas (The Crow, Dark City) after talking briefly about his upcoming sci-fi thriller Knowing, starring Nicolas Cage. Proyas has been hard at work in the post-production of the film, but we wondered if there'd been any progress on the two other films he'd been developing, The Tripods, based on the series by John Christopher, and Dracula Year Zero, a proposed origin story for Bram Stoker's legendary vampire.

Both are still in active development so either could be Proyas' next project. "I'm working on a bunch of different things and the two projects I'm excited about are an adaptation of John Christopher's The Tripod stories that I've co-written with Stuart Hazeldine, who is one of our writers on 'Knowing', and the Dracula project," the Australian filmmaker told us. "Both are very exciting projects but at this stage, we're still in the budgeting process for both, so I can't really tell you much more than that."

"I'm not a fan of remakes or sequels — I haven't done any and I'm not really that excited by them usually," Proyas said when asked about his decision to make a movie based on a character whose had an extensive life in film. "In the case of Dracula, the reason I got excited about the project is I read a particular script that puts the whole legend on its head in every conceivable way and comes out with something that is both a kind of an ode to Bram Stoker's original Dracula, in that it's kind of a prequel to that, but it also redefines the character to such an extent that I found it quite exciting, so that is very much a kind of reinvention of that character and it's why I got excited about it."

Knowing opens on March 20, 2009. Look for the full interview with Proyas over on ComingSoon.net shortly before then.
 
I am very excited about this project. I wonder if Proyas will go the Vlad Tepes route...
 
Am I the only person who like the '92 Coppola version?

Nope, I love it since it was the first feature wide release movie to play more to Stokers novel than the stage play.

I love Proyas' style, I'm curious who he casts as Prince Vlad.
 
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I think Coppola's version was good but flawed. I just remembered I didn't like Keanu in the movie; he was awful. usually i'm not hard on his acting but that has to be his worst.
 

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