GDT + Amazon = A Killing on Carnival Row

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http://www.hollywoodreporter.com/heat-vision/guillermo-del-toro-plots-a-761149
Guillermo del Toro Plots 'A Killing on Carnival Row' as Amazon Series (Exclusive)
4:59 PM PST 1/8/2015 by Rebecca Ford, Borys Kit

Legendary and Amazon Studios are developing the show 'Carnival Row'

Guillermo del Toro is returning to A Killing on Carnival Row. The long-in-the-works fantasy project, however, will no longer be a feature but is in development as a television series to be called Carnival Row.

Legendary acquired the script this past year for del Toro, and will develop Carnival Row with Amazon Studios.

Del Toro will co-write a pilot version of the feature script with Travis Beacham (who wrote the script for del Toro's Pacific Rim) and Rene Echevarria. He will direct the pilot, most likely this spring, before he begins work on his next feature film (he's in post on his Gothic horror movie Crimson Peak with Pacific Rim 2 due to be his next film).

Del Toro and his producing partner Gary Ungar will exec produce the series, as they do with FX's The Strain.

Beacham, who wrote Carnival Row as a newbie writer back in 2005, will also executive produce along with del Toro and Echevarria. Echevarria, who is a veteran in the genre television space with writer and producer credits ranging from Star Trek: The Next Generation to Castle and Terra Nova (he also co-created The 4400), will serve as showrunner partner. (Del Toro and Lost's Carlton Cuse both oversee FX's The Strain, which is heading for its second season.)

Carnival Row is one of those Hollywood projects that have grown into fabled what ifs. New Line picked up the script, considered wildly original at the time, preemptively in 2005 with Del Toro quickly becoming attached. After several years in development, however, he left for other passions. Neil Jordan was also attached to direct but eventually the project was shed from the studio as it merged more fully with Warner Bros. The project’s last major breath of life was in 2011 when Tarsem Singh became attached, although no studio was willing to take a risk on it.

The story is set in a noir, Victorian-tinged city where humans, fairies and other creatures co-exist. The original script told of a detective investigating a serial killer who is preying on mystical creatures, only to find that he has become the prime suspect in the murders.

Since the script's inception, the TV landscape has changed considerably, with fantasy now a coveted genre and going the TV route for filmmakers now a road to prestige and a way to sidestep more risk-averse studios. By going the TV route, Carnival Row also has a chance to expand its world and offer more story directions.

“We tried to do it for so long as a film that the rights reverted back to Travis as a basic story,” del Toro told THR. And I’ve always talked about it to anyone that would listen.”
After the Strain, Legendary's Thomas Tull came to del Toro and said whether he would be willing to explore it as a series. Del Toro jumped at the chance.

“We always had too many ideas to fit into the feature,” he said. “We can now really focus on the world and the politics of what it is to be a magical being in Victorian steampunk atmosphere where you are seen as a lesser being."

For Amazon's part, the streaming service continues to push into pricey genre fare. The del Toro project comes just days after Amazon canceled its series order for Chris Carter's The After, which is said to have taken The X-Files creator by surprise. The streamer's most recent pilot slate features more ambitious genre and period fare, marking a heavy financial investment in its original programming growth. Amazon's originals include critical darling Transparent, Alpha House, Mozart in the Jungle and more.

Legendary has become the de facto home for del Toro, with several of his past movies having been produced and financed by the company, including Pacific Rim and the upcoming Crimson Peak. The latter stars Charlie Hunnam, Tom Hiddleston, Jessica Chastain and Mia Wasikowska, and is due to open Oct. 16.

Del Toro is no stranger to TV as he is in production on season two of his vampire TV series The Strain, which returns to FX in July. (He is only exec producing the show and not directing episodes.) He is is repped at WME, Exile and Hirsch Wallerstein.

Beacham most recently wrote Fox's ambitious ancient Egypt drama Hieroglyph, which was picked up straight to series but canceled before its premiere. His credits include Clash of the Titans. He's repped by WME, Anonymous Content and Hansen, Jacobson.

Echevarria is repped by WME and Jackoway Tyerman.

Lesley Goldberg contributed to this report.
Ugh, streaming series that interest me that aren't on Netflix! :argh:
 
Good thing I have both Netflix and Amazon Prime!
 
GDT leaving a project...I'm shocked.:o
 
Keep seeing little teasers for this and I’m very interested. The cast is great. Premise is cool. I hope this is a comeback for Bloom. I felt bad for him when he was in that awful 3 Musketeers movie.
 
Looks great. I love that Amazon is going all out with the fantasy genre.
 
Yeah, I had very little interest in it until now.
 
Wow, just wow...I am more impressed then by the Witcher trailer
 
Wow, just wow...I am more impressed then by the Witcher trailer

Same here. And you know why? Because these trailers actually give you a sense of who the characters are and what the premise is. All I got from The Witcher is that some silent brooding guy who looks like Rheagar Targaryen and some girl with a huge wad of chewing tobacco in her mouth have magical powers or something.
 
Not much talk about Carnival Row.
I found it fine. I like steampunk so I liked the visuals, the sets were well crafted.
Cara Delevine was surprisingly not bad acting wise and a good fit for a pixie ( her face mostly ). Many familiar actors & actresses are also it in.
The mythology is ok, hearing Tir Na Noc reminded me of my days in DAoC ( it's a fantasy game ).
 
Only watched the first episode so far but really digging it. The visuals are stunning and the acting is solid. Cara and Orlando seem like good leads, and Tamsin Merchant plays a good snotty rich character.
 
I've watched three and I'm confident I'll watch it through. :) It's off to a great start.
 
This is a really solid little show. Easily the best thing have seen Cara Delevine in at least, but I always liked Orlando Bloom as an actor and he really gets to show off his dramatic, acting chops in this which was cool. Loved the visuals and the cinematography of the steam punk inspired world and all the creatures looked legit too. You can definitely tell they put some money into it, and now I'm really curious how they are going to top it with Season 2.
 
Bumping this thread because I'm P.O.ed that The Dark Tower on Prime isn't happening and so I want to make sure that they don't start pulling the plug on other fantasy shows. This one has already had a big shakeup, but hopefully season 2 will still be quality. I guess I'm just left scratching my head how this show has a similar RT score as The Witcher; I enjoyed both shows but this one is by FAR a better series in pretty much every way. I'm not sure why there hasn't been more buzz around it, but hopefully it will garner more attention in the second season.
 
I hope they don't mess with this show too much more. I really like it.
 
Me too. Loved the characters and the premise, and the production was really high quality.
 
To bump this:

I wonder how the EU Travel ban on Americans affects production of season 2? Cara Delavigne and Orlando Bloom are both British, but live in America as does Jared Harris. They might be able to circumvent that with British passports, but Britain is no longer a part of the EU. Plus most of the crew are American.
 
Huh. Not sure. I was under the impression that filming for season 2 already wrapped but maybe not?

Also, that comment brings to mind my biggest criticism of season 1: Jared Harris. He’s typically amazing and understated, but here he came off campy to the point where I wondered if he wasn’t taking the material seriously. I notice this with some serious, dramatic actors when they try to do genre stuff. It’s like they either don’t respect the material enough to really try or they just can’t wrap their minds around these types of characters. This is also kinda how I felt about Michael Shannon in Man of Steel.
 

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