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Found this on screenwriter David Goyer's official MySpace page. Though its more than a month old i don't think its been posted here.
www.myspace.com/dsgoyer
Source: http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=110273944&blogID=199993602Thursday, November 30, 2006
Batman Begins
Back in 2002 Chris Nolan asked me if I would be interested in working on the definitive Batman film with him. At the time, the Batman franchise had completely jumped the shark. Chris' wanted to make a grounded film that depicted Batman's origin a story that hadn't even fully been told in comicbook form. The closest the comics came to an origin story was Frank Miller's Batman: Year One. But even that story skipped the critical phase in Bruce Wayne's development when he learned the skills he would ultimately need to become Batman.
Because this was an origin story, Chris and I decided that Bruce would need some kind of mentor. In a perfect world, we wanted that mentor to become a paternal figure someone who could ultimately betray Bruce. We also wanted to use a villain that had not previously been depicted in film. I suggested Ra's Al Ghul, the megalomaniacal eco-terrorist that writer Denny O'Neil had created during his 70s run on the Batman comics. Ra's was more grounded than the rest of Batman's rogues gallery and he had some nice similarities to real-world boogeymen like Osama Bin Laden. Chris liked the idea and we were off and running.
Aside from Batman: Year One and the 70s O'Neil issues, Chris and I also drew inspiration from Jeph Loeb and Tim Sale's wonderful Batman gangster-noir maxi-series The Long Halloween. We mixed those three primary resources together, threw in a healthy dose of our own ideas, and eventually came up with the finished film. Batman Begins was one of those rare movies that is both a commercial and critical success.
Some time after Begins premiered, Chris rang me again about doing the sequel. Because I was about to direct a film of my own, I didn't have time to write the entire screenplay. We compromised with a 30-page treatment that Chris and I worked out over the course of a few months. At that point, the treatment was handed over to Chris' brother Jonah (the co-writer of The Prestige). From start to finish, both film experiences were among the best I've ever had.
www.myspace.com/dsgoyer