Okay, right, review, coherent thoughts, okay...I'm not sure I can do that yet.

The first time seeing a Harry Potter movie for me is far more an experience than a viewing of a
film that can be criticized, positively or negatively. It
is that, sure, I do come away after an initial viewing with strong opinions of what I liked and what I didn't, but the sheer excitement overwhelms all. In recent years, the last time I've had that feeling is with
Star Wars - Episode III: Revenge of the Sith and Chris Nolan's Batman movies (and
Star Wars is, of course, complete as a film series). I'm gonna miss that feeling.
I can give
some sort of review here, so let's have a go. For the most part, every Harry Potter movie has done a fantastic job of evoking just the right tone, the right emotional measure, of
feeling like the book.
Half-Blood Prince felt like the book to me more than any of them, that's why it's my favorite movie. No, I can't judge
this as a movie, because it's not one, it's about half of one, and we'll see the second half in July, but
Part 1 does a great job of taking you to the same emotional places and keeping you
with these characters in the way it should. When the announcement was made that
Deathly Hallows would be a two-parter, one of the things I became very worried over was whether we would visit Hogwarts again. I am absolutely
not one of those people who comes down on the Camping Trip from Hell section of the book, because it HAS TO drag the way it does, it HAS TO be that tedious and monotonous at some points, to give you that real frustration, and isolation, and longing, for home, and for family, for confidence that you have a plan and aren't just wandering aimlessly, for a world without war, for Hogwarts. And if we'd, say, cut to Hogwarts to show Ginny, Neville, and Luna trying to steal the sword of Gryffindor, that would have been hurt. I am SO glad we did not see Hogwarts in this part. I don't know that I felt everything from the camping stretch that I was meant to (for example, Ron's abandonment felt
too sudden; maybe with a brief moment of, I don't know, the trio around the campfire with Ron grousing about the lack of decent food could have helped that a bit), but it does all work really well.
On the acting front, there were no weak links, but there was one small disappointment, and I'm sorry to say that was Bill Nighy. I don't think he was bad, I just feel like his performance lacked something. He gave you inklings of Scrimgeour's ferocity, his gruffness, his stubbornness, his caring, but it didn't click. I took great pleasure, as usual, in Ralph Fiennes', Helena Bonham Carter's, and Imelda Staunton's performances, they're particularly fun, and they (but especially Helena) truly seem to be having fun with these roles, while still being sincere about them and taking them seriously. However, this part is really, more than any of the others, for the trio. As with
Half-Blood Prince, my ranking of the quality of their performances (and sure, it's dumb to rank their performances, but I do have somewhat of a point here) goes: 1) Emma, 2) Rupert, 3) Dan. That's not to say that I have any problems with any of them here, I think they were all
fantastic, but this sort of feels like Emma's show, she makes the biggest leap between
HBP and
DH, doing such marvelously emotional, and
subtle (she's taken way too much flak over the years for being over-the-top - sometimes justified, more often not) work here. She had me moved from minute one, showing us a Hermione having to sacrifice her relationship with her own family, their entire past, to protect them. Emma was, IMO, the strongest of these three out of the gate, because she was the most natural, the most winning, but she excels with the demands she has this go-round beautifully. And Rupert! How great it's been to watch him develop as an actor! And especially with the comedic moments - his timing is perfect by this point, as opposed to the mugging and squealing that grew so grating in
CoS (yes, of course, this is in some part due to direction - as is everything). Rupert does a fine job making Ron funny at the right times, bitter at the right times (and in a way that's not too big or impossible to sympathize with) and everything else, it's a great, well-rounded performance. Dan is an interesting case: I think he's good in
Sorcerer's Stone, but not anywhere on the level of the two others (who had less acting experience - which is to say, none), I think he's worse in
Chamber of Secrets, very flat, and then Alfonso Cuaron gets a lovely performance out of him in
Prisoner of Azkaban, and that's Dan's biggest leap from one film to another, but he makes another big leap in
Goblet of Fire, another in
Order of the Phoenix, his performances just keep getting more and more impressive, kind of leaving Rupert and Emma, as good as they are - and true, they're not in the lead with as multi-dimensional roles anyway - racing to catch up.
HBP, though, doesn't feel like much of a development for him, although I do think he's quite good in it (especially when he gets to be funny, as Dan's very funny on his own) - and I suppose that's because Harry is much more passive or reactive in that story, he's being
given a lot,
prepared for a lot. As I type this, I'm actually retreating from my point of saying "
DH feels the same way, not that much of a progression in performance," because we haven't seen the whole
DH, the whole performance! To sum up (and if you're reading this, don't you wish you had just skipped forward down to here?
), I'm really happy with
Part 1, and Dan, Rupert, and Emma are certainly the biggest reason for that.
Onto some things I'm not so happy with: Look, I love the Harry Potter films, individually but particularly as a series, but what's really frustrating to me is that, usually, their flaws seem like they could have been so easily avoided, with some more careful writing, or direction, or editing, or whatever it is in that case. And that's true again, especially when David Yates and/or Steve Kloves (but I feel like it's more the former), in a problem he's demonstrated before, assumes
everyone in the audience knows this book as well as...well, as well as people who post on an online forum. Such is not the case. Now, I am not someone who thinks that every single character or element needs to be reintroduced every time, because if that happened, each film would be 9 hours long, and one of the benefits of doing a sequel is that you don't have to do that, you've already introduced what you've already introduced. However, sometimes David Yates forgets that what he's really doing - or
should be doing - is not coming as close as he can to filming the book, but making a sequel, making a part of a line of films, and when we see Fleur, a character who defines "inconsequential," show up out of the blue, and in a wedding that we aren't even told
is her wedding, or when Godric's Hollow is referred to as such numerous times when it has never been cited by name in a film, or when the same is true for Grimmauld Place, or when we're reunited with Dobby so awkwardly (as if he
hasn't been cut form the last three films), when Elphias Doge and Auntie Muriel are shoehorned in and Dumbledore's backstory is so
barely touched on, when Harry carries a broken shard of mirror with him everywhere, a remnant of a memento that meant something, but was cut from a previous film...these are problems.
I'll list my other grievances as they don't coalesce into a paragraph:
-I'm of two minds on the opening scene: On the one hand, I do like the way the organized Harry, Ron, and Hermione dealing with their individual families being in danger into a montage...but then there's that other hand. That, "Why are Richard Griffiths, Fiona Shaw, and Harry Melling in this movie at all?" hand. That, "How disappointing that they cut such a wonderfully written sendoff for these characters?" hand. That, "And it would have been even more powerful on film, because Dudley was slightly crueler in
OotP the movie than in
OotP the book!" hand.
-"The Seven Potters"...Oh boy. An aerial chase/battle would have been SO much more exciting than another sequence where the hero and protector bob and weave through traffic (and, in this case,
destroy any secrecy the wizarding world has from the muggle world...again). I'm disappointed. The version I've had in my mind's eye for 3.5 years was far more exciting, and logical.
-I did try to think of things I expected to be cut before I saw this, and I was correct in my assumptions with all of them (and I already knew that Dudley's apology moment was cut), including Lupin yet again being rendered a non-entity. I missed his scen with Harry in Grimmauld Place so much. I understand why it's not here, but it does hurt, because it's a powerful scene for Harry too.
-So, the dancing scene...I haven't felt that awkward during a movie in a long, long time. I know why it's here, I understand the attempt to bring some sort of levity to the proceedings at that point, and it's not necessarily
out of character...but it doesn't work for me. I understand the want for a little humor or charm at that time, but I don't agree with it. And I'm not going to deny, the way that little scene was cut, I could empathize with Ron a little bit. Dan and Emma have great chemistry onscreen, as do Rupert and Emma, but it is in a different way, it is friend chemistry or brother/sister chemistry...Still, I was uneasy at that moment.
-More than any of the other moments or whole scenes I miss, I miss Harry and Ron's conversation after Ron destroys the locket. Cutting to Harry showing up by the tent hurts things, it really does; we're missing an emotional beat there, and I certainly hope it was at least filmed.
-Harry and Ron are sent to the dungeon of Malfoy Manor (okay, I don't believe it's referred to as a dungeon, but come on), and what should be the peak of the tension in
Part 1 - in fact, the climax of
Part 1 - totally lacks tension. Hermione screams a chilling scream, and Emma did a great job, but where was Ron screaming her name in that horrible, visceral, incredibly passionate way back? Where was Wormtail's death? I was looking forward to that so much, and yes, I am now rather bloodthirsty - I am hoping that's in
Part 2, but I doubt it. There was basically no suspense to the section in the dungeon there, so disappointment on that front.
On the whole - well, no, not the whole, but on the whole of this part of the whole, I am very happy with it, because the strengths of
Harry Potter and The Deathly Hallows: Part 1 so far outweigh the weaknesses. What's bad is frustrating, but what stays is what's good: Voldemort murdering the innocent Muggle Studies teacher, Harry and Ron having a fight that cuts so deep, the gruesome image of a massive snake bursting out of an old woman's corpse that makes you feel rather violated yourself, the death of an innocent owl or a kind, mistreated, valiant elf. The powerful moments in the Harry Potter films are
so powerful, and we haven't scratched the surface of them yet.