Metal Spidey
Spider-Man rules!
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In a recent interview with Geek Chic Daily, director Gore Verbinski says the following:
I think I get what he's talking about but it still doesn't make much sense. Being animated has nothing to do with the genre of a movie so what's the point of saying an obviously animated movie isn't an animated movie but instead just a western? He talks like animation has it's own set of rules or something. Has he never seen any animated film outside of Pixar and Dreamworks? And even though I don't like it much, Japanese animation is a perfect example of how ridiculous his comment was. I'm not trying to say anything bad about the guy but I think he's stuck in an "animation is only for kids" mindset that should've been gone decades ago.GCD: Your first movie, Mouse Hunt, was very much a live-action cartoon. Now that you’ve done an actual cartoon, were the similarities as great as you might have thought?
GV: Well, I think Mouse Hunt is referential to a lot of Tom and Jerry shtick. But it was a live-action film. This is an animated film, which we never thought about as an animated movie. We don’t know how to make an animated movie; none of us have – me or the people at ILM. So it’s more of a spaghetti western than it is an animated movie, and that’s the way we approached this. I understand your question, but I see these films as completely different – it’s as if they’re each half of the same question. Storyboarding Mouse Hunt was like storyboarding a Roadrunner cartoon, inspired by a lot of that, and Rango was primarily storyboarding a western spliced in with an identity crisis. The compositions are based more on Sam Peckinpah, and the postmodern western, where it’s the end of an era, the railroads come, and the gunfighters’ myths are dying.