X-Maniac
Storm In A Teacup
- Joined
- Nov 26, 2003
- Messages
- 15,210
- Reaction score
- 631
- Points
- 103
X3 made the money it did through the popularity of the first 2 movies, the big drop off after the first week was a big indicator of this, if not for its smashing first weekend, which was based on hype from the first 2 movies almost alone.
It wasnt just hype from the previous movies. It was the marketing of X3 Hugh and Halle on chat shows like Friday Night with Jonathan Ross (which I missed, annoyingly); the buzz among fans of knowing theyd see Beast, Angel, Danger Room, Juggernaut etc; the excellent trailers. Given the three years since X2, I think X3 had to rely on much more than the response from a film three years ago.
Note the massive opening weekend happened despite the concerns over Ratner, despite the concerns over the absence of Singer (concerns that were not part of the mainstream but only in movie industry circles and internet sites such as this), and despite the leaked early script draft, and despite the intensity of concern over Cyclops fate before the movie. That tells us that the mainstream viewing audience is not fussed about directorial changes or angry little fanboy worries.
As for critical ratings, i do believe X3 was withheld from many critics before and during its release, this also happened with GR, and the first FF movie. TF, and the Pirates movies were not, so that gives X3 an advantage in the critical ratings IMO. At the moment X3 has more reviews on there than any of them, but it has been out longer than TF and POTC 2 and 3 also. Also, with TF, most critics tend to make a decision on Michael Bay movies before they even see them, and the majority of the time, they are right to, but TF was obviously different, and if you want to go into BO, TF smashed X3 at the BO and in DVD sales.
It wasnt withheld at all. I saw it at an early media screening, many others on here did too. I saw FF2 at an early media screening too and even got to meet Alba and Chiklis in person and have pictures taken with them. The fact is that X3 built an exciting buzz as a must-see action-adventure blockbuster through its trailer and its marketing. But I think critics had also made their mind up about it being a Ratner-helmed movie well before they saw it; some of the reviews mention the behind-the-scenes production stuff that most viewers either dont know or dont care about.
The number of ratings for X3 against those for Pirates and TF is irrelevant we cant take this into account or wed be wanting the exact same number of reviews for every movie on RT. That just doesnt happen. The rating is the rating. If you want you can also take into account the ratings at IMDB or Metacritic or the score given by BoxOfficeMojo. Therell be some variation of course.
Metacritic
X-3: critics rating 58 (out of 100), user rating 6.1 (out of 10)
Transformers: critics 61, users 7
Pirates 2: critics 53, users 6.6
(for comparison/interest, Superman Returns: critics 72, users 5.7)
Box Office Mojo grading: TF gets a B+, Pirates 2 gets a B, X3 also a B (SR gets a B as well)
IMDB user rating: TF gets 7.6, Pirates 2 gets 7.3, X3 gets 7 (SR gets 6.8)
What does all that prove? The Metacritic critics liked SR, but users didnt like it as much they liked TF most of all. Box Office Mojo thought X3 and Pirates 2 (and SR) deserved the same grade, whereas TF got a slightly higher grade. TF also was winner at IMDB.
I havent seen TF so I cant offer my verdict on it, but its obvious here more than anything that the movies critics love (SR) are not the movies most loved by the public users. Good luck to TF, I have nothing against it but the content matter doesnt really interest me for those familiar with the animated series and the toys, Im sure there was tremendous interest, which reflects in the box office. Its hardly meant to be a deep, meaningful, intelligent movie (with a robot peeing on someone or whatever); you yourself only like it because you have a fondness for the robots through growing up with the cartoons or toys. And Im sure its a great piece of fantasy popcorn action-adventure.
Also, funnily, reading the majority of fresh reviews on there, they all seem to think it is average at best, so how it got such a critical rating is beyond me.
Then you need to research how RT rates its movies. There is a FAQ section on the site.
Yes the conflict went no were, Callisto served NO other purpose than to fight with Storm and locate Jean for Magneto, her role was pretty much meaningless.
I dont consider it meaningless that she located Mystique and thus enabled Magneto to find and free those on the prison truck, that she sensed Phoenix and told Magneto so he could get her on his side, confirmed that the boy was on Alcatraz, and that she stopped Storm taking out more of the Brotherhood army by leaping on top of her as she flew up to manipulate the elements.
Whos to say he had the most experience in combat? He cant remember whether he had or not remember, Storm seemed more than proficient in combat.
Well, he was a cage fighter in a bar in X1, which indicates combat skills; and has consistently shown fighting skills in all three movies. Though he didnt always win, especially when pitted against exceptionally strong or exceptionally agile mutants, he obviously had the most combat experience.
Or maybe your bias towards the movie clouds your mind into thinking this was a great idea by the writers.
I think her taking the cure is questionable but, from a real-world perspective, its valid and reasonable. Id rather she hadnt taken it, and so would most X-fans. Im not clouded by bias, you are clouded by some kind of strange anger and bitterness that I cannot figure out.
I do believe that both Paquin and Marsden ended up having more time than they originally thought they would, considering the script supposedly changed daily, couldnt they have done something here, oh right i forgot, Ratner, Kinberg and Penn were running the show, 3 clueless hacks.
Most scripts change during filming. There were 150 drafts of the SR script, for example. But the facts remain that Rogue is the key candidate for the cure among the known main characters in the series, that Rogue has no battle skills/experience, that we couldnt suddenly have the superwoman version of Rogue from the comics, and that Paquin wasnt available and had to be written out of a lot of the movie.
As for Kitty, your right, her role wasnt insignificant, those 6 lines she had totally got her involved.
What do you expect in a multi-character ensemble movie? The number of lines of dialogue is irrelevant how many lines did silent stalker Superman have in SR? Hardly any. Kitty had a great role, for a newcomer to the X-Men team it was fine and she proved her place. Id like to see a lot more from her she has great capabilities.
Jean and eventually were BOTH on the floor below Storm and Toad, and both were close to the fight, once Toad threw Storm down the lift shaft, she was able to go wild enough with her powers to dispense of Toad without harming her team-mates.
A quick blast of lightning from Storm would have directly dealt with him but Singer decided against that aspect of the character. Its only the inadequacy of Storms portrayal in X1 that makes her battle against Toad so frustrating, until she comes out of the lift.
Oh yes, and in the 99 minute running time, those theme's were thoroughly explored werent they![]()
But oddly those themes were explored more than any of the themes in SR. We had a reasonable coverage of the main theme of freedom of choice (to be what you are) and the secondary idea of power corrupting. It doesnt take too many brain cells to see those ideas present throughout the movie. What was SRs theme again?
NO, i havent been given ONE valid theory of why Jean went with Magneto, or why she never left him once she became Jean again in those few scene's. OR why she standed around doing nothing the final battle, Magneto had been her enemy for years, and had tried to kill her about 4 times during that conflict, so please, tell me again WHY did she go with him.
Ive already explained countless times. Read the answer I gave before. Im really not sure what you are on, but all this talk about Magneto trying to kill Jean four times is rubbish. The Phoenix was in full control after Xaviers death just because she wasnt killing anything doesnt mean it was Jean. When Storm says shes gone she means not just physically, but that Jean has been suppressed by the more powerful Phoenix personality. Jean couldnt return to the mansion in any case; after what Phoenix had done, there was no going back. What if Jean/Phoenix had gone back to the mansion after killing Xavier? What then? What do they do to solve the problem? Tell her to go for a lie-down and take a Valium? Theyd be harbouring someone who had killed two people and destroyed a house, so theyd have to call police or mental health authorities. With Xavier dead, who could fix the problem? We arent made aware of a network of psychic mutants available for mental barrier installation work at short notice. Your arguments make no sense. Going with Magneto is the only option, both for the purposes of the story and the logic of the characters actions. The Phoenix story is about the corruption by power, it is about a journey taken down a dark path, with no turning back. Its not about Phoenix swanning back into the mansion and apologising and being taken away into an asylum where any attempts to fix the problem would only result in more Phoenix destruction. This is where bitter agenda-driven people like you always fall down you criticise the movie but can never come up with anything better than what was on screen. You only end up proving that what was on screen makes the most sense.
We didnt get their origins but we at least got a bit of info on them, we found out very little about Beast, and what we did get was vague at best.
What we got was fine. Im always wanting more X-Men stuff on screen so Id have loved more but in terms of what we saw, it was fine. Originally, Beast was to have driven Magneto and Xavier to Jeans house at the start of the movie and Xavier would have wished him well in pursuit of political ambitions, but that didnt make it because Beast was human in the brief TV appearance in X2. I think what we saw was fine and will almost certainly be expanded upon in other movies.
I have said this before but that is just a bull**** excuse for an obvious plot-hole, no one but you, and ONLY you (not even the film-makers have ever made this observation), have made this poor excuse for that poor part of the movie.
Ratner says on the commentary that he wanted Angels appearance to be a surprise. Obviously, showing him stowing away on the X-jet would then beg the question as to what he was doing all the time between the jet landing and when he rescued his father, and it would make the rescuing of his father a bit predictable and obvious.
SHH member The Guard also mentioned Angels appearance being implied to be like a religious angel, and I agree. I like Guards logical, analytical, sensible approach to things. I agree that Angels sudden appearance is not explained but its not impossible and from a narrative/visual standpoint, I can see why it was done.
Also on Angel, i would have liked to see what made him go from little kid scared of his mutation to the point of almost mutilating himself, to the guy who couldnt bear the thought of being without his mutation, and we should have got that, but alas, Ratner wanted to get to the next action scene of course.
Angel finally decided to stand up to his father. In the circumstances, it was now or never. He was forced into a corner, quite literally. If he was going to speak up and live his own life, that was the moment. It was a character turning point. I dont think he was ever scared of his mutation even though it must have been hard to deal with it he was more scared of his father, hence hiding in the bathroom AWAY from his father. Worthington Snr was a high-powered billionaire industrialist, there would be a lot of pressure on his son to conform to the perfect corporate image. A winged mutant for a son wouldnt fit daddys ideals, especially with Warren in line to inherit the company.
Anyway, we should have got a bit more from Angel, I agree. But it doesnt take much to fill in the gaps. You seem able to make so many interpretations and extrapolations and explanations with SR, so try doing the same with X3 or other movies.
As i have said before, BO was due to the previous movies, NOT the quality of the movie, the quality of the movie was responsible for the huge drop-off.
The drop-off would be considerable as it was a normal two-day weekend coming after a four-day holiday weekend (in the US anyway). It was the must-see movie of that holiday weekend.
This is the front-loading effect of todays movies, partly down to the I want it now society and partly the multiplexes (tons of screens) allowing people to see the movie on opening weekend rather than wait. (Similarly, new music releases aim for the top slot as soon as they are released; anything outside the top 10 is seen as a failure. Records at No 2 have been described as a flop.!!!)
Even X3s second weekend ($34m) is higher than the second weekend of SR ($22m), not much less than TFs second weekend ($37m), the same as the second weekend of Pirates 1, and higher than Batman Begins second weekend of $28m. The second weekend was obviously not that bad, just a stark contrast to the amazing opening on a holiday weekend.
A piece on the changing face of movie releases here: http://query.nytimes.com/gst/fullpa...0A2575BC0A9679C8B63&sec=&spon=&pagewanted=all
Also, you loved Hulk (I thought it was quite good, but also flawed) but look at the drop-off on that. It had a 70 per cent drop the second weekend (both were normal weekends, the first was not a holiday weekends) and it comes in the top 50 of biggest second weekend drop-offs.
http://www.boxofficemojo.com/alltime/weekends/drops.htm