The Last Meatbag said:
I have a feeling the sequel will be a bit more Blockbuster-ish because they won't have to do the backstory
Unless they try and give the origin of the Joker...which I wouldn't like very much
It's the mindset though... nothing against whatshisname cuz I think he's a great director (nolan), but he doesn't go for the theatrical moment at the right time, and he plays the card in a forced moment at the wrong time.
The music is a perfect example. The 'theme' itself is incredibly strong and has so much potential. It strums up alot of emotion at some points, but other critical moments it feels like a missed opporturnity.
Another area is the action: very poorly done. I don't buy that whole "he's elusive, no one can watch him clearly" crap. That's a copout. I wanna see redone action, and I want more moments of peril... more movement in the action instead of a standstill-beat up the thugs-nonsense.
Lastly, some lines aren't stated clearly enough, and others are too pronounced. That's okay... that's how it should be... only thing is, it's done at the wrong points again and it emphasises crappy lines like: 'it's not who I am underneath, it's what I doooooooooooooooo that defines me'. Ugh. Theatricality is overdone.
Bat's voice: for the love of god man, work on that Bale.
And if Johnny Depp is the Joker, I'll leap for joy (regardless of how stupid and hated the suggestion is, I love the idea). I was convinced after watching Chocolate Factory a month after BB. It fits
