^^
Indeed this movie was something of cinephile delight. It begins like a dead ringer for Once Upon a Time in the West or The Good, the Bad and the Ugly, except very Tarantino and the amount of beautifully crafted dialogue during slow circling steady cam shots. Then chapter two turns into a near parody or more viscous fantasy of the WWII movie classic, The Dirty Dozen. By chapter three we're in a 1930s melodrama that is extremely suspenseful and he shoots Shosanna (I forgot the actress who played her) like a classic movie star, Marlene Dietrich in particular. And just the movie talk and movie love for German films before the war and expressionism as well as the mentions of David O. Selznick (I'm a big Gone with the Wind fan myself, in terms of pure cinema, such as this).
I mean a film critic dies a bloody good hero in this. With a proper glass of Scotch and a smirk as he circumcises a Nazi. But that is really the whole irony of the movie in chapter five. We are appalled at Nazis cheering the deaths of Americans in a movie, but then we cheer their horrible deaths at the hands of the Basterds and later Shosanna. Tarantino is disregarding history because this isn't a WWII movie, this is a movie about how wonderful and powerful movies are. What is the best way we can have our revenge? Cinematically. The movie openly makes the audience question the actions being perpetrated such as making Zoller a seemingly nice guy and having von Hammersmark kill a guy who just had a baby and she promised to let live (after giving him an autograph). The Basterds tactics we would be disgusted by today, what with the executions, scalping, Louisville Slugger massacres.
But those who get bogged down on, were they ethically right missed the point. These are tough questions, but if we live out these fantasies, which let's face it we all have had (especially Jewish people, especially Jews and Holocaust survivors of the 1940s) cinematically we get all of the catharsis without having to face the hard reality of what happened. That is why it has to end in a movie theatre and poor Shoanna the movie theatre owner's face literally comes to life and out of the screen to laugh at the Nazis as they roast. The movie has come for them and the movie is alive and enjoying watching them die so we too can enjoy their destruction while watching our film.
Justice is served the way we always wanted, other than someone we don't like getting away, there were no hard questions asked about morality or history. It was Nazi killing time and revenge time for the Holocaust. And how enjoyable it was to watch.
BTW the actors who played Hans Landa and Shoanna both deserve Oscar nominations IMO. While Aldo Raine is my favorite character in it and I thought Brad Pitt is cult movie star iconic with this role, those two gave truly great performances (the latter being very tragic) and deserve to be remembered come reward season. This movie should as well as it is the first great movie I've seen in 2009, but I'm not holding my breath there, unfortunately.