So by that is Batman Begins a remake of Superman the Movie? Cause it used pretty much the same structure bar the flashbacks. Or maybe it was a remake of its other influence Blade Runner? What a stupid comment. Man of Steel may have used the flashback structure but other than that its not the same at all. Batman Begins didn't have a prologue that Man of Steel did on Krypton now did it? Also the final hour of each film couldn't be anymore different. Seriously somethings a remake of something because it uses a similar structure? Give me a break!
Woah, there. Let's calm this down a little.
Yes,
Batman Begins is very much influenced by
Superman: The Movie. It uses the same basic three-act Campbellian hero structure (as does
Spider-Man, The Amazing Spider-Man, Iron Man, etc.) and has a "birth to destiny" story. It also relies on heavily "established" casting to fill out its roster to lend the film with some credibility (Michael Caine, Liam Neeson, Tom Wilkenson, Morgan Freeman, Ken Watanabe, etc.). So, it is clearly influenced. However, Nolan did structure it in his own style. He used non-linear, flashback narration to make a well-known origin fresh and twisty in its ability to keep audiences on its toes. He also, much more than Donner, sought to ground it in a very "dark" and somber tone that's contemplative nature can be mistaken for "realistic."
Man of Steel was very much made to resemble
Batman Begins. Why else slap Nolan's name all over the trailers, along with "The Dark Knight Trilogy?" Why else even bring Nolan and Goyer on to shepherd the project? And while I like MOS just fine, as flawed as it is, it feels at odds with this approach. I never felt like Snyder got the non-linear pacing down and it at times felt shoehorned in. Beyond that the dark somber colors and a heavy emphasis on "explaining the world building" sometimes seems at odds with a filmmaker who likes massive spectacle.
This comes most to play in the third act.
Batman Begins began Nolan's interest in tying the superhero archetypes into 21st century, post-9/11 imagery. I.E. Ra's Al Ghul becomes a bearded man, essentially living in a cave, who specifically wants to destroy a great American city to teach a lesson to the world. How does he plan to destroy an American civilization? By having its citizens tear itself apart through mindless fear. Nolan would smooth out these parallels to much more sobering and successful effect in
The Dark Knight with his take on The Joker.
In
Man of Steel, Snyder also pulls from 9/11 shorthand imagery...in a much clunkier and ultimately repulsive way. He has Zod's "World Machine" destroys
DOZENS of buildings with likely hundreds of thousands of people in them. Then, he has Superman and Zod's little fistfight level a few more skyscrapers. He literally shows planes crashing into buildings and collapsing metal fall onto Daily Planet workers running for their lives.
This all in an attempt to claim some of the seriousness and allegorical gravitas of the Nolan films, but it feels dumb and tacked on in
Man of Steel because Snyder does not seem really that interested in real world ramifications. After all, he has Superman and Lois Lane make out over the smouldering ruins of the countless dead and dying and then offers an epilogue on this carnage with the staff of the DP acting like nothing ever happened and getting tickets for "the game."
So yes, structurally it mirrors BB to a very intentional degree and tonally it reaches for the same style and subtexts of TDKT. Except, it comes off as very forced when it does it.
So, I stand by that MOS copied BB, and while a decent film, failed to live up to that intentional self-made comparison. Just my opinion.