Let's start things out real easy.
Marvel's $1.00 comics
Following the popularity of DC's "Whats Next" Dollar Comics, which reprinted popular first issues of some trade paperbacks, Marvel and two other independant companies followed suit. Marvel released Invincible Iron Man #1, Thor #1, Punisher Max #1, Wonderful Wizard Of Oz #1, Captain America #1, Wolverine #66, Hulk #1, Civil War #1, New Avengers #1, Alias #1, Marvel Zombies #1, Agents Of Atlas #1, 1602 #1, Amazing Spider-Man #546, Deadpool #1, New X-Men #114, and Daredevil #26.
It was a great deal for new comic fans, and one that I supported whole-heartily, even though I owned all the comics that they reprinted. Most of those comics, I completely understand reprinting. The one that sticks out the most (and, possibly the least in demand) would be Agents Of Atlas. But, Marvel really promoted the heck out of Agents for some reason, a book that had a small, loyal following. (And, thinking about it, possibly one of the dollar comics that most Marvel fans might not have read before.)
For me, I loved the dollar comics from the other companies, namely Image and Dark Horse. I hadn't read many of those before, and found it interesting to see what all the hype was about. (For example, I never read a single issue of The Goon or Hellboy, and thought Dark Horse was smart to reprint those first issues.)
Marvel Noir
Begun the year previous, this idea by Marvel, "replac[ing] super powers with driven, noir-flavored characterization" of popular comics, finally fizzled and came to a quick conclusion in 2010.
Spider-Man Noir: Eyes Without A Face #2-4
Set in 1934's New York City, Peter finds himself facing off against a new Crime Master while dealing with the rise of the Nazis in Germany. We meet Noir Doc Ock, and by issue's end, he's sent packing back to Germany. (Most interesting, the Nazis reject Doc Ock, because his crippled form does not meet the high standards they have of an ideal German citizen.)
This mini picked up where the last left off, and we got to see some significant changes in Peter's life and those of his friends. (Black Cat's face was maimed, and now she wears a mask to hide her hideous features.) This Peter, like classic 616, is distraught over how nothing in his life ever goes as planned, and he feels as if he's losing everyone and everything he holds dear to his heart. This might be the best offering from Marvel's Noir line, and the character even shows up in 2010's Spider-Man video game.
X-Men: Mark Of Cain #2-4
This is the most confusing of all the Noir titles. Most interesting, none of these X-Men have any superpowers; but, to me, they have almost zero redeeming qualities or likeablility. The premise of this mini is that many people are after Cain's gem...but, by the final issue, we learn it's nothing but a glass gem, containing no powers or worth (much like these X-Men). This series would have been better off featuring just a few of the main characters; but, we get so many introduced, readers just come away as confused on what the heck is going on. This is the worst of Marvel's Noir, which is too bad. I'm sure it's also the book that most would gravitate to the most...which might also indicate why the line died so quickly.
Weapon X Noir One-Shot
Billed as "spinning from the pages of X-Men Noir: Mark Of Cain," thankfully, this book really had nothing to do with the other. It's a better formula, as we follow one character, Weapon X, throughout this adventure. (This Weapon X is not Logan, btw.) The story was enjoyable enough; but, also, quickly forgettable.
Iron Man Noir #1-4
The final Noir title, it started out pretty fantastic, seeing Tony Stark as more of an Indiana Jones-type hero for the first couple issues (like with Indi, Tony's main nemesis are the Nazis); but, I found myself more bored when he finally dons his classic grey armor. Still, of all the minis, this might have been my favorite; but, it was too little, too late for the Noir line of books. That said...I don't believe we actually saw the last Noir title Marvel had to offer. Simply put, I think by the end of the year, they renamed it..in hopes to sell a few more books.
Deadpool Pulp #1-4
Yep, don't let the name fool you. This is essentially Marvel Noir, just set a little bit further in most of the previous title's future. In this, we see Wade Wilson as "an ex-WWII POW who was tortured into insanity and now serves his country by killing." Some parts of this comic work; but, too often, they try to introduce classic 616 characters that take the reader out of the story, like Cable and Stryfe, and we end up suffering the same fate at X-Men Noir: Too many characters! Where Iron Man Noir kept things pretty simplistic, this book tries to be too cute with those classic names, and suffers from it. By issue's end, though, Wade's body is maimed, and he agrees to go into the Weapon X program.
No matter what name you call it, Noir or Pulp, this genre of comics is another that should just be buried with Marvel's 1602 line of books. There has been no demand, before or after they've come out. And, while I support Marvel trying new things, it's too bad they couldn't lend that support to books that are actually quite good but getting no support.