My THOUGHTS on my BOUGHTS... October 19, 2011

JewishHobbit

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Batman #2 - I wasn't sold on the first issue but figured I'd stick with for a little while. This ended up being a much better issue for me. It was simple but maybe I'm just getting used to the art, which was a big hinderance for issue #1. As for the plot they quickly resolve the dumb cliffhanger of Dick Grayson being a murderer and that helps out a lot. They delve into Gotham's past and I love that. I think that's what made me like Gates of Gotham so much and this is starting to carry that feel as well. Definately a good issue and I'm glad. It's a nice refresher from the Morrison feel that I'm used to.

Nightwing #2 - I really enjoyed the first issue and liked this issue even more. I like the idea of some mystery behind Hailey's Circus and it's past and the plot involving Dick and his old boss was very interesting. The Villain isn't anything new but he seems cool... and VERY similar to the villain in Batman #2. If they aren't connected in some way then there's something wrong. I'm liking this book and will be in it for the long haul.

A Big Thanks to Phaedrus45 for helping me get my hands on Nightwing #1 after my shop sold out. :up:

Justice League #2 - The first issue was somewhat underwhelming but I thought this one was much better. The Batman/Green Lantern show has now swelled to include Superman and Flash and I'm liking how it's playing out. We also learn more about the boy who will become Cyborg, so the characters are coming together nicely. The first threat is Apokolips and Darkseid but Johns is doing a slow build to it and I'm okay with that. The focus is primarily on the formation of the team through the threat of Apokolips and will likely focus on the actual Apokolips/Darkseid later. I think this is a good approach now that we're a couple issues in. Jim Lee's art is as good as it ever issue. There's also some sort of confidential report as a backup but I didn't read it. This type of thing never interests me.

Good issue though and I'm interesting how it all plays out. I'm likely in for the long haul... though I still hate the price. They add some stuff to fill it out but I'm not interested in the additions, as I seldom ever am, so it's still a waste of money for me. I guess there's going to be some sort of Captain Marvel back up soon (so I hear) so I guess that'll help but I doubt it. If I wanted to read Captain Marvel I'd have bought some of his books. I hate back ups... they suck the money from my pocket whether I want it to or not.

DC Comics Presents: Deadman #2 - I thought this was a decent issue but I'm getting a little bored. If this were an ongoing I'd be worried about losing interest, but being that the Deadman focus is limited I'll likely stick it out. Don't get me wrong, it was a good issue. It's just that with how much I buy and with what my budget is, if I had to drop some stuff this would likely be close to that dropping point. It still might be depending on how much the next few months will cost me. We'll see though. I like the character but I'm starting to wonder if I like him best in a supporting role rather than a staring one.

Fear Itself #7 - About what I expected. It was worth maybe $3 and I feel ripped off at $5. I knew I would too but I bought it anyway because I'm stupid and need to finish the mini for my Avengers binds. The Thor death did nothing for me because 1) Marvel likes to spoiler spoilers as much as possible, and 2) he just came back from the dead.... so I don't really give a crap about this. Secondly... it feels wrong that Cap can lift Mjolnir. I guess he's decent enough to do so but I don't know... I just didn't like it. The Worthy were useless this whole mini and do nothing here. They were just cannon fodder for tie-ins save Sin, who stopped being interesting after the first issue.

You know what's sad... there is only one scene, 1 page, that I even liked in this comic and that's the interaction between Rick and his new neighbor. That's pretty sad. But at least it's over now. At least Stewart Immonen is free to do something else now. Hopefully something I'm interested in.

As for the epilogues serving as teasers for new books... most do nothing for me. The Fearless mini didn't look interesting when I skimmed it and it didn't interest me here. The Incredible Hulk teaser was halfway decent but that's it. I might skim the first issue but doubt it. The Defenders previews looks halfway decent but the only way I think I'll pick that up is if they follow up Iron Fist's possession by Agomatto there... but I don't think they are. Battle Scars, however, does interest me and I might check that one out. I haven't decided on it for sure yet but I'll give it a skim at the very least. Other than that the only aftermath issue I plan on getting (dependant on the skim first) is 7.1 dealing with Bucky's funeral. I like funerals and Bucky's death was a big deal. After that though, Fear Itself can bite me.

Avengers #18 - It's funny how much I've grown to like Acuna's art. I despised it back when I first saw it in Silent War but now I actually get excited when I see it. I don't know if he's gotten better or if my tastes have changed but I'm a fan now. He did a good job in this issue. He still makes Luke look too old, but I like him anyhow.

As for the plot it was alright. Nothing much happens here save that a former SHIELD agent is seen gathering DNA and other such speciments from superhero battles over the years. She joins HAMMER and offers her stash to Osborn, which I'm assuming is the beginning of the new Dark Avengers plot. The Avengers themselves move into the Mansion (owned by Luke now) to live alongside the New Avengers until the Tower is rebuilt. Jarvis and Wong have a somewhat humorous exchange and Cap makes it known that there may be a shift in status quo for the teams. The End.

It's the basic Bendis pacing, which I've grown used to so it doesn't bother me. It was a decent aftermath issue. And I'm glad the talking heads were just for the FI arcs, which I assumed they were.

Uncanny X-Men #544 - The final issue of the longest running Marvel book and it was nothing to cry home about. Gillen does his best to make this a good fairwell book but Marvel's cancel/relaunch/renumber gimmick is so old that the issue falls flat. Cyclops and Iceman say their goodbyes, which would mean more if Iceman had been more than background over the past 3 or so years. Honestly, despite being original X-Men, the two have had little to do with one another since the original X-Factor. To make us care that they're going separate ways would require some sort of friendship and there isn't one. Then Beast shows up and is a bit of a jerk for a panel or two and then leaves again. It's just another issue that shows how far my formerly favorite X-Man has fallen. I just wish a writer would come along and actually TRY to make Cyclops likable again. The last time he was really likable was Whedon's Astonishing X-Men (and he was tainted prior to that with Morrison's New X-Men). It gets old.

The only decent thing in this issue that I liked were the Sinister scenes. They were interesting but I didn't like them in this actual issue. Once again, the tired old Marvel tricks. This is supposed to be a farewell issue, so let's build plot for our SPECTACULAR RELAUNCH NEXT MONTH!!!! So this isn't even a satisfying ending! Stupid.


Best and Worst of the Week

Best - Nightwing: This was the first issue I read this week and ended up being my favorite. Nightwing as a character has really grown on me since he took over as Batman, and while I miss his interaction with Damian, I'm glad to find I still like reading him all by his lonesome. This plot interests me and I'm curious where it goes. Great issue :up:

Worst - Fear Itself #7: Though Uncanny came close. I'm pretty sure this makes at least 5 issues of this mini as Worst of the Week winners. It just really sucked. This was by far the worst Marvel event I've ever read and a complete waist of my time. This conclusion didn't make me feel any better about it.
 
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Ok... it's been a loooooooooooooooooooooooong time since I've sone one of these, so here goes...

Batman #2... another solid issue by Snyder, kept my interest in these last two issues being the first "in-continuity" Bat Books I've bought since 1996. Artwise, the issue didn't flow as well as the first one... especially when Bats jumps the bike onto the train... I had to give those panels a second look as to what exactly was going on... and especially when Bruce lands on that thirteenth gargoyle so seemingly easy when he was in free fall... other than that, it was stil la fun book... I am certainly looking forward to where this story is going.

Batman Odyssey #1... will only read this when I get all 7 issues... I tend to read my minis in one sitting.

Hulk #43... haven't read it yet... :o

HellBlazer #284... haven't read it yet... must be a bad week for titles starting with "H"...:o

Avengers #18... ok story... still have a hard time believing someone would run to Norman Osborn, even when they're having some "crisis of faith"...art was good, but I really have a hard time with Bendis' superhero writing... he works better with Powers and gritty crime stories

Animal Man #1 & #2... ok, so while I was completely against the idea of "the Red", because the Green is one of the aspects of Swamp Thing that I'm not too crazy about, I did get Buddy's original 79 issue run when it came out monthly, so I have an affinity with the character... I just didn't want to justify another $3 per month expense... but I've been reading great reviews on-line, and interviews with Lemire & Snyder going on about how Swamp Thing and Animal Man will be sister books... well, it got to me... and it helped that my shop guy sold me a first print #1 at cover price (he was asking $10)... so I read them both, and while I don't like how Ellen looks, the book reminded me why I liked this character a LOT 20 years ago... the art was good, Vertigo-esque, and the writing seems solid as well...
I'll be on board for the long haul.

Thanks for listening...

:yay:
 
Oh yeah, I was supposed to get Justice League #2, but my shop didn't put a copy in my file...

:cmad: :cmad: :cmad:

:o
 
From what I've read so far

Justice League #2
- I liked Justice League #1. While it certainly wasn't the best of the New 52, it did everything it needed to do. Justice League #2 on the other hand, goes above that. The second issue is much better than the first. Lee's art is better in this issue. I love how the characters are coming together and the characterization of the younger incarnations of Flash, Green Lantern, Batman, and Superman.

Fear Itself #7 - And you people think that the 50 bajillion endings to Return of the King were bad. Not only that but the epilogue isn't even over yet for another three issues! And the rest of the comic sucks ass too. Fear Itself really is the last straw with Marvel for me. I love the Marvel Universe and I love the characters. And someday, Marvel is going to be awesome again. But right now, there is nothing that they can do that can redeem themselves in my eyes. I'll be keeping up with the universe in the major books that I buy, and I'll be sticking to the smaller books that I love like Uncanny X-Force and Avengers Academy, but they aren't getting a dollar out of me anywhere else until the quality improves.

Catwoman #2 - I didn't buy this book, but new Glory artist Ross Campbell, the clerk at my comic book shop, and I browsed through the first couple of pages of the latest issue. We ended up screaming in terror at it. I feel like I need to scour my eyes with steel wool. And I've come to realize that it's not Judd Winick's fault, it's Guillem March's. Winick is trying to play up to March's strengths of cheesecake art and he's trying to make a sexy book. But March's "sexy time" Batman is just horrifying.

Batman #2 - Scott Snyder is solidifying his position as one of the greatest Batman writers in history alongside Bill Finger, Frank Miller, Dennis O'Neil, and Paul Dini.
 
You're totally right, Runaway. I've read so many mediocre to bad books from Marvel this week, as I try to catch up on my reading. Fear Itself will go down (for me, at least) as the worst Event in Marvel history. (Heck, it might be the worst Event of the Big Two!) Just utter garbage, and issue #7 didn't help it in the least. It was a hot mess, as the only tie-ins that seemed to matter were Invincible Iron Man and Hulk Vs. Dracula. (H vs. D wasn't even good; but, we got to see how Hulk gets defeated, having his hammer removed from him.)

And, really, what's the purpose of killing off Thor again?? It's way too soon, and we know he'll just be back soon enough. (Was Loki even gone for six months??) Sure, people have complained about Bendis in the past; but, his Events are so much better than this. Also, while I've complained about Slott's Spider-Island, I have a better appreciation for it when I compare it with Fear Itself. He's, at least, just trying to have fun with this little notion of his; and, it does come across in his writing.

As for DC, this move is a stroke of genius; but, if Marvel tried it, I think there would have been a lot more complaining. (After all, this is a OMD type move, only to the extreme.) I haven't read a lot of my #2 issues; but, those that I read have been a bit of a decline from the #1s.

Fear Itself #7 :csad:

Fear Itself: Hulk Vs. Dracula #2-3 :dry:

How disappointing. Marvel's Dracula concept sunk to a new low.

Ghost Rider #4 :csad:

I liked the first issue; but, this book has gotten extremely bad. Ghost Rider in space?? This might be my least favorite issue of Ghost Rider EVAH!

Fear Itself: Fearsome Four #3-4 :csad:

It's really an all-time low for Event tie-ins. I have never hated a group of comics more. This finished last month, I think; but, it was torture to get through. Marvel has lost all comprehension about what made Howard The Duck an interesting character. Steve Gerber is rolling in his grave.

Avengers Academy #19 :yay:

One of the rare tie-in highlights. It's nice to see these kids in action; and, better when Gage is also advancing the emotional storyline of each character. This is still one of Marvel's best books.

Justice League #2 :yay:

I just come away with feeling like this book is all smoke and mirrors. Compared to most everything I just read from Fear Itself, I have to give it a decent grade; but, it's all flash with very little substance. We're truly getting Ultimate Justice League with this book.

X-Men 20th Anniversary Edition One-Shot :dry:

I'm not as excited about this book as I should be. First, I saw it again recently shoved in a bargain bin at Half-Priced Books; so, the $3.99 price tag is really pushing it. And, they did a reprint of this title about two years ago, in order to promote X-Men Forever. (Only, you got the first three issues with that book...and, I think it was only $4.99, if memory serves me correctly.)

Official Index To The Marvel Universe: Wolverine, Punisher, and Ghost Rider #3 :yay:

Another standing ovation to the makers of this book. It's a collector's dream to see the amount of information that's shoved in every issue. I especially love that they are including the old graphic novels that came out in the early 90's. (Although, the don't seem to be doing that for The Punisher...probably because he had so many other titles coming out at the same time.)

Wonder Woman #2 :yay::yay:

Not as good as the first issue; but, fans of Wonder Woman might like it more. We get a whole lot more Wonder Woman; and, Azzarello explains why everything is happening. I probably gave the first issue my highest grade; so, this is still a damn good issue. The best Wonder Woman story in years. YEARS and YEARS!
 
Isn't anyone else wondering how Bruce Wayne landed on that gargoyle when he was in "free fall"?
He even states prior to that that it would rip his arm off if he tries to grab it...

:huh: :huh: :huh:

:o
 
Isn't anyone else wondering how Bruce Wayne landed on that gargoyle when he was in "free fall"?
He even states prior to that that it would rip his arm off if he tries to grab it...

:huh: :huh: :huh:

:o
He says that by the time he reaches the first level of gargoyles (the one closest to the floor), he'd be at terminal velocity and grabbing one would rip his arms off. He lands on a "secret" extra gargoyle that was added in the '30s to guard that newfangled entrance to Gotham--flight. It was higher up on the building than the first level. No one knows about it because it's not visible from windows on the tour, but of course Bruce knows more about Wayne Tower than your average tourist.
 
Isn't anyone else wondering how Bruce Wayne landed on that gargoyle when he was in "free fall"?
He even states prior to that that it would rip his arm off if he tries to grab it...

:huh: :huh: :huh:

:o

That wasn't one of the Gargoyles that was far enough down to rips his arms off. I got the impression that that was one between where he was and the lowest Gargoyles and that he was able to grab that one because it wasn't so far down and he know where it was when most don't know it's there because of it's late addition.
 
I guess... the whole scene just read weird to me...

:o
 
Quick reviews because I read a whole Schmidtload of comics this week.

Fear Itself: Mediocre ending to a mediocre event. Basically the only cool part was Captain America ditching his useless guns to take up Mjolnir again. I mean, this was just lazy, boring drek the whole way through. The idea of a heretofore-unknown Asgardian threat that was so terrifying it was literally removed from history is cool, but that threat turning out to be just some guy who does the usual villain yelling and cackling for 6 issues before turning into a giant snake and getting soundly defeated by Thor in a fight that happens mostly in the background? Just awful. I thought it was kind of funny how the Mighty melt down their super-powerful weapons right after the battle, too. It's like they were literally trotted out solely for some ads, variant covers, and a few pages. As is so often the case with Marvel events, though, the aftermath promises to be a lot more interesting. Odin has effectively rebuilt Asgard just to exile everyone else besides himself and the Serpent from it. Valkyrie and Sin are both interested in recovering the Worthy's hammers. Marcus Johnson is apparently important. Bring it.

The Fearless: And lo, 'twas broughted. The first issue of the first Fear Itself follow-up is good if a bit spare, as Valkyrie and Sin both set out on their quests to recover the Worthy's hammers (why those weren't also melted down like the Mighty's weapons is beyond me). I don't know if this is intended or not, but I found it kind of interesting that Brunnhilde, whose intentions for the hammers are good, is forced to undertake the mission on her own, hunted by friends and enemies alike, while Sin, whose intentions for the hammers are terrible, gets allies immediately in the form of those deformed people who rescued her and Crossbones. Either way, Brunnhilde argues with Cap and has to kick War Machine's ass to get away and start hunting the hammers. Hijinks will most certainly ensue.

Fear Itself: Youth in Revolt: Interesting ending, although I think McKeever could've structured the story better to reach this point. As it stands, you have to be... well, me or someone similarly obsessed with Jurgens' Thor comics to know what the hell is going on with Tarene in this issue. A brief explanation about how she's this cosmic entity no one understands in one of the earlier issues might've been helpful. Still, her declaration that humanity is not worthy of elevation to the next step toward its destiny hits various characters hard, and the remainder of the issue is an exploration of how each of them react. In the end, the message ends up being more about striving to do better in the face of fear, which is a nice... addendum, I guess, to Fear Itself.

Fear Itself: The Home Front: I'll be honest: I only read the story about Cho's team and that Rick dude from Fear Itself in this issue. Both were good, although Rick's story seemed unnecessary. We got everything this story conveyed about him in the main Fear Itself issues. Meanwhile, Cho's team finishes off their fight with the Hell-Carrier (admittedly not one of Van Lente's better puns) and then learn why Cho summoned them to get together for that particular fight: press coverage. X-23 promptly kicks Cho in the nuts, presumably ending the team's story. I'm kind of okay with them as a done-in-one team, though. I'd read more if it were available, but I'm not sitting here in awe of what a great team they made or how much potential they have.

Journey into Mystery: Whilce Portacio's art is inflicted on us again, but other than that, this was an okay issue. Not great. Ultimately, it turns out everything Loki was scheming for was to block the Serpent's assumed ability to defy even prophecy with his massive(ly still ill-defined!) powaaaaahhh and allow the prophecy of Thor's defeating the Serpent at the cost of his own life to come true. Gillen does at least make an attempt to convey some aspect of why the Serpent is such a badass with an illustrative little anecdote from his past (drawn by Doug Braithwaite, which makes it even better). But it's still not much for a guy who's headlining a major event, and it's not even in the event's comic. But that's Fraction's failing, not Gillen's. The ending--that this was all to make sure what was prophesied to happen actually does happen--throws kind of a wet blanket on the whole affair, but I suppose it does reveal a bit more about this new Loki's character. Decent read but not quite up to the standard of unrelenting awesome that Gillen set forth in the first few issues of this series' return.

Batman: Good second issue. Nothing fancy, just a fun mystery built on the legends of Gotham. Bruce's arrogance shines through in this issue, and I hope that's intentional. It's an understandable facet of a man who's accomplished so much, both as Bruce Wayne and as Batman, but it's not something I recall being touched on too often. It's like anti-prep time. Batman is so arrogant about his knowledge of Gotham's history that he won't even entertain the notion that the Court of Owls might exist, and it's totally gonna bite him in the ass. Good times. Capullo's art continues to impress me after years of dismissing it as overly busy crap on Spawn, too.

Wonder Woman: Chugging along amiably with a pretty standard plot about Hera wanting to f*** with Earth because of Zeus' wandering affections. (Actually the exact same plot Herc starts out with this week too.) I like that the gods all look distinctive this time around, but Hermes with chicken feet still makes my eyes roll. Diana's origin looks the same as presented in this issue, but because of the internet, we all know the big change coming up. Kind of a shame that that's the cliffhanger this issue ends on, but I suppose leaks aren't Azzarello's fault. Still not quite sure what to make of Wonder Woman this time around. She hasn't really done much to distinguish herself as any different. This plot is too generic to really get much out of it, either. I have a feeling I'm gonna be trying to figure out my opinion of the post-relaunch Wonder Woman well into the second arc of the series. Still, there's nothing bad about the comic so far, so I'm willing to stick with it until it either impresses me or I drop it out of indifference.

Herc: As mentioned, this story starts with Hera angry at Zeus for screwing another mortal lass. Where it differs from Wonder Woman, however, is that rather than pouting to her daughter, Hera actually takes action against Zeus, casting him down as a mortal like Herc. And then hilarity ensues. He shows up fat and drunk out of his mind at Herc's bar, then proceeds to threaten to bang Herc's girlfriend if Herc doesn't take him out to fight ninjas with him. Upon finding the ninjas, they also encounter Elektra, which causes both of them to start acting like the total horndogs they are. Elektra smacks both of them around before retreating on Baba Yaga's chicken-legged house! If you've been disappointed in Herc so far, you should probably enjoy this issue. This is Incredible Hercules' absurdity-on-top-of-absurdity storytelling all over again. It's excellent and, above all else, fun! Really sad the series is ending soon now that we're getting fun issues again.

Vengeance: This mini-series continues to be good now that it's not quite as perplexing. It took half the issues to set up who the players are and what their roles within the story are, but now that I get that, I'm enjoying it. The Ultimate Nullifier and Ms. America are both fun new heroes that I'd love to see more of elsewhere, and the Young Masters (apparently renamed the Young Masters of Chaos now that we know their alignment for this thing the In-Betweener is involved in) are compelling as villains. Kyle Richmond and the new Nighthawk are busy investigating some kind of conspiracy (which, unlike the Teen Brigade/Young Masters/In-Betweener plot, is admittedly still pretty vague even now) that leads them to Jack Truman, ex-agent of SHIELD and the former Deathlok for Marvel's M-Tech line a few years ago (good series, if anyone cares). Not too sure what to make of that, but I suspect they represent the old guard of heroes to the Teen Brigade's new guard, just as the central villains of each issue represent the old guard of villains to the Young Masters' new guard. Speaking of, the 'villain' this time around is Kid Loki, who's more annoyed by both sides than anything else because they interrupt his quiet night at a museum. He sends Ms. America off to some other dimension and talks the Young Masters out of recruiting him, symbolizing his questionable status on the In-Betweener's scale between order and chaos. If it were the old Loki, he would've certainly fallen on the side of chaos because 1) villain, and 2) god of mischief, which is nothing if not chaotic. But this new Loki has the chance to choose his own path, as the In-Betweener notes, so he's sort of hovering between the extremes for now. Kind of neat. Looking forward to next issue.

Green Lantern Corps: Good stuff. I was debating whether I should continue with this, but it appears Tomasi is back to just delivering solid stories of the Corps being the Corps, which I am 100% on-board for. As of this issue, this series has pulled ahead of New Guardians as the better of the GL titles I'm reading right now. Poor Isamot, though.

X-Factor: Still a great series, month in and month out. I love its consistency. I pretty much always close the back cover of X-Factor feeling satisfied. David's got a great mix of character relationship stuff with engaging plots thanks to the PI angle. This issue is no exception. Development on all fronts; satisfaction obtained by the end.

Atomic Robo: Ghost of Station X: Starts on an uncharacteristic downer, with Robo plummeting to his apparent doom through the atmosphere after being hit by a satellite at the end of #1. He looks severely f***ed up too, with his arm flying off and his eyes exploding from the heat and stuff. But the supporting cast of TeslaDyne keeps things light. By the midpoint of the issue, Robo's back on his feet and slowly realizing that the satellite thing was no accident; someone's targeting TeslaDyne. My guess is it's either Edison or that immortal Nazi dude from one of the earlier comics. Could be cool if it's someone new, though.

Who is Jake Ellis: Finally! The last issue was delayed for like 2 months. It came out last week but I only just read it today. Damn good conclusion to a damn good series. I'm happy with where it ended. Satisfying conclusion with the main characters positioned in interesting places. I'd definitely be up for more if Edmondson and Zonjic had more in mind, though. I would highly recommend this to anyone who likes spy thrillers. Also, I totally bought one of the shirts from that ad in the back. :hehe:
 
This was a short week in terms of the usual books from Marvel & DC for me, but with some indie's from NYCC '11, it actually turned into a sizable one in terms of reviews. May as well chop it up.

Spoilers and promotions ahoy!

DREAD'S BOUGHT/THOUGHT FOR 10/19/11 - DC and The Indies

BLUE BEETLE #2: The lyrics from the scout song "LITTLE RED WAGON" seem to fit this title perfectly: "Second verse, same as the first, a little bit louder and a little bit worse". Thus is the woe that writer Tony Bedard, artist Ig Guana and inker Ruy Jose (and colorist J.P. Mayer) have in relaunching a character whose first ongoing series only ended two years ago after 35 issues. The creative team is stuck having to re-introduce and re-tell material that Keith Giffen, John Rogers, and Cully Hamner did so well back in 2006 with the last BLUE BEETLE volume. The result isn't a comic book that is poor by any means, but is one that fans of the last volume may easily become bored or disillusioned with. DC may have been wiser had they kept the continuity for BLUE BEETLE mostly intact, aside for a few "corrections", and continued with it from where it left off, as the New 52 has done with GREEN LANTERN and BATMAN. Perhaps the biggest change in this "Jaime Reyes bonds with the alien Scarab for the first time" issue is that he gets to fight actual villains in new versions of the Brotherhood Of Evil, such as Plasmus, Warp, and Phobia. Reyes and his pal Paco have been caught up in a local war between rival metahumans minions of mobsters - one of which, "La Dama", is the aunt of their mutual friend Brenda - on the streets of El Paso, Texas. This is a perfectly serviceable action issue, as Reyes has to "talk" to his alien scarab and convince it not to use lethal options for everything. Blue Beetle and "La Dama" meet for the first time, and the Reach - the class of aliens behind the Scarab - notice it's activation and head for earth. The artwork is good and the dialogue is serviceable, but it pales in comparison to the prior volume. This is a criticism that remains the same from where the first issue ended, but I bought this issue despite myself due to pity for my local comic shop, which massively over-ordered many of the NEW 52 second issues. If one hasn't read the 2006-2009 era BLUE BEETLE, this likely reads as perfectly entertaining young DC superhero stuff. It is always nice to see a series that stars non-white characters in a city that isn't a sterile fictional town like Gotham City or Central City or so on. But that prior volume of BEETLE is still available in trades, and fans may be better off hunting those down instead.

A bigger question is; if this Blue Beetle is now the ONLY Blue Beetle of the DC Universe, without the prior legacy, why would anyone even call it "Blue Beetle"? Why not "Blue Alien Guy"? This isn't to say that this is a below average work; it merely has the task of imitating and retelling material from what was an exceptional and innovative book, and in 2011, it is falling short. As someone who DID read and greatly enjoyed the prior version of BLUE BEETLE, how long I remain on this series is questionable.

EPIC #1: Released by ComixTribe, this is a new superhero series created by Tyler James and Matt Zolman; both were on hand at the NYCC and some exclusive issues had back covers drawn by Zolman live. James himself is a good artist, offering free card sketches to 75 fans who contacted him online; yours truly included. The premise of this series is laid out on the back of the front cover. Teenager Eric Ardor is bestowed super-powers in the ever frequent "freak lab accident" and becomes the superhero Epic; his only weakness is pretty girls, who apparently make him powerless - "literally". The series starts off with Epic already in action and fighting what appear to be his entire rogue's gallery at once, with the origin coming in flashback afterward. Right away, the "weakness" of Epic seemed to be awkward; Epic is capable of utilizing his powers while within sight of "half the cheerleading team" being menaced on a Ferris wheel on page one. One of his enemies, Sinestriss, is also an ex-lover, and Epic is capable of summoning "laser vision" against her. Aside for that initial awkwardness, things start off well. James and Zolman display some eclectic taste in their gang of villains, some of whom are inspired by other characters (such as Mecha-Duck for Disney's GIZMODUCK or Thunder God a parody of Marvel's Thor), or archetypes (Roid-Rage), and the generally awesome T-Kong (a mix of a T-Rex and King Kong). To be blunt, more "superhero origin issues" could benefit from this, so that way the reader doesn't get two to six issues of exposition before any action. The series flashes back to nine months prior, where Eric is a typical high school kid, who has an uninspiring academic career and is constantly bullied by jocks. One of them, Mitch, seems to look very much like Roid-Rage later on. His best friends are Benjamin, the son of a scientist who is an intern at a super-science laboratory run by future villain Dr. Geneto, and Julia Kidd. Eric is messing around with some of the experiments on a visit to said lab, and fate happens. The issue ends with his powers just beginning to bud. Described as "pure popcorn entertainment" on the editorial essay on the back by James, it fills that purpose. EPIC doesn't reinvent the wheel of superhero comics, merely does it in an efficient way that caters to the audience that seeks it. Zolman's artwork is solid, with smooth lines and a quick pace for action; Vic Moya handles inks with Arsia Rozegar on colors. There are a few wonky positions and poses, but on the whole the artwork is what one would expect of a straight forward superhero series.

There are some good lines, but in a way, the strength of EPIC is also its flaw. This issue gives the reader what it promises, but nothing more; there are few surprises and it plays up the standard tropes well. This isn't a problem at the start, since the thrill is seeing these new bizarre villains; it becomes a problem for the origin sequence, because it can seem familiar even before it is finished. This doesn't make it bad or not worth reading for superhero fans; it simply makes it difficult for it to stand out from the pack. Because I like superheroes and apparently can't get enough of them, it was a fun and brisk read for me, but others may prefer Image superhero franchises like INVINCIBLE or DYNAMO 5.

ICONIC I & II: These are a series of 105-165 page trade paperbacks published by the Comic Book Artists Guild (CAG), an organization founded 11 years ago to help new and old comic book talent network and release new material. CAG operates in New York, New England and Nebraska. There was a personal attachment here; the editor and one of the many co-writers of this series is Chris Butcher, best known as part of the MARVEL INDEX and a regular of GALAXY COMICS in Bay Ridge, Brooklyn (and as WOLVERINE25TH here). The premise of this series is something which is better read than explained, although it is marvelously simple. The premise is that around a framing sequence revolving around a mystical story-telling Grandpa (akin to "THE PRINCESS BRIDE"), various creative teams write stories which center around either historical figures, "tall tale" characters, mythological characters, fairy tales, or characters in the public domain. However, these are not mere retellings; the creators utilize vivid imagination and cleverness in featuring these characters, or the various worlds or tropes of these characters, in new and unexpected ways. As an anthology series, however, this means that to list all of the creative teams would take several pages of text, and that the stories vary and each reader will classify them according to taste. The aim of this series is symbolized by the framing sequence - to get readers young and old interested in iconic characters from the past by allowing them to be seen in bold new ways. On the whole, these two trades are true "all ages" material - which means content which can be enjoyed by readers of all ages, from eight to eighty. Too often "all ages" is confused for "kids only", which is only true when done poorly. Each volume offered many surprises as to which characters would appear (or be referenced) and as to which type of story would appear - from a mystery to an action tale to a manga style and so on. Each volume offers a myriad mix of tales, and while none of them are below average, I have my favorites over others.

ICONIC I offers the story of St. George and the Dragon told as a small boy fighting a robot monster in his closet by Scott Ludwig and drawn by Keith J. Murphy; a sequel to "A CHRISTMAS CAROL" by Johnny Lowl and Seaward Tuthill; the tale of Prometheus retold as wonky science fiction epic by David Gutierrez, Adam Von Arx, Albert Luciano, and Alex Rivera; a chapter of JASON AND THE ARGONAUTS told from the point of view of Talos the Bronze Guardian by Rafael Gonzalez and Philip Clark; Sherlock Holmes investigating the "Jack The Ripper" killings by Dwight Baldwin and J.M. DeSantis; and a "fun facts" tale of Gustave Whitehead from Robert L. Sodaro and Rick Lundeen. ICONIC II offers more of Grandpa and more inventive and clever uses of titular characters. Highlights include "The Origin Of The Green Knight" from King Arthur's saga by Bradford Combs (JewishHobbit) and Dave Johnson; Captain Hook attempting to escape Neverland for the modern day by James Mascia, Jeremy Thompson, and Delfin Barral; Kafka's "METAMORPHOSIS" as a murder mystery by Christopher Wrann, Susan Soares, and Roger "Chainsaw" Harris; Cinderella as a gender swapped girl's manga by Joe Sergi and Langxuan Yin; a fantastically bizarre and entertaining story with fairy tale characters by Jesse Pindus and Hardianto Rahardjo; and Pinocchio as a fun robot hero fable by Brian Brinlee, Evertt Soares, and David Woodward. The stories and creative teams left unmentioned have produced perfectly entertaining segments; every reader happens to have unique favorites per taste.

In all honesty, I got this series partly because people I knew helped produce it, but found myself enjoying it a lot more than I expected - and more than a lot of this week's offerings from Marvel and DC, frankly. An ICONIC III is teased at the end, and it will be a trade that I'll look out for. For $9.99, a lot of great black and white material is offered. "Fun AND Educational" never read so good!
 
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DREAD'S BOUGHT/THOUGHT for 10/19/11: The Good God Book & Lame Itself

HERC #9: While HERC is a dead book walking - this is the penultimate issue of this ongoing series - writers Greg Pak and Fred Van Lente have begun to find their stride with the character again. The dynamic duo of writers ran INCREDIBLE HERCULES for years, and then continued the stories in various mini-series such as HERCULES: FALL OF AN AVENGER, PRINCE OF POWER, and CHAOS WAR. With the end of CHAOS WAR, the two were essentially finished with their grand scale epic with Hercules, but were tasked with relaunching the character in an ongoing series. Their choice was to either continue business as usual, or do something drastic. They chose the latter - choosing to make Hercules a mortal man without super-powers, and have him act as a vigilante in Brooklyn armed with mystical weaponry (and centuries of battle experience). To a degree, the series has spent most of these nine issues having obligatory crossovers with FEAR ITSELF or SPIDER-ISLAND; both Hobgoblin and Kingpin from AMAZING SPIDER-MAN also became key plot points. The series is now free from crossovers to pursue it's own subplots - for just one more issue. At any rate, Van Lente and Pak for most of HERC's run have focused more on straight forward adventure and action rather than slapstick comedy which often defined INCREDIBLE HERCULES. Despite a great debut, HERC's sales dove-tailed since, which suggests the change to the status quo didn't keep fans around.

This issue, much as the last one, brings things back to hilarious focus. Hera has decided to punish Zeus for once again cheating on their "open" marriage by doing to him what has been done to Herc - make him mortal. Without godly powers, Zeus is now out of shape, middle aged, and apparently in a perpetual drunken haze. This proves to be ill timed, as he lands in Hercules' lap just as he is about to go out on another crusade in the streets of Brooklyn. Herc's three loyal worshippers - actually two "fanboys" and one "fangirl" - act as his tech support to coordinate him towards robberies or crimes in progress. Tonight's crusade is stopping a break-in at an art museum which quickly involves Hand ninja and Elektra. As readers of AMAZING SPIDER-MAN, or last year's SHADOWLAND may know, Kingpin is the current leader of the Hand, which means things are about to get quite interesting. The very idea of putting Elektra - a Greek assassin - in a Hercules story is such a no-brainer that it remains a mystery why it has seemed to never happen before. Flirtations and spin-kicks abound.

Regular artist Neil Edwards has been gone from the series since about issue six, which is actually quite fine; the subsequent artists have had a better grasp of physical comedy. David Hahn (ROBIN, SPIDER-MAN LOVES MARY JANE) takes over for these final two issues, and he picks up well from where June Brigman (POWER PACK, BRENDA STAR) left off. His style seems to fit with the sorts of artists who often drew INCREDIBLE HERCULES (Khoi Pham, Ryan Stegman, Clayton Henry, Reilly Brown, Rodney Buchemi) in that it is not "photorealistic" but a more classically illustrative style which is efficient for both action sequences and slapstick comedy - especially facial reactions. This was a nuance that Edwards - who is often drafted to draw things that Bryan Hitch is too busy or slow to draw - lacked on this series.

The true beauty of this issue was the continued return of great action, some clever use of mythological figures, and a lot of fast, furious, and funny one liners and exchanges. If this is truly the formula to great Pak/Van Lente Hercules greatness, then perhaps a closer attachment to a status quo is best. It is a shame this series will end as it is getting going, but in all probability, Marvel will hand the duo a mini series to wrap up any lingering plot threads - same as YOUNG ALLIES, SPIDER-GIRL, VENGEANCE OF THE MOON KNIGHT, and HEROES FOR HIRE got within this past year. In a week in which FEAR ITSELF seemed to smother a lot of books across Marvel, HERC #9 was a breath of fresh air - and quality.

FEAR ITSELF #7: Everyone fights, things explode, the bad guy goes down and one critical hero makes an obligatory sacrifice to showcase how Very Important this series was. It all comes down to an oversized $4.99 finale which has 37 story pages by writer Matt "He Was Better In '09" Fraction, artist Stuart Immonen, inker Wade Von Grawbadger and colorist Laura Martin, as well as 16-18 pages of back up strips which promote the next mass of upcoming Marvel releases: THE FEARLESS, BATTLE SCARS, and the latest relaunches of INCREDIBLE HULK and DEFENDERS (which will also be written by Fraction). The best thing about this issue is that the focus seems to be entirely on action sequences, which gives Immonen the chance to steal the show. The artwork has long been the only appealing quality of this series, so more of that is fine. There are a lot of splash pages or pages with 4 or less panels. There are a lot of battles, many of which seem to be too brief to be satisfying despite having roughly an issue and a half's worth of pages to wrap up. Much like the end of SIEGE, Thor has the climatic battle with a giant monster. Also like SIEGE, a big thing is made of some random schmuck helping one of the heroes at a critical juncture. A moment in which Thor tosses Mjnolir to Captain America, who has proven worthy of it in the past, it actually rather cool.

Downsides? In fairness, there are less of them than prior issues, thanks to the action and the fact that this is the end. Iron Man throws a bunch of Norse elf forged weapons to his superhero friends to fight all the evil people with magic hammers, and they have a big fight. In the end, the threat goes down with a very basic and simple solution - which makes all of the previous hand-wringing for half a year seem shallow and worthless. Many of "The Worthy", such as Juggernaut, Absorbing Man, and Titania, had some fairly important or gripping appearances in other titles, such as UNCANNY X-MEN or AVENGERS ACADEMY. Rather than be allowed to be defeated there, and allow those crossover issues to actually be relevant to the overall series, they were yanked from those stories to appear here, in which everyone has a few action panels and then goes home. Rather than allow other titles to "handle" some of these Worthy in critical stories, Marvel allowed many titles to "borrow" some of theme for 3-6 months only to end up providing a story in which the antagonists had to be beamed out at the last minute for contractual obligations at the end. The Serpent remains a hollow husk of a villain who seemed barely capable of sufficiently filling a random issue of MARVEL TEAM-UP featuring Spider-Man and Aquarian, much less a seven month mess of an event. The fact that so many Marvel heroes gain temporary new costumes for obvious video game and action figure variations would be laughable if it weren't done so crudely that it becomes insulting.

Thor dies at the end, having finally seemed to play out his fated death even at the end of Ragnarok. Again. Given how 2012 is the year "THE AVENGERS" hits theaters, anyone who genuinely believes Thor will still be dead at this time next year needs a brain transplant. Solicitations gave this away months ago, but the story itself made it such a predictable thing that when it happened, there was no shock. That is perhaps the biggest flaw of this event in a nutshell. More so than some others, this was a story that went through the motions and provided sound and fury, signifying nothing. Crossover events from the "big two" have long been accused of being soulless commercial monsters that exist to move comics, sell things, and check off editorial strategy checklists - FEAR ITSELF has lived up to this accusation shamelessly. While Marvel "events" of recent years have often been failures as stories, FEAR ITSELF makes those previous failures seem almost ambitious in comparison. It is without a doubt the worst written, overly hyped and needlessly expensive drivel that Marvel has published this year, and their entire strategy for next year is more of the same. If DC actually does manage to rule the direct market for longer than one month due to their NEW 52, it may not has as much to do with anything they do right, but due to Marvel editorial's tired inertia.

The truly bad things? The epilogue to this series may last longer than the series proper. THE FEARLESS is set to be twelve issues. BATTLE SCARS and THE DEFENDERS are also direct sequels. And FEAR ITSELF #7.1, #7.2 and #7.3 are forthcoming. Marvel genuinely believes fans want more of FEAR ITSELF and it's mythical cosplay fetish. While FEAR ITSELF #7.1 will be written by Ed Brubaker and thus may be decent, the rest will likely be avoided. For the sake of Odin, Marvel, at least PRETEND you have a new idea.

FEAR ITSELF: THE HOME FRONT #7: This anthology mini series, which was intended to tie into the broader FEAR ITSELF, comes to and end. Thus, this saw the end of two of the serial strips as well as two more one-shot strips. As usual with this series, the overall product is a mixed bag.

The strip which has ran for the entire series was the SPEEDBALL one from writer Christos Gage and artist Mike Mayhew, with colors by Rain Beredo. With this story now over, the point of it seems clear. Christos Gage not only wanted to flesh out a character he rarely does much with in AVENGERS ACADEMY, but to tie up a lingering plot thread from CIVIL WAR. Miriam Sharpe began life as an anti-superhero activist after her son Damian was killed in the event that sparked CIVIL WAR in 2006 – a battle gone wrong with the New Warriors and some villains, led by Speedball. Speedball was arrested for that incident and became the insane Penance in grief, but has since sought to become more stable. This series was meant to get both Speedball and Sharpe to a place where they could respect each other, and the last lingering resentment between Speedball and his hometown of Stamford, Connecticut are laid to rest. To this end, the two sought to try to restore faith during the public panic of FEAR ITSELF by having Speedball respond to emergencies across the nation and then Tweet about it, basically. This finale comes to a head when the civilians of Stamford – the very ones who tried to suffocate Speedball with a plastic bag in issue three – rise to defend Speedball and Sharpe from the Sisters Of Sin. The artwork is quite good, and it accomplishes the task of getting Speedball to a place where he can move on and hopefully become an upbeat character again.

The second serial strip ran for only three issues, and is “THE CHOSEN” from Fred Van Lente and artist Alessandro Vitti, with colors by Javier Tartaglia. The gist of the series is that several young heroes – Amadeus Cho, Spider-Girl, the new Thunderstrike and the latest Power Man – team up to fight evil Nazi Samurai Shark-Men who want to blow up Hawaii. If it sounds bizarre, that is only because it is. To a degree this story is similar to some strips that ran in MARVEL COMICS PRESENTS in which several characters would team up for an aimless adventure against something random. Vitti’s art takes some getting useful, and it seems odd that the usually impulsive Power Man (Victor Alvarez) seems to be far calmer here than in his POWER MAN AND IRON FIST series – perhaps so Thunderstrike (Eric Masterson) could fill the hot-head role? It naturally ends with Cho seeking to manipulate everyone and things not quite going his way despite his “hyper-mind”, as often happens. This was far better than the AGENTS OF ATLAS strip that preceded it, but at the same time could have been better.

Next is another one-page strip by Howard Chaykin, which have usually stunk. This one is another with J. Jonah Jameson, only it co-stars Peter Parker and takes place after FEAR ITSELF. It meshes poorly with SPIDER-ISLAND over at AMAZING SPIDER-MAN and is forgettable. Dan Slott wrote one page “jams” in a prior anthology and they were far superior.

The last strip features “the citizens of Broxton, Oklahoma”, which is where Thor and his Norse friends have lived since 2007. This ties into the first issue, which also featured this setting. The story is by Brian Clevinger and artist Pablo Raimondi, with colors by Veronica Gandini. It centers around Rick, the “point of view” guy who just wants to survive FEAR ITSELF and get back to his family. He endlessly narrates that he can’t help anyone, as he manages to do precisely that to people along his way – the message of the strip couldn’t be more obvious if it reached out and socked the reader. The art is fine, and it’s a standard slice of life strip.

Overall, the SPEEDBALL strip ended well, and “THE CHOSEN” was fun. However, FEAR ITSELF: THE HOME FRONT hasn’t been as good as some of Marvel’s previous anthologies, such as AGE OF HEROES or even I AM AN AVENGER. I don’t mind the anthology format, but hopefully future ones will have more consistent quality.

FEAR ITSELF: YOUTH IN REVOLT #6: As the overall FEAR ITSELF wraps up (sort of), this means all of the other spare tie-in mini-series are wrapping up as well. Writer Sean McKeever, artist Mike Norton, and colorist Veronica Gandini used this series to follow up on a slew of characters who used to appear in AVENGERS: THE INITIATIVE and then were left to wander when that series ended last year. A chunk of the series has been devoted to a crisis in Las Vegas, which the various young heroes have both made worse (Gravity and Hardball) and sought to solve (everyone else, including the aforementioned two). This series is also the first major development that the alien Tarene/Thor Girl has gotten since her regular appearances in THOR ended at the top of the decade. Thankfully, McKeever was wise to summarize Tarene's back story in earlier issues, so her transformation into the goddess Designate isn't as much of a drastic surprise. As with most god-types, she basically lectures everyone present about what morons they are, before departing for space. The only difference here is that due to prior issues, Tarene does have a point. The end of the issue shows various characters moving on from the crisis with their lives, seeking to prove her wrong about the human race. Prodigy shows he had what it takes to be a leader and avoid temptation; Firestar and Gravity seem to admit their attraction, Cloud 9 returns to heroism full time, and Hardball makes up with Komodo. If there is one flaw of this series, it was that certain characters did tend to overreact in ways which to ensure that some brawls took place - an often tired trope of superhero comics. However, the artwork was great and it was truly terrific to see someone handle all of these discarded characters - many of them were new and still have loads of potential. Sales were rubbish - perhaps providing why Marvel should have simply slapped AVENGERS on the title someone to move another 2,000 copies. Overall, this wasn't a perfect series, but it was an entertaining spare mini-series from an event with great artwork and tons of C and D List characters for hardcore fans (like yours truly).
 
Glad you enjoyed the books, Dread...even if you did massacre everyone's names in the process. :P
 
Nice to see no real "young heroes" books in the works after Youth in revolt. WTG Marvel. Marvel has no guts with these stories, DC does.
 
Academy's still being pushed but other than those I think the only thing that'll sell decently enough to support an ongoing would be a Young Avengers book with a decent team on them. As much as I loved the Initiative they just don't sell books on their own.


And a random Initiative thought... Trauma should join the Runaways. He's the son of a villain and would be awesome paired with Nico Minoru :up:
 

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