Official Film Recommendations Thread

Six String Samurai
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Gorgeous 35mm cinematography accompanied by a surf rock soundtrack against a bizarre, fantasy landscape inhabitant by a rock musician-slash-martial artist named Buddy and Death, who looks more like Slash from GNR than the grim reaper. Its a surreal, fever dream of a flick.
 
Save The Green Planet!

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[FONT=Verdana, Arial, Helvetica, sans-serif]Story: Byung-Gu believes that Aliens live among human beings and that these extra-terrestrial life forms are the main reason behind society’s many problems as well as the misfortune in his personal life. Being the only one aware of the problem that humanity is facing, the situation puts the fate of all human lives in his hand. The only way to stop the aliens is to speak with the Alien Prince of Andromeda before the next lunar eclipse. [/FONT] [FONT=Verdana, Arial, Helvetica, sans-serif]However, finding the Aliens is quite a task since they look just like human beings. The most logical suspect at the moment is Kang Man-Shik, the president and CEO of a big chemical company. With the help of his beloved girlfriend, Byung-Gu they will kidnap the business man and try to make him confess that he is, in fact, an alien and then will try to convince him to let him contact the Prince. Meanwhile, a police inspector is on the case of Mr. Kang’s kidnapping and is becoming closer and closer to finding out what really happened to Kang. Will Byung-Gu have time to save humanity before the cops get to him?[/FONT]



Very violent.

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War Party said:
If your into asian cinema, I can definitely recommend some stuff. And if TheSaintOfKillers were here, he could definitely recommend some films.
I'm into anything that doesn't suck. I love finding obscure films that keep me guessing. Like Lady Vengence. I had no idea where it was going. It moved pretty quickly, yet had weird, quiet, little unHollywood moments like the scene where... ummm, without spoiling it or using tags, she talked through an interpreter to the little girl and the space between them coalesced. And the scene with the white cake in the face. I kept expecting an abrupt shot to take out Geum-ja during the final, quiet scene. Being accustomed to Hollywood clichés, I expected the tragic-yet-crime-does-not-pay ending. Like that final shot in Layer Cake, or Carlito’s Way. Instead we got a serene, tender moment of redemption. And that’s as soft as I can tread without spoiling anything.
 
Killgore said:
I'm into anything that doesn't suck. I love finding obscure films that keep me guessing. Like Lady Vengence. I had no idea where it was going. It moved pretty quickly, yet had weird, quiet, little unHollywood moments like the scene where... ummm, without spoiling it or using tags, she talked through an interpreter to the little girl and the space between them coalesced. And the scene with the white cake in the face. I kept expecting an abrupt shot to take out Geum-ja during the final, quiet scene. Being accustomed to Hollywood clichés, I expected the tragic-yet-crime-does-not-pay ending. Like that final shot in Layer Cake, or Carlito’s Way. Instead we got a serene, tender moment of redemption. And that’s as soft as I can tread without spoiling anything.

If you like Lady Vengeance, you will like Oldboy. Same director. But yeah, I love the ending. It was very sweet.
 
I Heart Huckabee's
Another favorite existential film of mine. The plot involves a professional environmental activist (Jason Shwartzmann), a firefighter (Mark Wahlberg), a model for the Huckabee's department store (Naomi Watts), and then an exec or ad agent or something for the store (Jude Law) meeting under various circumstances. Shwartzmann's character is trying to save a natural are from being destroyed by the Huckabee's corporation. He ends up going to existential detectives or therapists (I don't remember which because it's been a long time since I've seen the movie) for help because he feels he has a problem larger than the impending natural destruction. These people he goes to are played by Lily Tomlin and Dustin Hoffman. There's a lot of strange, semi-trippy interludes as well.
 
Sympathy for Mr. Vengeance

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Sympathy for Mr. Vengeance follows the cycle of destruction of deaf, green-haired mute who is desperate to get a replacement kidney for his dying sister. He is so desperate that he pays a black market surgeon to transplant one of his own kidneys into his sister. He awakes from the surgery naked and sans one kidney in an abandoned building. To raise more money for another kidney, he kidnaps his ex-bosses daughter. The plan naturally goes awry. This is the first part of Park Chan-wook's Vengeance Trilogy, followed by Old Boy and Lady Vengeance.
 
I rank them Oldboy, Lady Vengeance, and Sympathy for Mr. Vengeance. All great films.
 
War Party said:
If you like Lady Vengeance, you will like Oldboy. Same director. But yeah, I love the ending. It was very sweet.
I own Old Boy. Well not own as in own3d or pwoned, but I bought it and have enjoyed warping the minds of my friends with it's greatness. Old Boy is quite over the top and the plot is outrageous, but that's why I like it. It's definately the best of the three though.

I love hard Sci-fi movies like Blade Runner, 12 Monkeys and Gattaca. There just aren't that many of them. And of the ones that approach that kind of hard Sci-fi greatness, they always find a way to ass it up. Like they did with the Matrix sequels.
 
Killgore said:
Yeah, thanks for the recommendation! Keep 'em coming folks!

Anyone see Shiri, Tae Guk Gi or Bright Future? Are they worth watching?

Hunter Rider, did you finally watch Red Rock West?

shiri is rather a disapointment, for the highest grossing film in korea, you expect a lot more! It's a basic terrorist film, nothing to rave about, Tube is more interesting.
 
Killgore said:
I own Old Boy. Well not own as in own3d or pwoned, but I bought it and have enjoyed warping the minds of my friends with it's greatness. Old Boy is quite over the top and the plot is outrageous, but that's why I like it. It's definately the best of the three though.

I love hard Sci-fi movies like Blade Runner, 12 Monkeys and Gattaca. There just aren't that many of them. And of the ones that approach that kind of hard Sci-fi greatness, they always find a way to ass it up. Like they did with the Matrix sequels.

have you ever seen Brazil?
 
Natural city is like a korean blade runner, but the focus is on a guy who's in love with a robot, and wants to prolong her lifespan etc... That's got some wonderful scenes in, a very different feel to blade runner, but it;s a shame it feels the need to have a massive showdown:(
 
War Party said:
have you ever seen Brazil?
Top five movie there partner.

My top five

1. Vertigo -- this movie haunts me. Everything about it is perfect, the setting, the acting, the plot. I saw this movie at 16 and went from movie watcher to movie buff.

2. Blade Runner -- Ridley Scott, what the hell happened to you? Alien, masterpiece. Blade Runner, masterpiece, Legend WTF? Thelma and Louise? WTFX2. Now, yeah, his post-blade runner movies aren't that bad, but when you see such a promising career after two brilliant, brilliant genre bending movies, all of the rest are just meh.

3. Akira -- Very few movies have forced me to watch it, rewind it (back in the day) and rewatch it. Freaking masterpiece.

4. Brazil -- What can I say? Perfect movie.

5. Fight Club -- I don't generally like to be fickle and announce that a new movie is the greatest ever. I like to let them resonate. But some things you just cannot deny. This is the movie future generations will look back on like we look back at Citizen Kane.
 
Cyrusbales said:
Natural city is like a korean blade runner, but the focus is on a guy who's in love with a robot, and wants to prolong her lifespan etc... That's got some wonderful scenes in, a very different feel to blade runner, but it;s a shame it feels the need to have a massive showdown:(
Yeah, I queued that one after seeing the trailer before LAdy Vengeance. So it's good?
 
Yeah, Brazil and Fight Club are also in my top 5. Brazil is pretty much perfect.
 
I need to see Brazil as fast as possible. Gilliam is a genius. And alot of people say that it his is magnum opus.
 
Carmine Falcone said:
I need to see Brazil as fast as possible. Gilliam is a genius. And alot of people say that it his is magnum opus.

You must see it right now. It's absolutely brilliant and it's perfect.
 
Killgore said:
Yeah, I queued that one after seeing the trailer before LAdy Vengeance. So it's good?

It's not amazing, but comparing it to most of the films released this year, I'd definately pick it up
 
For kilgore, this is just a cut and paste from my daily film review blog, I reviewed Natural city this morning after watching it last night....

NATURAL CITY


Natural City, is often called the Korean version of Blade Runner, however that is selling this film short, as it more than just a different interpretation, rather it is something completely different.

The film is set in the future, roughly 2080, where cyborgs are made with three year lifespans. One of the military police, who's job it is to hunt down renegade cyborgs, has fallen in love with a cyborg. Throughout the film he tries to get enough money through illegal means, so that he can somehow save his beloved Ria. However, in the mean time, a cyborg named Cypher is providing a strong terrorist force within the city, as the story unfolds we are met with a few unexpected and confusing twists that add extra life to this movie.

Natural City boasts one of the most impressive Sci-fi landscapes seen in cinema, inspired by the likes of Blade Runner, Metropolis and the urban area's of Korea itself. The Special effects within the film are of a very high standard, and thus adding to the film's beauty.

From the early moments of the film, we are met with an incredible action sequence, which makes us believe the whole film is an action movie, although this assumption is shortly dimissed, as we become more invloved with the characters, which are the true heart of the film, the action sequences are more of an extra part than a core. There is one moment in the closing stages that is over the top action, but is cleverly intercut with other scenes to make it not appear so.

Camera work and editing in this film are nothing short of exceptional, using shutter speed, motion blur, exposure and many other techniques to provide the appropriate atmosphere for certain scenes within this science fiction environment. The sheer quality of the cinematography is vastly superior to your average blockbuster, any scene within the film can be paused and the spectator can marvel at the intricate nature of every frame, like a string of intense paintings woven together.

As usual with Korean cinema, stereotypes are avoided, with each character developing throughout the film, rather than being recognised instantly through convention of cinema, making a much more realistic and intelligent set of characters.

There are faults to the film, some moments are not as well concieved as others, also one particular scene is a straight take on Blade Runner, but the rest of the film's unique edge and style more than compensates for this.

Natural City is one of the best contemporary Sci-fi films, using the themes and established conventions of the genre to create somethig new and exciting, an emotional story, that is beautifully filmed, a definate for any sci-fi fan or any true fan of cinema.
 
2LDK

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Plot Synopsis:
Nozomi and Lana share an apartment in Tokyo. They have both auditioned for the same role in a movie, and know that the shortlist has been cut down to just the two of them. As they wait the night before finding out who will get the role, their personality clashes erupt into an all-out battle.
 
Standing in the Shadows of Motown
A fantastic documentary on the unsung heroes of Motown, the musicians who created the "motown sound", The Funk Brothers. Sandwiched between archival footage, reinactments, interviews with the band members and other people like producers, songwriters, fans, family members of the musicians, younger musicians inspired by the Funk Brothers, etc. are great performances from a concert given by the Funk Brothers. It had been 30 years since they last played with each other and they're still top notch. Singers like Ben Harper, Joan Osborn, Bootsy Collins, Chaka Khan sang the Motown hits. The documentary also uses different cameras in different sections which is interesting. The story of Detroit itself in the '50s and '60s is told well also. Every time I watch this I'm reminded why Motown soul/r&b is the greatest music ever made.
 
In The Bedroom
In The Company Of Men
Crash (1997)
 
Un condamné à mort s'est échappé ou Le vent souffle où il veut (a.k.a. A Man Escaped or The Wind Bloweth Where It Listeth)

Kanal (a.k.a. Sewer)

I'm a little tired right now, but I just wanted to post these. I'll give them full write-ups tomorrow.
 
This is todays entry for my film recommendation blog, I just cut and pasted it here, as per usual...

DEAD MAN'S SHOES


Dead Man's Shoes, is a little heard of, minimal budget British film, yet manages to easily outclass virtually every big budget Hollywood film of recent years.



Richard is an ex-army officer, who is seeking revenge on those who tortured his younger, mentally handicapped brother. The film opens with home-video style clips of the two growing up together, which then leads into the two brothers in the English countryside, on their way back to the town where it all happened.



Acting wise, Paddy Considine is nothing short of perfect. The character of Richard is so believable, we never even think of him as just a character, rather as a real person. Other characters although, could be considered to be stereotypes by the wider world, however they are highly realistic for any English audience, as we have all met people just like these before, so it is rather a case of noting actual experience. One of the reasons the level of acting seems so superior, is due to the loose script that they filmed on, the specific dialogue throughout the film was improvised for each take, making everything that extra bit more natural.



Editing within Dead Man's Shoes is very much a key element, as we are constantly dipping into a flashback of the day of torture, linking the past and present neatly, and feeding the audience what happened on that day piece by piece, building the enigma and interest. The whole film is shot to be as gritty as possible, using a great deal of precision focus, making everything as true as can be, which in turn accentuates the themes of the film.



The soundtrack of the film is equally as well thought out, bringing in extra elements, and setting a mood, which at times is very ironic, in terms of generating a contrast of pleasant central character, and unpleasant narrative. Regularly there is a pulse in the background, that adds a layer of depth, that when coupled with the brooding performance of Paddy Considine, absolutely pulls us in and holds us superbly throughout.



Simplicity is the key to this film's success. All shot on location, small cast, no specially effects apart from make up. No special costumes. The film revolves instead, around a powerful narrative, a masterful performance, and gripping direction, which is finely complimented by near perfect musical scoring and selection. Dead Man's Shoes is one of the finer films of the last decade, a fantastic revenge movie, and definitely has set the bench mark for contemporary British filmmaking.
 

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