I'm a film fan first, comic book fan second.
The genre-politics of this film are genius. People feeling cheated by the Mandarin flip are an essential part of this, which is why its so ballsy. The film makers inserted a giant 'kink' in the fabric of the genre at the absolute prime moment - it hits you like the gunshot in LA Confidential. It does to the movie what the I am your father scene does to Star Wars - or what the reveal of Kaiser Soze does to The Usual Suspects. It changes everything.
Fans who are discomforted by that should search for a smarter articulation of what that effect says about the phenomena of comic book movies. The marketing, the execution, the creation of the Mandarin was so perfect - in terms of how we have come to understand film adaptions of difficult comic book villains. It does exactly what the genre has come to do. They take a silly/difficult character and give him a fan-boy's wet dream of a Nolan interpretation. The Mandarin is a commentary on that process firstly. But it also does something more meaningful in the context of the film. It takes off the mask of the villain you want to see, dousing their mystique in cold water, showing them to be simply a creation - another special effect to sell us the movie. We were totally fooled. And we should enjoy that and learn from it.
Its about time a superhero movie deconstructed the idea of villainy in the same way that it has tried to deconstruct the idea of heroism. The villains of our modern world are marketing constructs - Bin Laden, Assad, Kim Jung Il. We do not find them terrifying or even truly abhorrent - but they instill a talismatic sense of excitement within the catastrophe of modern events. Their persona obscures the real war which our governments are waging around them. Our villains are brought to us through the media without even the slightest attempt at empathy - objectivity - or counter-factual. They are almost what we want them to be.
Isn't it unnervingly true, that the face of our enemy, that excites us - is disappointing and crass, and only a personification of the greater threat and challenge to our ideas? Think of Bin Laden taken out in his hide-away with his wives in the dead of night. Perhaps if we had seen that scene it might have been as disappointing and crass as the Mandarin?
It was obvious he was staged, as you were only ¨knowing¨ the character by his threats on tv, that were completely feeling fakey, but for a couple of them i was like, ok.. but then you see that scene were he gets off the car and is going to start shooting and i was sure he was just an actor and is was going to be all a bluff. I mean if you have a villain, you kinda parallel the story of the hero with him, this was not happening, but it was with guy pierce´s story, so this was not coming out of the blue kinda surprise for me really. Probably the idea behind this was good, and you are right that the enemies of the governament are this type of staged thing, but i felt the movie was too weak overall.