The Ironstar
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Iron Man 3′ is the Most Political Superhero Movie Ever Made
http://www.filmschoolrejects.com/features/why-iron-man-3-is-the-
most-political-superhero-movie-ever-made.php
http://www.filmschoolrejects.com/features/why-iron-man-3-is-the-
most-political-superhero-movie-ever-made.php
Unlike prior exotic villains, Kingleys Mandarin is revealed to not be a threat at all, but simply a convenient icon of terror for the Information Age. The cultural and political schizophrenia embodied by Kingleys Mandarin is performative of an ill-defined war on terror that nominally seeks to obliterate a tactic rather than, say, defeat a nation 20th-century style (as with the indecipherable Mandarin, contemporary, culturally-varied acts of terrorism make xenophobia rather difficult). Between his Bin Laden beard, his samurai bob, and his vaguely brown appearance (Sir Kingleys made a career of being a master ethnic chameleon the Fred Armisen of British knighthood), The Mandarin is realized through a virtual Orientalist salad whose smorgasbord of signifiers all decode a terrorist while at the same time suggesting no coherent ideology or distinct political association, complete with a strange Midwestern accent. Its quite brilliant, then, that the accumulation of these signs lead only to a hollow core when The Mandarin is revealed to be simply a desperate British actor.