1) The story has more tension if the ring is established as a malicious temptation. Jackson does this by having it shout "Aragorn" at Aragorn. Whoo. Was that too subtle for the poor ******s at the back? Make it shout louder.
2) I know perfectly well why Jackson made him do it, but it was Jackson contolling that scene rather than the fictional character of Aragorn. It was Jackson who decided to make Aragorn seem like the moron/bully archetype to which teen audiences respond rather than the chivalrous character that Tolkien intended him to be.
3) Why did Strider need to "pull out" anything? He knew his sword was broken, so fended off the Nazgul's advance with brands of fire. He didn't carry a useable sword, because he would carry no sword but Narsil, and Narsil was broken.
4) More or less. The silver armour and grey wrappings that Frodo sees the Riders wearing appear only once he has put on the ring; they exist int he spiritual rather than the physical realm. Remember how The Witch King appears as a floating crown above his shoulders when he confronts Gandalf as Minas Tirith.
5) Frodo and company meet Glorfindel, an Elf hero. But that isn't my point; the important thing is that Frodo escapes the Riders alone, while at death's door. It isn't cheapened by a girl-power moment.
6) You clearly haven't read the book. The movie copied the scene with the kraken-like beast directly; it was the scene in the guard room of Moria that was changed. And I don't accept the objection concerning pacing; only the very very stupid find "Alien" to be too slow or to lack action.
7) I've listened to it. It explains why they made the decisions they made. The movie itself makes that obvious enough. I applaud their work, but feel that they could have achieved more had they not catered specifically for their least intelligent audiences.
Are you talking about the first film or the third film?
Dude, Aragorn can't control himself because uh, he's not real, fictional like you mentioned. And what the hell dude? Catering to the teenagers? You're overthinking it. I think that's the first time I ever heard someone say that.
You needed to establish the Narsil is in fact broken but he has a sword in its stead. You can't have a ranger without a sword. Why would he have a broken sword with him. In fact it helps Aragorn's story of not wanting to accept his destiny. Him distancing himself form the sword makes it better.
Hmm, budget maybe? I think they had more important things to spend the money on rather than make them floating. And it's not that terrifying when you see a floating head with no physical presence in the film. And the only time you can see their physical presence is in the ring world.
Like I said, it helps introduce Aowen and their relationship easier and faster. Instead of mashing everything up to get introductions in. The Rivendell sequence was hard enough for them to write. When Frodo is struck by the sword, he is getting progressivley weaker. And all of a sudden he's riding a horse and outrunning more skilled riders? It wasn't a girl powered moment. And it actually gives Awoen something to do other than just sit there and questioning her father about what she should do. You've established that they trust eachother already, and are in love, while getting to everything else you need to tell later. It's a good starting point.
Yes, I have read the book, although not for a while. But that doesn't matter, I'm talking what makes it cinematic. What won't work for film. And don't leave out that they probably did discuss it but agreed it would seem foolish.
You don't understand. It IS about pacing. Findign the right tension until it becomes redundant. Moria is forboding as it is. You can't spend too long in it when they've already spent alot of time in it. This is one of the liberties you have to take when making a film. Things have to be moved and tightened. And no I'm not "Stupid" I loved Alien and especially its pacing. That is gradual. Moria is only one sequence. And they've already journeyed through the mines with Gandalf warning them about the evils that lurk.
No, you're just thinking what they took out and not what they left in as a whole. These fillms have to most expository detail anyone can ask for. More than what they could of gotten. And please, stop thinking to people as the so called "stupid" audiences. It's about appealing to everyone and not just to the hardcore fans who will pick it apart anyway. They've done it to the best of their abilities.