Remake abad film

The Question

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Remakes are a tricky thing in Hollywood. Sometimes they're good, sometimes they're awful, but wether or not they fall short of, match, or surpass the original, they're almost always controversial. Makes sense, people can get very protective of the stories they like, and even more causal fans still get sick of the retreading of good stories from the past. Which is why I've always wondered:

Instead of remaking good movies, why not remake bad movies?

Well, of course I know the answer to that. Remakes are almost never green lit for any artistic reason, they're made because the original was popular and the studio wants to bank on the name recognition. If a remake turns out to be any good, it's usually just a happy accident.

But when you look at it from an artistic standpoint, remaking bad movies not only makes more sense, it actually makes remakes into a genuinely great idea.

There are plenty of bad movies out there that had great elements that simply didn't come together. A great script with a weak direction and cast, a great main character in a lousy story, or just a really great premise that was never fully realized. In that context, remakes seem almost necessary. Here's some tragically wasted potential. Let's dust it off, take stock of it's problems, and try going for round two.

So this question I pose to you:

What bad movies from the past do you think have some good or potentially good quality that would make them worth remaking, and what would you change in the remake to fix the original film's flaws?
 
To name a few off the top of my head:

North

The Room

Drop Dead Fred

It
 
More exploration of Star Wars before ANH. Don't need to retcon the prequels. Just do one specific story.

Green Lantern.

Terminator Salvation. Skynet in 2030 is a good idea, as is Anton Yelchin in any role. I would focus on the bromance between john and kyle. The climax scene should be john in tears as he sends kyle back in time. Consider signing Michael Biehn to play John Connor.

Contagion. Good idea for a movie, but undermined by the uninformed political propaganda and racism.
 
Darren aronofsky and Martin Scorsese present: Nicholas Wind Refn's The Room.
Starring Joseph Gorden-Levitt, Chris Hemsworth and Amy Adams.
 
Krull -- Featuring the cast from BBC's "Robin Hood."
 
I'd make the greatest alien invasion movie ever, great CGI and a deep story and call it "Plan 9 from Outer Space."
 
The Covenant, while it was awesome sooooooo much could be improved. There is a base mythology there that needs to be mined.
 
Doom (2015)

Ten years after the original, Paul Verhoeven returns to Hollywood, bringing with him Sam Raimi as producer, to direct the newest iteration, starring Nicolas Cage as a sole Space Marine stuck in the bowels of hell, fighting through wave after wave of zombie, demon and other un-nameable creatures.
 
Xanadu? I actually really loved the animation sequence and I would love to see more of that
 
Frankenhooker. Starring Ben Whishaw and Linda Cardellini as the titular character
 
Aliens vs Predator

Space Marines, Xenomorphs and Predators, in outer space/and or an alien planet. Set in the future.
 
Santa Claus Conquers The Martians - Not that I've ever seen the film in its entirety - I tried once and it was too much even for me - so I'd just throw the entire premise out the window and do something totally different with it: on the Christmas Eve night that New York City falls under attack by an all-out alien invasion, a suicidal department-store Santa decides to take the fatalistic course of taking out as many of the invaders as he can, riding around the city with an abandoned taxi cab and a shotgun (much as I'd rather avoid using NYC in yet another alien-invasion flick, the presence of big department stores like Macy's would be kind of necessary in this case). I envision it as sort of falling into a classic John Carpenter/Kurt Russell movie vibe with echoes of "Escape From New York" and "The Thing".

Prince Of Space - Basically a spoof of "Man Of Steel" with some "Iron Man" and a little "Green Lantern" thrown in, about a college-age stockboy at a sports shoe store who discovers he's actually the half-human heir to a galactic kingdom, about the same time that the birdlike warfarers that wiped out said kingdom make their way to Earth. Of course, the studio would probably insist on a love interest, so I'd make her a social worker looking out for the welfare of the orphaned kids in Wally's care (possibly orphaned when their astronaut parents were wiped out with their ship upon the Krankorans' arrival in our star system early in the picture), so that when they get abducted in the last act it'll give her an excuse to go Ripley on'em while powered-armor Wally is beating the crap out of Ambassador Phantom.

Jaws 3-D - Done now, it would have to involve Martin Brody's grandson; the first "Jaws" is the only one that happened, back in 1974, and since his dad and grandmother don't like talking about it he knows only that some shark attacks happened when his dad was a kid, but he doesn't really know or care about much else beyond that. I'd also set it in a marine park that ISN'T landlocked contrary to what the original J3 depicts...still away from Amity, though. I'd also cut the Great White a break by making the sharks of the movie (mama and baby, as in the original J3) Megalodons, or even some other kind of shark, that have come inland because the food supply they normally consume has run out; the baby accidentally gets into the park, the mama does not. The baby also survives; I want the sharks to be entirely sympathetic so that the audience is rooting for them the whole way. Above all else, though, I'd try to give this one more balance between horror and humor.

Supergirl - An actual villain from the comics, for starters, one that preferably hasn't been done yet. Also, Kara in this case would be Kara In-Ze from Krypton's sister planet Argo (DCAU); accordingly, I'd probably even put her in a version of the outfit Linda wore in the last two issues of her book. Superman is missing, presumed dead in an alien invasion years earlier (you think maybe I might be addicted to this concept? :woot: ), and the town of Leesburg is still reeling from the damage. On that note, all the supporting characters from Linda's book, too; Linda herself died during all the hysterics of the invasion, so the movie starts off on a grim note. Basically a mix-and-match of Supergirl incarnations of the past couple decades, which should make DC happy given all their efforts to bury Linda's memory as much as possible.
 
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Prince of Persia as a set piece epic in the style of Lawrence of Arabia, make Magic more interesting and tell a story that feels mythic and grand, inspired by the games and the graphic novel.

Aliens vs Predators as a futuristic film

Conan the Barbarian

Doom. This should be more action packed like the games, and very violent. Just have fun and enjoy the weird concepts.

Tomb Raider
 
Knight Chills: Bigger budget, better actors (preferably some well known names), better production quality, and better director. The basic premise of the original isn't so bad (a guisebullied D&D geek commits suicide after the female player from his group that he has a crush on rejects him, and his spirit comes back from the grave in the guise of a mysterious black knight to exact his revenge upon those who bullied him).
 
Darren aronofsky and Martin Scorsese present: Nicholas Wind Refn's The Room.
Starring Joseph Gorden-Levitt, Chris Hemsworth and Amy Adams.
Please, NWR's Room stars R. Gos as Johnny, Oscar Issac as Mark and Carey Mulligan as Lisa. With a special appearance from Mads Mikkelsen as Chris-R.
 

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