I think the biggest missed opportunity of the whole series was YOLT since it's the real conclusion of the Tracy arc.
They could have always done YOLT but with a different title and location. It's better than nothing.
not enough people know how badass his universe was.
The only badass thing about the Moore era is the action. By the `70s technology had caught up to the point where they could do almost anything they wanted. That's the incredible thing about the Moore films - the action holds up incredibly well. Even for 2010 standards.
After From Russia With Love, Connery did not play the Bond role any more seriously than Moore ever did.
Not true. In
Goldfinger, he blames himself for the death of the Masterson sisters. In the scene where M is lecturing Bond after the fiasco in Miami Beach we see perhaps the most emotional scene in Connery's era. "I'm aware of my short-comings, sir." Later on when he's following Goldfinger in Switzerland he is almost tempted to mess with Tilly Masterson when she's being an agressive driver. "Discipline, 007." In that movie we see Bond at his most flawed. The guy screws up like in every other scene. He doesn't even know how to stop the bomb at the end. This is why
Goldfinger is the best installment. It isn't because of the gadgets or humor or pretty ladies. It's because Bond is at his most human.
In
Thunderball, Bond is racing against the clock. He doesn't have time for his usual nonsense. In the first half of the film we do see a more light-hearted Bond having a few laughs at the health spa, but once he gets to the Bahamas it's the most serious we've seen him since
Dr. No.
And the campiest Bond movie is not one of Rogers, it's Diamonds are Forever, which is a centimeter away from being a full on comedy.
Diamonds Are Forever is a comedy, but it isn't more campy than Moore's `70s films.
Live and Let Die is a 100x more ridiculous than DAF. Moore's introduction scene is basically out of a sitcom with him trying to hide that girl from M.
atleast Roger Moore never sleepwalked through any of his movies as Connery did in YOLT and DAF.
Roger Moore sleep-walked in
For Your Eyes Only. He added nothing to this movie at all. Had they saved FYEO for 1987 with Timothy Dalton it would have been considered a masterpiece. Instead we get an above-average Moore film that doesn't hold up well against other installments in the franchise.
But if you think any of them played 007 completely seriously, then you don't understand the Bond movies.
I don't think anyone wants a completely serious Bond. That's what sucked about Dalton. He lacked charm.