Well... having read the 2nd Abrams draft myself... Abrams' script ended up being pretty much traditional after the first draft. The main problem with Abrams' script in all of its forms is not the degree of traditionalism or the fans opinions. If that were the problem they wouldn't have that script greenlit for 3-4 years, like they had it. The main problem with all of the Abrams drafts is... it reads like it would cost 500 million to make. That thing was extremely ambitious in scope, and even after the re-writes of the 2nd and 3rd drafts, which made it a traditional Superman script, the main problem was budget. That's why McG wanting to make it in the US and not in Australia was such a big deal. The tax breaks at the time would've made that script significantly cheaper to film. WB did like that script, and despite what they say on the record... Singer used many concepts from the script and Abrams pitch (in the 2nd draft Krypton blew up but there were remains (Kandor) which Kal-El knew of and went to at the end of the script, the Returns story is actually part of Abrams pitch for a trilogy, which was blatantly copied by Singer throwing in a mish mash with the Donner film... not to mention concrete scenes lifted from the Abrams script like the plane rescue which is word for word the same scene or some of the young Clark scenes...). Singer's take was FAR from being original and being something that "he had been thinking for 10 years and got Donner's blessing for". When you know Abrams further drafts, his intentions and then see Singer's film... the impression is very much that he was hired to do a random Superman film and WB pointed him very much the direction they wanted. Then he added the Donner fetish to the mix...