BMM
Superhero
- Joined
- Apr 12, 2005
- Messages
- 8,183
- Reaction score
- 189
- Points
- 73
PhoenixRisen said:I agree 100%. The Jean-as-doctor change is a major deviation from how she has been portrayed since the inception of the X-Men. It's not just adding the title "Dr." to her name and upping her intelligence. (I never felt she was stupid in the comics, she just had her own set of priorities, namely shopping, Scott Summers and the X-Men.) However, given what attaining the "Dr." title requires, it fundamentally changed the very heart and soul of who Jean Grey is and what her life is all about.
Don’t be so dramatic. Adding the title ‘Dr.’ to Jean Grey does not fundamentally change the heart and soul of who Jean Grey is and what her life is about. Simply being a doctor does not inhibit her character traits. Her priorities certainly aren't limited to the likes of boys and shopping.
PhoenixRisen said:Same goes for Rogue. Singer made Rogue a symbol for people suffering from HIV/AIDS. The metaphor works given the nature of her powers,
What the Hell? A symbol for people suffering from HIV/AIDS?
PhoenixRisen said:but he portrayed her as primarily a victim suffering from an unwanted mutation that could potentially kill someone she comes in physical contact with.
Is she not portrayed as an individual suffering from an unwanted mutation that could potentially kill anyone she comes into physical contact with in the source material?
PhoenixRisen said:So when she decided to get the cure in X3, it completely fit with they way Rogue was established in Singer's movieverse.
Both the comic book version of Rogue and the Animated Series adaptation of Rogue heavily contemplate curing themselves. Her reasoning is the same in every incarnation.
PhoenixRisen said:Same goes for Iceman. Singer made him a symbol for someone "coming out." I didn't think this metaphor was as effective and seemed forced, especially the "Have you ever tried not being a mutant?" line.
Whether or not it is illustrated in the source material, Iceman did “come out” to his parents. His revelation has always been a source of strain on their relationship. His plight in X2 didn’t suddenly become symbolic of something that wasn’t already there. Iceman has always been the X-Man with family troubles. His parents have never exactly been accepting of his state of being. They very much maintain the same line of thinking in X2 as they do in the source material . . . “We love you, but there’s a catch . . .” This issue is present in the 60s, it follows through into the 90s, and is now present in the films.



PhoenixRisen said:Singer nailed the X-Men theme of mutants as outsiders but totally missed the real message of the X-Men, that when people work as a team their differences become an advantage.
. . . Kind of like when the Brotherhood and X-Men are working together as a team allowing their differences to become the advantage over their common threat?
PhoenixRisen said:That is why the lack of team battles in X1 and X2 is such a major deviation from the spirit of the comics.
I don't think the ‘real’ message of the X-Men is simply relegated to teamwork via field battles . . . although I do wish there were more of them in the films (I really wanted to see Magneto and the X-Men breaking into Stryker’s base). Then again, I don’t have millions of dollars to fork over in order to do so.
PhoenixRisen said:I like all the X-Men movies, but in reality they are all XMINOs. X1 and X2 would more accurately be called "Bryan Singer's X-Men." Which is why I wouldn't have minded seeing his version of X3 since the X-Men movies were really HIS vision of the X-Men. I love X3 but feel the creative team always had WWBD? in the back of their mind.
I would love to see a reboot directed by someone who places comic-book canon over their personal "vision." But really, if you are willing to accept these movies for what they are--Hollywood "interpretations"--they are all good movies. The anti- and pro-Singer divide is getting old; he left, it's over and done. I know the fans of Bryan Singer have had a painful summer seeing their hero knocked off the pedestal they placed him on, but their negavitiy, especially given the box-office results, is to be expected.
I think Bryan Singer should stay away from comic-book movies and direct movies like his Harvey Milk project. I think he is better suited to directing introspective dramas than he is to directing superhero movies.
For now, I think I’m going to reside in the fact that, unless a billionaire financier unconcerned with profits is somehow (by a miracle) able to make a film rendition of X-Men enjoyable to everyone, these films will always be Hollywood interpretations maintaining both satisfying and disappointing aspects about them.