I don't need to be the one linking the old thread.I dont wanna toot my own horn, but....http://forums.superherohype.com/showthread.php?t=477623
I still view the 1989 Batman movie as my favorite movie, ever.
Superman is awesome too, but it's not my No.1 Superman movie anymore.
I don't need to be the one linking the old thread.
Good, good.
That's completely true dude , BUT you have to admit dude that Michelle Pfeiffer was a-mazing as Catwoman (Hathaway was good, but MP was the best Catwoman ever ! Hell, she was more interesting than Batman in that movie - the Penguin, not so much, that whole choo-choo train with stolen kids reminded me too much of the child catcher from Chitty Chitty Bang Bang.).
Anyway, my point is, it's true that Batman Returns was really more like
" Catwoman begins, guest starring Batman and the Penguin"
which was a fun movie.
The problem with Batman Forever is that you had a little bit of Bruce Wayne/ Batman, a really, really solid and entertaining performance by Jim Carrey as the Riddler, but a pretty dull Chris O'Donnell as Robin, and a disgracefully terrible Tommy Lee Jones (woefully miscast and terribly performed) as
one of Batman's absolute best enemies.
For me, the Riddler saved the movie, although it had some good bits - it was entertaining anyway, that's the key for a Bat-movie.
Anyway, that's one of the reasons I loved Nolan's movies so much, is because at least they place the focus on Bruce. In TDK we get a fair bit of Batman, and probably the big weakness of TDKR is that there's bugger all Batman, in a nearly 3 hour film he's only in 33 minutes of it, and part of that
he's out in broad daylight, which is just wrong.
Okay, I enjoyed TDKR in the cinema, and I can still enjoy it, so long as I turn my brain off and ignore the gaping holes in it. It's not a bad movie at all, it's a good movie, but it comes after a GREAT movie, so it's a bit of a let down.
Anyway, I suppose what I liked about Man of STeel is that it places the emphasis on Kal El, and his path to becoming Superman. Superman the movie, I feel spends a bit too much time on Luthor -but I suspect that's because of Hackman's star power at the time. Anyway, whether he was playing Clark Kent or Superman, Reeve was great (Keaton was good, both as BAtman and Bruce, but Reeve was great as both Clark and Kal).
For me, that's what gives STM the edge. I'm repeating myself here,
sorry.
Okay, peace out Super-fans !![]()
Schumacher is a bigger Batman fan than Burton is, and he didn't let Batman kill.Good thing it's just your opinion, then.
Get ready for another cry, cause my current favorite is Man of Steel.
Get ready for another cry, cause my current favorite is Man of Steel.
Schumacher is a bigger Batman fan than Burton is, and he didn't let Batman kill.
I think the difference is that Burton had him flat-out murdering people by the dozens (he kills more people than the Joker does in that movie). And not only is he no sorry about it, but it gets worse in the sequel where he seems to actively enjoy it in some ways (that sadistic smile he has when he blows up the strongman).
He acts more like The Punisher in those movies than he does Batman. And it gets even worse when he starts lecturing Catwoman about not killing at the end of the movie. "Excuse me Batman, you've been killing people left and right for TWO movies, so you're hardly in a position to pass moral judgments on her."
People have died because of Batman in the comics, but he doesn't INTENTIONALLY flat-out kill them. With the Two-Face thing, it's somewhat ambiguous as to what his intentions were, and with Nolan, the only questionable one is Ra's (but again he didn't flat out kill Ra's).
you say that Batman killing is bad, but it "gets worse" when he realizes that killing doesn't solve anything and stop someone else from killing? You're one guy hard to please, wouldn't you say?![]()
Interesting, that's how I interpret that part in Batman Returns too. Catwoman "woke him up". After all, the Batman we see in Batman Forever is the same as Keaton's. Just check out the scene where Dick Grayson talks about killing Two-Face, and Batman answers:
"You make the kill, but your pain doesn't die with Harvey, it grows. So you run out into the night to find another face, and another, and another, until one terrible morning you wake up and realize that revenge has become your whole life. And you won't know why."
That's what happened to Batman in the first two movies, isn't it?
I think the difference is that Burton had him flat-out murdering people by the dozens (he kills more people than the Joker does in that movie). And not only is he no sorry about it, but it gets worse in the sequel where he seems to actively enjoy it in some ways (that sadistic smile he has when he blows up the strongman). He acts more like The Punisher in those movies than he does Batman. And it gets even worse when he starts lecturing Catwoman about not killing at the end of the movie. "Excuse me Batman, you've been killing people left and right for TWO movies, so you're hardly in a position to pass moral judgments on her."
People have died because of Batman in the comics, but he doesn't INTENTIONALLY flat-out kill them. With the Two-Face thing, it's somewhat ambiguous as to what his intentions were, and with Nolan, the only questionable one is Ra's (but again he didn't flat out kill Ra's).
[/QUOTE]This person gets it. Batunisher in Burton's movies wasted all the Axis thugs, more at the parade, the black gon who kicked his ass in the church tower, the strongman, the fire blowing clown, and if Catwoman didn't have her "9 lives" she'd be dead from him, too. He tried to kill the Penguin as well when he crushed his duck vehicle at the zoo
You're right he did start to enjoy it in the sequel. Sicko.
http://forums.superherohype.com/showpost.php?p=25794663&postcount=338OK. To fully examine Bruce's state in Batman Returns, we must look at who he is in Batman. In the beginning of the film, Bruce hosts a large casino night for charity in his mansion. There could be hundreds of people there, including big figures in Gotham City: Harvey Dent, Commissioner Gordon, the mayor. Bruce is very gracious; six more cases of champagne and you know Bruce Wayne doesn't buy the cheap stuff, along with allowing some reporter he just met a grant to have anything in the house. He even has a seat as a guest of honor at a Harvey Dent press conference. Bruce is outgoing, inviting, and generous. Fast forward through his revelation that the murderer of his parents is the man terrorizing Gotham. This sends Batman on his first (to be fair, known) killing spree. He's using machine guns, rockets, throws a man down a bell tower, and sends the Joker down to his death.
In Batman Returns, there's no gala, no rubbing elbows with Gotham's rich. No one in his home but he and Alfred. His introduction in Batman Returns portrays Bruce as a man who does nothing but be Batman. He sits and waits and when that signal shines bright through his window, he leaps out of his chair because finally he can do something he finds worthwhile. In his first action scene, he commits (attempted?) murder by arson and doesn't make any real reaction to it. That's really unsettling for a character who is traditionally portrayed as a heroic individual.
[YT]qLIAxeY943M[/YT]
When he meets Shreck at the end, he says, "Shut up, you're going to jail." When has this Batman ever cared about sending criminals to jail? He has beaten and killed so many men freely to this point; simple goons of the Joker and the Penguin. Shreck is a man who opposed Bruce Wayne directly and allied himself with a monster bent on killing children. He's got an opportunity to kill Shreck, but he doesn't. Batman's blood lust has ceased.
Through his interactions with Selina and coming to know who she is at night, he changes. He invites her to his cavernous home, symbolic of him letting down his many walls that he has built up within himself and has reinforced by the time of the events of Batman Returns. He wants her there when it is clear he hasn't wanted anything out of life other than to be Batman for some time now. During their final scene together, Bruce begs Selina to come home with him so that they can fill in the massive holes in each others' hearts. "We're the same." Bruce finally looks forward to a future that doesn't revolve around Batman. She rejects their possible courtship and their final moment together is coupled with an explosion, a scene directly lifted from Bride of Frankenstein.
The final scene of the film, Bruce is sitting in the back of the car with Alfred driving at night. He left Batman back in his cave. He is visually upset over the disappearance and possible death of Selina, but we know that he is better off now than he was at the beginning of the film. Selina reminded Bruce of the humanity in him and showed how that fragile humanity in the two of them can be lost so easily. If he cannot have her, then she will serve as a reminder of what happens when you drown in the waters of vengeance.