Well this was laughably bad.
Chris O'Dowd, Daniel Bruhl, Elizabeth Debicki and Gugu deserve better
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ARM DISABLED
Lol at that 'this could release demons, monsters, beasts from the sea' moment, not only was the writing unintentionally funny it was also so lazy
yeah there was another guy on the bridge with a camera.
I thnk that could've been a bit samey. But something about different perspective's could've worked
Well, in retrospect, what is else is there to tell?
Now, don't get me wrong. I'd love an actual continuation to the original as much as everyone else, but thinking realistically, where could they go with it? The monster was killed in Operation Hammerdown (confirmed by JJ in an interview back in 2008), so unless they went the direction of the Kishin manga where there were numerous Clover eggs laying dormant in the depths of the ocean, I can't picture any other scenario for a sequel.
That being said, I hope we haven't seen the last of the Clover monsters, despite Cloverfield Paradox and how unlikely it seems right now.
The appeal of this series concept to me was that, despite what the creatives have filled in behind-the-scenes over the years, we really didn't know jack **** about what was going on in Cloverfield. There was just this monster of mysterious origins attacking New York. Was that just the tip of the iceberg, was government in on it, how long did they know about it, where did it come from, was it an alien, was it man-made or part of some greater experiment, was it the only one, was New York the only city affected, what did the rest of the world see, what happened afterwards...? Those were left unanswered, and so there were so many possibilities of completely separate stories to tell from all sorts of different perspectives and places on the timeline only tangentially related to the monster in NYC that could have gradually filled in those blanks and expanded that universe. But...that's not what they've done.
I also wouldn't have minded if "Cloverfield" just became a brand name for unrelated Twilight Zone-esque sci-fi anthology movies, but that's not what they've done, either. They've just hit a really awkward spot in between that doesn't know what it actually wants to be.
The appeal of this series concept to me was that, despite what the creatives have filled in behind-the-scenes over the years, we really didn't know jack **** about what was going on in Cloverfield. There was just this monster of mysterious origins attacking New York. Was that just the tip of the iceberg, was government in on it, how long did they know about it, where did it come from, was it an alien, was it man-made or part of some greater experiment, was it the only one, was New York the only city affected, what did the rest of the world see, what happened afterwards...? Those were left unanswered, and so there were so many possibilities of completely separate stories to tell from all sorts of different perspectives and places on the timeline only tangentially related to the monster in NYC that could have gradually filled in those blanks and expanded that universe. But...that's not what they've done.
I also wouldn't have minded if "Cloverfield" just became a brand name for unrelated Twilight Zone-esque sci-fi anthology movies, but that's not what they've done, either. They've just hit a really awkward spot in between that doesn't know what it actually wants to be.
The appeal of this series concept to me was that, despite what the creatives have filled in behind-the-scenes over the years, we really didn't know jack **** about what was going on in Cloverfield. There was just this monster of mysterious origins attacking New York. Was that just the tip of the iceberg, was government in on it, how long did they know about it, where did it come from, was it an alien, was it man-made or part of some greater experiment, was it the only one, was New York the only city affected, what did the rest of the world see, what happened afterwards...? Those were left unanswered, and so there were so many possibilities of completely separate stories to tell from all sorts of different perspectives and places on the timeline only tangentially related to the monster in NYC that could have gradually filled in those blanks and expanded that universe. But...that's not what they've done.
I also wouldn't have minded if "Cloverfield" just became a brand name for unrelated Twilight Zone-esque sci-fi anthology movies, but that's not what they've done, either. They've just hit a really awkward spot in between that doesn't know what it actually wants to be.