The Old vs New: Comic Book Movie comparison thread

sweetre15

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Hey guys, due to the influx of reboots and reimaginings of Comic Book Movie characters in live action and animation, I decided to make a thread dedicated to comparing old and new movie counterpart of comic book characters.

However to keep discussion interesting, I feel this comparison thread should follow a format in covering these things:

- what both films got right and wrong about the character in question

- What each film got uniquely right and wrong about the characters in a way that the other does/doesn't

- The pros and cons of each movie in terms of acting, action scenes, production quality, story etc


Also an overall score should be made for each film. So, as a reminder, the reviews should cover both the "faithfulness/unfaithfulness" as well as how they function as movies on their own.
 
Sony's Friendly Neighborhood Spider-Men


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With all the talk of Spider-Man going around in light of Spider-Man:Homecoming being in the editing stages along with having trailers released for them and me just being a Spider-Man fan that wants to talk about the character, I decided to do a comparison of Sam Raimi and Marc Webb's first films in their respective series'. First I'm going to cover the pros and cons of both movies as movies on their own and then discuss how well these films hold up as representations of the Spider-Man mythos.

Spider-Man 2002:


Pros -

The performances of Cliff Robertson, Rosemary Harris, Tobey Maguire, Kirsten Dunst, Willem Dafoe, and James Franco in their respective roles are effective representations of the way they are characterized in this film

- Danny Elfman's score from the intro on down is very memorable and sets the atmosphere successfully throughout the movie

- The film moves at a pace that's not too fast or too deliberate so it doesn't often have time to drag or truly feel rushed outside of the flaws existing within the writing.


Cons:

- The action scenes in the movie are largely forgettable despite some involving fairly huge set pieces. Some of this is to blame on Sony due to the studio wanted scenes cut out or just basically pressuring Raimi to tone down the scope of the action sequences planned for the movie. For instance there was a helicopter action scene hinted at in early trailers that was allegedly pulled due to the 9/11 Twin Towers situation but overall even the hand to hand combat scenes are fairly underwhelming

- The storyline is fairly underwhelming due to how much time is spent on Parker pining over MJ with his personal struggles taking the backseat. Whether it's school, the impact his double life juggling schoolwork, crime fighting, and taking care of Aunt May financially or health wise, these things are largely downplayed to make this film about Parker getting the girl.

- The Uncle Ben death feels rushed due to him not being in the movie and interacting with Peter onscreen long enough for the viewer to truly connect with him and feel Parker's pain when he dies unless you read the comics or watch the cartoons etc enough to know how their relationship.

- Some of the protagonists in this film are presented in a way that makes them feel like unlikeable people despite seeing them have moments of "Vulnerability":

For instance, Harry Osborne here is characterized as guy who yearns for his father's validation but mostly cares about money and social status. It also doesn't help that he seems to only like Mary Jane because of her looks and him supposedly being "crazy about her". However we don't get to see why he's supposedly so crazy about her outside of her looks due to their interactions being scarce and the little dialogue they have together being about impressing Norman. He doesn't even put much effort to defend her to his father.

Another example is Peter Parker in this movie due to how even some of the not so noble things he does, the film seems to take his side on with the sole exception being the way he acted towards Ben during their scene in the car together. For instance, Parker seems to have no problem with kissing Mary Jane behind Harry's back while he's Spider-Man or hearing Harry getting insecure when MJ told him how "Amazing" Spider-Man was over the phone.

- There is no real character arc for Peter Parker outside of becoming a hero as Spider-Man after Ben's death. He's the same nerdy, insecure kid pining over MJ throughout the film with little to no changes to his personality.


Overall: A fairly well paced action film with solid performances from the cast that suffers from storyline and plots issues, somewhat underwhelming action scenes, less than stellar humor and unlikeable main characters.

The Amazing Spider-Man (2012):

Pros:

- The cast of Andrew Garfield, Emma Stone, Martin Sheen, Sally Fields, Dennis Leary, and Rhys Ifans deliver a ratio of solid to great performances that helped breathe their incarnations of the character to life

- The action scenes, while light on hand to hand combat, are paced and constructed in a way that gives them a sense of excitement and fluidity that makes the issue almost irrelevant

- The character arc of Peter Parker coming to grips with his life as a teen, developing his abilities as Spider-Man and learning to control them while also getting himself into trouble in various ways while learning from the consequences of his actions make for a compelling film due to seeing him on a learning curve going through the process of becoming Spider-Man in earnest

- The Chemistry between Garfield and Stone was so well done that it was easy to tell why they became a legitimate couple as they often had the most touching/endearing scenes when together.

- The film does a solid job of balancing the personal struggles of Peter Parker, his life as Spider-Man and the "love story" without one necessarily overshadowing the other


- The love interest here despite loving and caring about Parker is still a mostly intelligent and independent figure that isn't a damsel in distress as she manages to bail herself out of a situation with the Lizard and get people out of the lab without Spider-Man's help.

- The humor, despite being more scarce than the Raimi films, is actually more effective due to legitimately being funny

- The relationship and dynamic between Peter and his Aunt/Uncles feel more significant due to their being more significant interactions shown in the film that makes Uncle Ben's death more effective to the viewer

Cons:

- The soundtrack by James Horner is effective but not exactly remarkable like the Danny Elfman score from the original trilogy

- The action scenes peaked after the Library fight between Spidey and the Lizard where as in the original trilogy's fights got better and better despite not being constructed as well as this version.

Overall: While some might seeing it as retreading older territory it is largely a better constructed and paced film with better acting, better story, better character development, and better action.


Now onto how well these two hold up adaptations of Spider-Man.

What Both films got "wrong":

- Peter Parker didn't meet Gwen Stacy, Mary Jane, or Harry Osborne until College in the mainstream 616 timeline

- Peter Parker's first real crush was Liz Allan and the first girl he dated was Betty Brant in the comics

- The first villain Spider-Man ever fought was The Chameleon in the comics

- Part of the reason Parker had trouble making friends in the comics was because his quiet nature had people thinking he was stuck up. Neither film ever touched on or addressed that

What Spider-Man '02 got "wrong":

- Mary Jane was a carefree bombshell that didn't like to get tied down and she never was fascinated with Spider-Man in a romantic way. Matter of fact, in the comics, it simply gave MJ and Parker common ground due to her also "wearing a mask" with her carefree persona. Nonetheless, the whole "I'm in love with Spider-Man" thing was a characteristic adapted from Liz Allan as well as being Flash's High school girlfriend and Parker's high school crush. However in all fairness, Parker and MJ were childhood friends in the Ultimate Spider-Man timeline. So overall one can argue that she was a hybrid of Liz Allan, 616 MJ's backstory with her abusive parents, and Ultimate MJ's role in knowing Peter Parker for years as well as living next door to him.

- Peter Parker while he was a nerdy awkward wallflower before the Spider-bite, he became more confident and bold enough to speak his mind to people that disrespected or made fun of him. In this film, he's an awkward whiny nerd regardless of the bite and doesn't grow or evolve as a character in any substantial way.

- This film doesn't highlight how much of a toll his life as Spider-Man takes on his life as Peter Parker as only briefly teased and hinted when that's a major crux of the Spider-Man mythos.

- Spider-Man doesn't display his intelligence in any real way and he doesn't use wisecracks/sarcasm to irritate his opponents like in the comics.

- Spider-Man's webshooters in the comics were mechanical and not organic in the 616 timeline. They were Organic in the Ultimate timeline due to the Spider that bit Peter having a drug called "Oz" in its system

- Harry Osborne in the comics was originally a jerk to Peter Parker due to feeling threatened by Parker's intelligence, Gwen Stacy's interest in him and misconstruing him as being stuck up but would later become friends after Parker consoled him over his problematic relationship with his father Norman. This version seems to want to combine the relationship 616 Harry had with his father with elements of the Ultimate timeline's Harry Osborn that was friends with both Peter and MJ in high school.

- Norman Osborn wasn't a sympathetic villain in the comics as he was often Cold and psychotic.

- Oscorp never had any financial trouble nor was Norman's employment in jeopardy. He also created the Globulin Green after finding a prototype by Mendel Stromm and decided to make a name for himself by targeting Spider-Man and once he finds out Parker is Spidey, he would later go on to kill Gwen Stacy. He hates Parker and does his best to make Parker's life miserable. He never had "father/son" dynamic or befriended Parker.

What The Amazing Spider-Man got "wrong":

- Besides what's posted above on "what they both got wrong", In the comics, Gwen wasn't a "Girl Next Door" type. In her inception, she was presented as a bombshell that came across as a stuck-up "Uptown Girl" that was used to having any guy she wanted and got vindictive when she thought Parker was being snobbish. Though she would become a nicer character (along with a super insecure daddy's girl) in the comics once John Romita took over for Steve Ditko, she wasn't portrayed the way she is here that mostly infuses aspects of Gwen Stacy like her being bold due to her parents being cops, her love for Science, her overall look and infusing it with 616 MJ's ability to bail herself out of tough situations as well as Ultimate MJ in terms of the role she has as Parker's love interest where he tells her his identity very early on to avoid the strife that keeping it a secret could lead to.

- Dr.Connors never worked for Oscorp or knew Richard Parker. He was a professor at ESU that didn't develop a relationship with Peter Parker until after Parker fought him as the Lizard in the 616 universe.

- Parker and Flash Thompson didn't become anything resembling friends until the college years when Flash would go on to fight in the Army and come back a more matured person, being impressed with how popular with the girls Parker became at ESU and generally understanding his personality more in the 616 timeline. Though they become friendlier towards each other after Parker joined the Basketball team in the Ultimate comics.

- Aunt May was an older and frail person that Parker would go on to have to take care of when it came to her health and financially in the 616 timeline.

- No Daily Bugle presence in the film

- Captain Stacy approved of Gwen and Parker's relationship as well as being a supporter of Spider-Man along with knowing it was Parker for a long time. While Stacy did indeed die in the comics, it was during a fight between Spidey and Doc Ock causing debris to fall on him.


What Both films got "right"

- Peter Parker has a falling out with Uncle Ben and his arrogant refusal to stop a burglar and allow him to run free leads Uncle Ben dying

- Parker is picked on and seen as a "nerd" in high school along with being a working class person financially struggling

- Parker gets bit by a radioactive or genetically altered spider that leads to him gaining Spider-Sense, Wallcrawling and enhanced Strength/Speed and a healing factor that leads him on the road to becoming Spider-Man

- Parker also retaliates against Flash Thompson with his powers in some way or form

What Spider-Man 02 got "right":

- Harry Osborn was in fact yearning for the validation of his father Norman whom was cold and neglectful towards him despite the movie not expanding on the fact that it was largely due to Osborn blaming Harry's birth for the ailing condition of his wife.

- Norman Osborn did indeed own a company called Oscorp and was driven insane by a drug called "Globulin Green" that also accelerated his strength, speed and intelligence.

- While in a different context of events, Norman did indeed "die" at the hands of his glider during a fight with Spider-Man

- Mary Jane did in fact have abusive parents

- In the comics, Parker technically did date Mary Jane before Gwen and was constantly foreshadowed in his high school years despite the dates they went on being casual in nature in the 616 timeline.

- Mary Jane also did live next door to Parker and was the first girl he dated in the Ultimate Marvel timeline

- Harry Osborn did seek revenge against Spider-Man for the death of his father in the 616 comics

What Amazing Spider-Man got "right"

- Spider-Man is supposed to be very sarcastic in nature in a way that irritates his opponents when he fights

- The emphasis on the way his double life as Spider-Man impacts his life at school and his life at home with his Aunt and Uncle.

- The character arc where Parker's focus on developing his powers and learning to control while also losing sight of himself and becoming negligent towards his Aunt/Uncle along with constantly getting himself into trouble in a way that leads to him gradually learning from the consequences of his acting by trial and error is very much a cue from Vol.1 of Ultimate Spider-Man written by Brian Michael Bendis.

- Peter Parker's scientist level intelligence is highlighted and emphasized via him learning the Decay Rate algorithm and helping Dr Connors along with his creation of the mechanical webshooters

- The storyline where Dr Connors tries to use cross species genetics to heal his hand as well as the aspect where he later decides to try and turn everyone into Lizards are plots taken from Spectacular Spider-Man Season 1 and the plot of Connors trying to turn everyone into Lizards is very reminiscent of a storyline used in Spider-Man:The Animated Series. The episodes in question are two Spectacular Spider-Man episodes called "Interactions" and "Natural Selection", which are episodes 2 and 3 of the first season along with Spider-Man TAS's 1st episode of season 1 known as "Night of The Lizard". In essence, it's a mash up of plots used in two different Spidey toons used to fit into one singular narrative.

- The premise of Richard Parker trying of create a cure but leaving items behind when he "disappeared" seems to be a hybrid of he and his wife's backstory and his involvement in the creation of the symbiote prototype that was intended as a cure for cancer from the Ultimate Spider-Man comics where it's stated that he shut it down due to its potential to be used as a weapon. The symbiote-prototype involvement was replaced with a cross species genetics-based cure and him hiding his research due to the potential dangers the "cure" could bring about.

- Parker's look and personality in and of itself is largely a mash of the appearance of John Romita's Parker, the more confident post-Spider bite Parker from Ditko's run and the character arc of Brian Michael Bendis's take on Parker in the Ultimate Spider-Man series. His dress style is also highly reminiscent of Peter Parker's outfits in the Spectacular Spider-Man cartoon

Overall: Both adaptations largely take their fair share of liberties and are in some ways faithful to the source material but ultimately, The Amazing Spider-Man proves to have a better understanding when it comes to the essence of the Spider-Man mythos along with being a better film in its own right.

Now to get down to my overall ratings of these films:

Spider-Man '02: 7/10

Amazing Spider-Man: 8.5/10

Now obviously, these films are going to be viewed in an "apples and oranges" type of way by some but despite the Webb trilogy now having a bad rep thanks to the god awful sequel, I consider Amazing Spider-Man to be my second favorite representation of the character behind The Spectacular Spider-Man cartoon despite not being quite as good as Spider-Man 2.
 
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This is going to be a great thread

Thanks man, now I'm waiting to see if anyone is willing to do comparisons for the existing Batman films or even the two Hulk films.

Another interesting one would be a comparison between Batman: Year One's animated movie and Batman Begins.
 
Thanks man, now I'm waiting to see if anyone is willing to do comparisons for the existing Batman films or even the two Hulk films.

Another interesting one would be a comparison between Batman: Year One's animated movie and Batman Begins.
Or how about Keaton vs. Bale. Plus me & Joker can finally settle the Homecoming vs TASM argument. And I'll prove to him Homecoming is way more unaccurate to the source material & takes more liberties than TASM.
 
Or how about Keaton vs. Bale. Plus me & Joker can finally settle the Homecoming vs TASM argument. And I'll prove to him Homecoming is way more unaccurate to the source material & takes more liberties than TASM.

Oh be sure to wait until this summer when the film comes out provided that we can keep this thread alive long enough :funny:

Nonetheless whomever is up to the task of a comparison write up for Batman 89 vs Batman Begins or TDK should be sure to participate.
 
- Peter Parker's first real crush was Liz Allan and the first girl he dated was Betty Brant in the comics
About that; if we think of minor details like this, every CBM got one thing or another wrong.
 
About that; if we think of minor details like this, every CBM got one thing or another wrong.

Well of course but since I've been a fan of Spider-Man media and comics for years now, things like that stand out to me. However you are free to set the pace on what you consider "accurate" when you make your comparison piece.
 
Also just in case, I haven't expanded on what can be covered in the "Faithfulness" or "Comic Accuracy" portion of your review...You can point out everything from core characterizations to panel replications, lines of dialogue lifted from comics and cartoons based on the character etc.
 
This is your thread of course, but I think that this topic will prosper better if we are free to write however we choose. Your format is good and your posts thoughtful, but most will probably want to do their own thing.

But to stay on topic, I think that Elektra (2016) vs Elektra (2003) might be the clearest case, where the new is superior to the old.
 
This is your thread of course, but I think that this topic will prosper better if we are free to write however we choose. Your format is good and your posts thoughtful, but most will probably want to do their own thing.

But to stay on topic, I think that Elektra (2016) vs Elektra (2003) might be the clearest case, where the new is superior to the old.

I get what you're saying, however what I hoping to do is encourage going in depth and doing more than just going "It's unfaithful because I don't like it" or vice Versa.

But honestly as long as the bold printed things in the opening statement are explored then I'm fine with any format of your choosing.
 
A Look at the Men of Tomorrow:

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The Superhero that many consider to be the most iconic and significant in American culture is almost unanimously Superman. A character whom has been around since 1938 in comic books as well as cartoons, live action TV shows and motion pictures. Today I'm going to cover two of the film adaptations made by WB for this character. Specifically, The 1978 version known as Superman: The Movie which is directed by Richard Donner and the 2013 film known as Man of Steel by Zack Snyder

Superman: The Movie

PROS:

- The performances of Christopher Reeve, Jackie Cooper, Marlon Brando, Margot Kidder, and Ed Cassidy ranged from solid to great

- John William's score largely gives the film a very hopeful/bombastic atmosphere that at times compensates for any flaws the film may have

- The visual effects/production values shown in this movie (whether it's Superman's flying, the phantom zone, and/or The Fortress of Solitude or The displays of Superman's strength) were considered beautiful for its day and for a movie made in 1978, the effects still hold up pretty well now.

CONS:

- The movie's story and plot is extremely thin due to it being solely about Superman coming to Earth for a special purpose and saving people with shades of a love story on the side. No real analysis of the struggles Superman would go through while being a hero (outside of being foreshadowed via lip service from Jor El at the beginning of the movie.)

- The attempt at bringing the pain Superman felt when Pa Kent died full circle by showing Superman's grief over Lois Lane dying comes off as hollow due to the fact that outside of the former scene, we have no indication that he's affected by Jonathan Kent's death to the level the latter scene would imply. Secondly, it makes Superman seem like a selfish person due to the fact that it's been instilled in him that's it's best not to tamper with time and space on Earth but he does it solely because he's in love with Lois Lane. Thirdly, the fact that he can somehow this leaves open the question: "If he's able to due this and bring back Lois then what's stopping him from bringing back Jonathon Kent?".

- The portrayal of Lois Lane as a less than stellar reporter/journalist that is somewhat eccentric and a bit of a stalker with a crush makes it hard to imagine what Superman actually sees in her besides liking the way she looks.

- The portrayal of Lex Luthor as a simple conman that seems to just want to destroy cities and rip people off for the sake of it makes him seem almost inconsequential to the movie besides giving Superman a conflict via him having to prevent the missiles from hitting the cities Lex intends for them too.

Man of Steel:

PROS:

- The performances of Henry Cavill, Amy Adams, Antje Traue, Michael Shannon, Laurence Fishburne, Kevin Costner, and Diane Lane range from very good to great.

- The central themes of "Is the world ready for a Superman to exist among them?" and "How would a modern world react to a Superman?"

- The characterization of Clark Kent as a reluctant man that wants to do something good with his life but doesn't know if he's ready to show the world what he's capable of.

- The characterization of Zod as a well intentioned extremist that cares for the life of the Krypton race to the point of not caring what brutal/cruel measures he has to do to fulfill this.

- The production values and special effects are visually stunning and the quality of the fight scenes actually put most blockbusters in the last 4 years to shame due to the pacing, music and intensity of the action.

- Hans Zimmer's score tends to range from being simply serviceable to being phenomenal in various parts of the movie.

CONS:

- The limited role of Lois Lane in the story. While it's effective in what it's trying to accomplish, it doesn't shed much light on her outside of knowing she's a tough Pulitzer Prize winning journalist that happens to take an interest in Clark Kent

- The use of Jor El. While it's effective in shedding light on Krypton culture and backstory related content, having him play too much of a role in Clark becoming Superman due to somewhat downplaying the existing character arc of Clark within the film and somewhat making the decision to be Superman not be based on his own personal judgment.

- The lack of context between past and present during Flashbacks. While it should be clear as a bell due to when the scenes appear as well as the differences in age, appearances, actors etc during said Flashbacks, it would have been ideal to accentuate that with subtitles stating what time period those flashbacks are in.

- The scene of Jonathan Kent dying serves its purpose in him giving Clark one last chance to show trust in his judgment but it also was a heavy handed way of getting that point across in a way that wouldn't make people question why Clark didn't intervene or why the scene was needed at all.

FAITHFULNESS:

Disclaimer: due to the comics/incarnations of the characters that were/weren't present during the time of these movies, Superman: The Movie will only be judged by the comic iterations around during its time.

Superman: The Movie

What it got Right:

- The portrayal of Perry White as the boss of the Daily Planet that's tough, irritable, yet fairminded and also sees Superman as a big opportunity for news stories

- The portrayal of Jimmy Olsen as a likeable but young and nerdy photographer

- The characterization of Superman as the loving Boy Scout that fights for Truth, Justice and The American Way that's almost invincible with very little limitations outside of Kryptonite and his X-Ray vision not working on lead.

- The "Stalker with a Crush" aspect of Lois Lane's character when it comes to Superman is something common in the Silver Age incarnation of her character

- The portrayals of the Kents as older loving parents and Pa Kents belief that Clark's powers are gonna serve an important purpose

- Jonathan Kent dying around the time Superman is becoming an adult was also common in Silver/Golden portrayals of Superman

- Clark Kent growing up and going to school in Smallville

- Clark Kent working at the Daily Planet while using a humble, mild mannered yet clumsy persona

What it got wrong:

- While the Kents did live on a farm in Smallville. The city of Smallville during these years were actually portrayed as typical American suburbs

- Krypton's look wasn't a cold, crystalline all-white aesthetic. Krypton's look consisted largely of multicolored futuristic structures and the Kryptonian landscapes consisted of jeweled mountains. Krypton was overall a bright and colorful place where people wore bright colors and Kryptonian men all wore headbands that symbolized their freedom.

- Clark Kent wasn't just a newspaper reporter for the Daily Planet. In the comics of this film's time, The Daily Planet was a subsidiary of a company called Galaxy Communications and the main property of that company was the TV station WGBS. The Boss of that station would force Clark Kent to become a TV reporter, where he would co anchor the evening news alongside Lana Lang.

- The portrayal of Lois Lane as an eccentric, less than impressive reporter that also happens to be Illiterate. Lois Lane is often portrayed as a intelligent, independent career woman that cares about getting the truth and serving justice through reporting was the common portrayal of her throughout Golden and Silver Age even she was "chickified" via making her a damsel that's obsessed with getting Superman to marry her

- Lex Luthor as a campy real estate conman bent on destroying cities. In the comics of this time, Lex Luthor was a angry scientist that actually went to school with Clark and was friends with him before an incident where Superboy had to rescue him due to an experiment to cure Kryptonite poisoning gone wrong that also caused Lex to lose all his hair. This lead to Lex hating Supes for even existing and his parents even changing their last names because they were ashamed of what he had become.

- There was no sidekicks for Lex named Otis or Miss Tessmacher as Lex often worked alone in Pre-Crisis comics/media

- While Superboy in pre Crisis comics would use time travel via Speed, his time travel would only affect him. In this movie, Superman has the ability to simply rewind time by making the Earth rotate which is a power he was never given in any comic books.

- The portrayal of Jor El as "Space God". In most Pre-Crisis comics, Jor El was simply a scientist on Planet Krypton that tried to warn the council of Krypton's impending doom that would send Kal-El/Superman to Earth for his own safety.

- Jor El being the driving force to Clark becoming Superman. In the Pre-Crisis (and even later comics), The values instilled by the Kents were the morals that Clark carried with him that also lead to Clark becoming Superman out of his own volition as opposed to it being "his destiny" per se.

- The Fortress of Solitude was not a creation by Jor El nor was it designed to resemble Krypton. Clark's Fortress of Solitude in the North Pole was his own idea in the comics of the film's time. It didn't build itself - Superman built it out of the side of a mountain.

Man of Steel:

What it got right:

- The characterization of Clark Kent as a reluctant hero that doesn't quite know what he wants to do with his life is reminiscent of his portrayal in Superman: Earth One.

- The concept of Superman/Kal-El being Clark Kent first and Superman second is very similar to his modern portrayals in comics and cartoons.

- The aspect of Clark's character where he's willing to endanger himself to take down Zod's attempt to terraform Earth when he said he wouldn't let that stop him from trying is very in line with Superman's nature of trying to save as many lives as he can whether he fails or not.

- The aspect of Jonathan Kent's characterization where he believes Clark was brought on this earth for a purpose and that a time will come where he's bound to go great things.

* Jor-El's final message to his son is taken from Grant Morrison's All-Star Superman.

* As Superman is flying to escape the Phantom Zone bubble, lines of light appear across his face, also from All-Star Superman.

* Zod's "could have built a new Krypton in this squalor" is taken word-for-word from what Lilo said in All Star Superman.

* Jonathan Kent telling Clark the boy is his son is taken from Superman: Secret Origin.

Clark:Can't I just keep pretending I'm your son? 


Jonathan: You are my son.

* Jonathan's line "You're the answer son, you're the answer to 'Are we alone in the universe?'" is paraphrased from Superman: Birthright.

* Jonathan advising Clark to lay low and keep his powers secret out of concern for him is also from Superman: Birthright.

* Zod wears powered armor similar to two different versions of Zod in the comics that also bares a resemblance to the armor used by Superboy Prime and Superman starting with Infinite Crisis.

* The bearded version of Jor-El comes from Superman: Secret Origin and Superman: Earth One.

* Kryptonians being genetically engineered is a variation of a concept introduced in John Byrne's The Man of Steel

* The Superman crest meaning "hope" is from Mark Waid's Superman: Birthright.

* Clark performing heroic acts as a mere civilian outside of Smallville is similar to The Man of Steel and Birthright.

* Zod's video broadcast takes from Tyrell's threat-laden message in Superman: Earth One


* Zod's ultimate fate is thematically similar to a storyline from John Byrne's run on Superman comics.

* Clark seeking advice from a pastor is similar to Superman for All Seasons.

* A billboard for the "Utopia Casino" is seen at one point, which was a key location in the Superman Confidential arc, "Kryptonite"

* The bully who beats up Clark in a flashback is revealed in the credits to be named Ken Braverman, who goes on to become a villain known as the Conduit in the comics.

* Lana Lang and Pete Ross knowing Superman's secret identity.

* The way Krypton's past is shown in the moving sculpture resembles the Golden and Silver Age Krypton in the comics. The male and female Kryptonians resemble Jor-El and Lara from the original comics.

* Kelex and Kelor are taken from The Man of Steel #1

* The priest's name is Father Leone, who appears as a confidant of Superman's in Superman: For Tomorrow.

* The spaceship that brought Superman to Earth looks like the one in [bSuperman: Birthright[/b], rather than the traditional look for the ship in Superman media.

* The amount of destruction/carnage during the fight scenes are similar to the amount of destruction shown in Justice League Unlimited.



What they got wrong:

- While Jonathan Kent wanting Superman to lay low and hide his powers is reminiscent of Superman: Birthright, it diverges from the traditional portrayal of Jonathan Kent that encourages Clark to do the right thing with his powers.

- The portrayal of Clark/Superman as a pensive and introspective figure, while being similar to the portrayals in Superman: Earth One, it goes against the more happy go lucky and lighthearted Silver Age Superman that is more popular/recognized amongst casual and longtime fans.

- Faora in the comics was recognizably a radically man hating/lesbian character where as here she's simply a badass villain that even gives an approving nod to Superman's looks when she introduces herself to him.

- While the Kents in the early comics have traditionally died in Superman's early adult years, starting with John Byrne's Man of Steel and even in Superman: The Animated Series often are still alive when Superman moves to Metropolis.

- The aspect of Perry White's character where he's against reporting on Superman due to how the world might react is different from the traditional portrayal of Perry that sees Superman as a big opportunity for news reports/scoops.

- The female character name Jenny that works at the Daily Planet never existed in the comics or cartoons.

Both films:

What they got right:

- The premise of Krypton being doomed to blow up along with Zod and his allies being put in the Phantom Zone

- Superman being sent to Earth by Jor El and Clark being raised by the Kents, going to school in Smallville, and becoming Superman in Metropolis while wearing a red and blue suit with an S on the chest and a red cape that fights bad guys to protect the world.


- The characterization of Perry White as the head of the Daily Planet and a irritable, tough and fairminded Boss.

What they got Wrong:

- Superman as a "Christ figure": While Superman is seen as and/or strives to be a symbol of hope for Metropolis along with the world, Superman is generally portrayed as a compassionate guy that wants to use his powers for good as opposed to being a Messiah of any kind.

- Clark Kent didn't just live his life as a regular teen in Smallville. During this time, the common story used would involve Clark becoming Superboy and already being aware of his Kryptonian heritage along with even remembering his time as a baby on Krypton. He spent years being a superhero before going to Metropolis.

Overall Ratings:

Superman: The Movie: 6.5/10

Man of Steel: 8.5/10

Bottom line: While Superman The Movie has a sense of Nostalgic charm along with having a faithful portrayal of the most familiar Superman characterization along with accurate portrayals of Jimmy Olsen and Perry White, Man of Steel presents a more faithful representation of the Superman mythos along with better action, scenes, production values, and a more compelling storyline.
 
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