True but its still the only show on tv that shows the gangster life.The Wire is great, but it's really a completely different show from the Sopranos.
.Your right! Its the Gangsta life I meantThey don't even show the same type of "gangster" life though.
This could have been alot worse, We could have had Kevin Finnerty wake up in a hospital room with his "real" family around him and claiming he just had the wackiest dream ever. That would have really sucked.
It's not that ambiguous.
Either Tony and his whole family were massacred or they went on with the same routine we've watched play out season after season after season.
I interpret the sudden cut to black as the moment Tony got his brains blown out. We don't see it because Tony never saw it coming. We are experiencing his death from his eyes and it's poignant. There is no show, no visual, no audio, no anything without Tony. The same way all our lives cut to black when our shows end. Blackness. People complaining about the ending missed the point of the show. It wasn't about the destination, it was about the journey. If it ended like Scarface or Goodfellas or Carlito's Way or Godfather 1/2/3 it would be so been there done that. And it wouldn't be true to the nature of the show which was to avoid glamorous gangster cliches.
Lets look at other ways it could've ended.
1) Tony ends up dying in a loud shoot out with people screaming then you zoom in on his lifeless eyes? Bad idea. Closure or no closure it's cliche and predictable, it kills the replay value of the series, and we've seen the aftermath of Tony getting shot and presumed dead.
2) Tony gets locked up and thrown in jail for life. Final shot has him talking with his wife through a prison glass window. This ending is lame because we saw it already with Johnny Sacks and Uncle Junior.
All the foreshadowing of the last two seasons wasn't preparing us for a huge twist ending. The foreshadowing was showing us the possible endings. Dying in prison (Johnny Sacks), becoming an old forgotten relic (Uncle Junior), getting betrayed by your own crew (Phil), getting shot/presumed dead (Tony in a coma), family/friends ratting you out(Adriana), children following father's footsteps or getting caught in the crossfire (Anthony hanging with hoodlums/Meadow being threatened by Phil's man), the family having a happy gathering living happily ever after (end of season 6 pt1).
All of these endings were explored and would've been redundant at this point. If you see the ending as the last thing Tony saw before he got his brains blown out, it works and is far more powerful than seeing it from a spectator's perspective. When life ends it's over. No audio. No visual. No reflection or introspection or closure. Only blackness, so enjoy the ride while you can. If you see the ending as the best of Tony's life (his family) contrasted with the worst (looking over your shoulder ever second of every day because you're in the mafia) it also works well. It forces you to see why it sucks to be Tony. Even if he avoids prison or assassination he has to think about it every moment of every day. A fate worse than death. If you see the ending as just a family eating onion rings you're going to remain terribly disappointed.
I feel Tony never made it out of the restaurant. But whether he did or didn't doesn't matter. I see all the possible outcomes and I can see they all suck for Tony. If the ending was well established (Tony dead or in prison) I might have actually thought Tony would've been better off alive or free. But I now know better.
The ending summed up the show perfectly IMO.
You're right. Sopranos went down.100% AGREED !!
Wether ppl liked this ending or not, it will go down as an ending unlike any other in the history of television.
Just like this show has =)
Excuse my french, but they jerked us off with that B.S. ending and left us with blueballs. That was a tacky way to treat the fans. And to try and use some artsy fartsy ending to make us think and draw our own conclusions is just a sad way to say they didn't have a cool ending, just like all the cheesy fillers in the season and seasons past. I'm sorry i'm not into deep philosophies when it comes to a show about the mob. I watch to see(optimum word, see) how it all plays out.
After watching it a second time, I hate it even more. Chase's writing is so transparent. Instead of crafting a genuine satisfying ending, he relied on a cheap gimmick and hoped that we'd get all riled up about it on message boards. Well, mission accomplished but what's wrong with just telling a good story instead of shtick?
#78 SOPRANO HOME MOVIES - April 8, 2007
#79 STAGE 5 - April 15, 2007
#80 REMEMBER WHEN - April 22, 2007
#81 CHASING IT - April 29, 2007
Tension is mounting between the New York and New Jersey families. Tony and the get away for a while by taking a trip to Atlantic City. However, Tony has a streak of bad luck and has to borrow $200,000 from Hesh and then sells Carmela's spec-house to pay him back. This, of course, causes a huge fight between Tony and Carmela. Meanwhile, AJ gets dumped by his girlfriend Blanca during the Puerto Rican Day pride parade. Vito's widow approaches Tony about helping her troublemaking son.
#82 WALK LIKE A MAN - May 6, 2007
Bobby and Janice are living in Johnny Sack's old house and Tony gets mad because they're not keeping it clean. Kelli's dad is the unwitting catayst of a new feud between Christopher and Paulie. Meadow is arrested during a rally for illegal Mexicans and has to be bailed out of jail by Carmela. AJ struggles with depression and attempts suicide by trying to drown himself with weights in the family's pool, but Tony saves him just in time. However, Uncle Junior also attempts suicide and is successful.
#83 KENNEDY AND HEIDI - May 13, 2007
Phil finds out Paulie has been skimming money in an asbestos-disposal job jointly run together by New York and New Jersey. Already angry over his brother being killed, as well as one of his captains, Phil looks for to hit somebody in Jersey. He chooses Paulie's nephew, Little Paulie, but the hit happens after Little Paulie has picked up Paulie's mother/aunt and they are both killed. Speaking of Paulie, in this episode, his brother makes an appearance and "upstages" Paulie.
#84 THE SECOND COMING - May 20, 2007
Phil turns down Tony's offer of compromise. New York attempts to hit Tony, he survives, but his driver Perry is killed. Shortly thereafter, the FBI picks Tony up and plays a tape of Little Carmine involved in the plan to hit him. Agent Harris tries to flip Tony but he refuses. Meanwhile, AJ despairs about the world and his future. Tony takes umbrage over a big affront to Meadow.
#85 THE BLUE COMET - June 3, 2007
This episode will be mostly in black and white and will run 80-90 minutes long and will chronicle many of the main character's entrance into the mob. Tony contemplates a difficult choice given by Carmella. AJ inquires about going back to school. The FBI is preparing for "Plan B." Silvio is demanding answers from New York but nobody is over there is apologizing. Tony has a major breakthrough in a session with Dr. Melfi. Bobby is killed by New York in front of his son while coming out of a hobby train store. Silvio and Patsy are shot and killed by New York outside the Bada Bing.
#86 GOING HOME - June 10, 2007
The final episode will run 90-120 minutes. The former beachhouse will act as a refuge for Tony and his family. Tony thinks back to his first meeting with Dr. Melfi. Christopher and Meadow get offers from the west coast. Artie ponders a problem from his past. Benny Fazio shoots and kills Phil outside a gas station. Chris is driving Tony in Tony's Cadilac Escalade when Chris loses control of the car and goes into a guardrail. Chris is gurgling blood and Tony has to put him out of his misery by choking him to death. Tony breaks down and cries uncontrollably. Some unexpected visitors arrive at the Soprano household. The final scene takes place in an old fashioned ice cream soda shop.