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All these DC movies being ruined by Twister's towering shadow. First Man of Steel, now this. 

I'm one who likes both. Well, Reynolds as Deadpool. It's no contest. Hardy is a much better actor, who's much better in the role.Wade’s s***-talking is perpetually ruined by Reynold’s try-hard “I think I’m hilarious” deliveries. He is terminally unfunny to me, and always has been.
Tom Hardy, meanwhile, is genuinely hilarious to me and just wildly fun to watch as a performer. So while the Deadpool movies are technically better-written and better-crafted movies, I’ll always enjoy the Venom flicks more. That’s the power of a charismatic lead, I guess.
Which I'll be watching in theaters, because I'm a weak person.No hate, but man am I desperate to know what evoked Twister. A movie I was unaware anyone had thought about in twenty years until I learned they were inexplicably making a legacy sequel.
Maybe it should continue. That's the funniest DCEU scene and The Batman rules. So it's a win for everyoneAll these DC movies being ruined by Twister's towering shadow. First Man of Steel, now this.![]()
Tornadoes are a cowardly and superstitious lot.You don't remember when a tornado killed Bruce's parents?
It's not cheap to make cows fly.I just saw on wiki that Twisters has a 200m budget.
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I've watched The Batman again -- I'm trying hard to love or enjoy it, but I can't. Like I've said again, the casting isn't the problem but the story and tone is. The grittier-than-Nolan approach rubs me the wrong way (Pattinson's opening voiceover is hilarious), Giacchino's score repeats the main theme incessantly and the film is 20-30 minutes too long. And the chase sequence between Batman and Penguin comes off as Nolan-meets-Snyder action -- I didn't find it exciting but derivative of TDK and Twister of all movies! I do appreciate what the production was trying to do but I hope the sequel is sleeker and better.
I would've liked Reeves' approach had he done a lighter touch like the Timm-Dini animated series. Still serious but not MCU forced humor.
Re: Reynolds and Hardy
I agree Tom Hardy is a better actor then Reynolds, but the wrting in the Venom movies is abysmal. He tries his damndest but there's only so much he can do. I don't find those films funny in the least
On Reynolds, I've enjoyed him in various parts, but moreso when he's allowed to have range. DP1 I thought he showed some range and wasn't schticky the whooole time... The scenes dealing with the cancer early on I thought were pretty great. DP2 he didn't get to do that as much. (And Deapool the character I also think is better when he's not a non-stop joke machine, ala Remender's Uncanny X-Force (still one of the best X-Books ever imo)) But I also thought the Adam Project and Free Guy were pretty great, Adam Project especially I thought he played really sweet and not his typical "hey look at how funny I am" thing.
That said, if he never tells anybody to "gogogogogogogogogogogo" again I'd be cool with it lol
Idk, haven't watched CarnageI find the reactions to the two Venom movies interesting. While they have obvious issues, especially the first one (takes itself a bit too seriously at times), they also have some raw artistry on display. Some soul. Very gay soul. And that's one thing the majority of the MCU lacks.
So much of the MCU is paint by numbers, and while I understand the argument that it is necessary for wider audiences (who have figured it out), doesn't change the artistic merit of the work. So having a functioning, but threadbare, plot, with very little character outside of the same attempt at trying to recapture the magic of 70s/80s Lucas and Spielberg. All basically working through well cast leads.
This is why when MCU decides to add an LGBTQIA+ character, they do it like the story was directed by Mormons. While Venom turns it into their take on Who Framed Roger Rabbit, but gay. Well, gayer.
Madame Web has a nice poster. I would likely be entertained, but I'll only be buying Sony's streaming service if Verizon offers it for cheap like they do Disney+, Netflix, and Max.
There's clearly something about director Matthew Reeves that prevents him from being a greater success. Audiences were also bored by his planet of the apes movies, which I personally enjoyed. I like his movies, but the reality is that his work simply doesn't resonate with people.I've watched The Batman again -- I'm trying hard to love or enjoy it, but I can't. Like I've said again, the casting isn't the problem but the story and tone is. The grittier-than-Nolan approach rubs me the wrong way (Pattinson's opening voiceover is hilarious), Giacchino's score repeats the main theme incessantly and the film is 20-30 minutes too long. And the chase sequence between Batman and Penguin comes off as Nolan-meets-Snyder action -- I didn't find it exciting but derivative of TDK and Twister of all movies! I do appreciate what the production was trying to do but I hope the sequel is sleeker and better.
I would've liked Reeves' approach had he done a lighter touch like the Timm-Dini animated series. Still serious but not MCU forced humor.
I've watched The Batman again -- I'm trying hard to love or enjoy it, but I can't. Like I've said again, the casting isn't the problem but the story and tone is. The grittier-than-Nolan approach rubs me the wrong way (Pattinson's opening voiceover is hilarious), Giacchino's score repeats the main theme incessantly and the film is 20-30 minutes too long. And the chase sequence between Batman and Penguin comes off as Nolan-meets-Snyder action -- I didn't find it exciting but derivative of TDK and Twister of all movies! I do appreciate what the production was trying to do but I hope the sequel is sleeker and better.
I would've liked Reeves' approach had he done a lighter touch like the Timm-Dini animated series. Still serious but not MCU forced humor.
Reeves' movies hit but not mega hits. Thy also don't seem to leave much of a lasting impact.Huh? His Ape movies were both successes and met with plenty of praise, and The Batman was a massive hit. That's a strange conclusion to come to considering how popular a lot of his work is, even when you go back to his earlier work like Cloverfield.
Idk, haven't watched Carnage
but on the first movie I feel like you're vastly overstating its artistry
any lgbt+ elements are subtext only, and its not some bizarre artsy cartoonish piece of subversive cinema
it's an early 2000's superhero movie where the lead actor took a bit of a swing