• Xenforo Cloud has upgraded us to version 2.3.6. Please report any issues you experience.

The Themes and Metaphors of "Batman Forever"

CFE

The never-ending battle
Joined
Jul 23, 2003
Messages
9,122
Reaction score
53
Points
73
I've heard all too often that "Batman Forever" is nothing more than a technicolor popcorn flick. In one aspect that is true...at least more so than the Burton films by far.

But I think that there are quite a few characteristics of the film beneath it's glossed surface. Maybe bringing those themes and metaphors to light will help make "Batman Forever" look more appealing...but above all this thread is for the fans that, IMO, just don't get it...

-----------------------

Psychological Dychotimy:
This is the most relevant theme in the film to me...Obviously hindering on Batman, who's personality is split between he and his alter ego Bruce Wayne. The theme is forwarded more so by the presence of Two-Face. However I think the Riddler does a better job of being a psychological foil for Batman.

In everyway it's displayed that Nygma is the anti-thesis of Bruce. Both men are very brilliant and yet obviously insane in some form or another. Both suffer fractured psyches (Bruce for his parent's death and Nygma for his genius being shunned) and to cope with their losses, they decide to dress up in over the top costumes and represent the two factions of order and chaos (yes, Joker is the true dual side of the coin, but this is "Batman Forever" so...)

Jealousy:
The mirror reflections of Wayne and Nygma bridge over to the issue of jealousy. Bruce is everything Nygma is not...wealthy, successful with women, highly respected, and above all, he leads a life of true significane (Batman). Therfore, what once was admiration for Bruce turns into pure hatred as Nygma takes it upon himself to become Bruce Wayne in his own perverted way, even going as far as to create a corporation bearing his own name (Nygmatech/Wayne Enterprises).

Also it can be contested that Dick Grayson is jealous of Bruce, especially upon discovering his identity. As Batman, Wayne is given the chance to symbolically avenge the deaths of his parents...a chance that Grayson wishes for himself. In the context of the films, it can also be mentioned that since Bruce was given a more direct opportunity by taking down the murderer of his parents (Joker) Dick would want the same opprtunity with Two-Face.

Redemption:
The biggest theme that the film hinges on...

Bruce sheds light on the concept that it's his own fault the Waynes were murdered, forcing them to go out that night for a film. Had the true essence of this plot thread been allowed to stay in the film, audiences would've seen it more clearly. But you can make it out in some instances. It's alluded to when Bruce confesses that he might have been able to save the Flying Graysons, but instead he comments to Alfred that "I killed them" which is the same way he feels about his own parents.

Though the choice for himself is no longer avalible, Bruce sees a chance to redeem himself vicariously through Dick Grayson; going along with Alfred's belief that "young men with a mind for revenge need little encouragement...they need guidance." He sees the same rage and pain that he felt, and for not being able to save the Graysons, that helps him to come to the conclusion of taking the boy in, despite at first not wishing a life of vengeance and lonliness on Grayson.

----------

There are more that I can think of, and I'll be happy to keep going, but I want this thread to be open to other members to share their imput...

What other Psychological themes and metaphors do YOU see in "Batman Forever?" I know that with it's bold and colorful surface it might be more difficult a task than say looking for subtlties in "Batman Returns" but an educated and mature mind can do anything.

Here's an oppotunity to prove you have such a mind.

Besides, as Kevin said...it's about time a different sort of discussion be brought about for this 1995 sequel. And I'm happy to oblige.

CFE
 
Good stuff.

Obsession: everyone is obsessed with someone else. Two-Face with killing Batman. Dick with killing Two-Face. Nygma with Bruce. Chase with Batman. And Bruce his parents.

The climax of the movie is so, so good. It's actually symbolic of the movie ("Who is Batman?") whilst being a homage to the cliffhangers of the 60's TV show. And, perfectly, not only is it the Riddler asking this question - Two-Face, the embodiment of duality, is standing right next to him.

To sum up Batman's inner turmoil in such a grand, comicbook manner as having to choose between saving Chase or Robin is wonderful. At once it's about both action and character at the same time. No wonder Koepp copied it for Spider-Man.
 
I think The Riddler is the most fun aspect of the film to analyze. He's just so gay and what makes it all the more interesting is that it was most likely unintentional. But the theme of the entire film is there are a lot of choices we make in life that affect everything we do down the road. Now, the film based around that theme, is completely ridiculous.
 
I think one of the aspects it was showing is "Everyone in Gotham is a homosexual, except for Robin and Batman." Which now that I think of it, is sort of like the opposite of the comics from back in the 50's and 60's...
 
The case for The Riddler being gay is signed, sealed, and delivered. But it is telling that Two-Face had two women at his every whim, and he never made one single romantic gesture in their direction.
 
I think one of the aspects it was showing is "Everyone in Gotham is a homosexual, except for Robin and Batman." Which now that I think of it, is sort of like the opposite of the comics from back in the 50's and 60's...

That's not what Mr Wertham said. :D
 
That's not what Mr Wertham said. :D

no no no...he said Batman and Robin were gay with each other...in this movie, everyone BUT Batman and Robin is gay with each other (Two Face, Riddler, the street gang, etc)...Batman is boning Nicole Kidman, and Robin steals the batmobile to go pick up hookers...
 
no no no...he said Batman and Robin were gay with each other...in this movie, everyone BUT Batman and Robin is gay with each other (Two Face, Riddler, the street gang, etc)...Batman is boning Nicole Kidman, and Robin steals the batmobile to go pick up hookers...

Wertham said everyone was gay. Batman is gay, Robin is gay, Superman is gay, Krypton is gay.....
 
Wertham also claimed that Wonder Woman's strength and independence made her a lesbian. How dare Wonder Woman and her icky, icky vagina gain strength and independence. I'm convinced that guy had a Robin costume and he paid male prostitutes to play Batman.
 
The worrying thing about Wertham is that his views were taken so seriously. Moral panic and all that.
 
Wertham also claimed that Wonder Woman's strength and independence made her a lesbian. How dare Wonder Woman and her icky, icky vagina gain strength and independence. I'm convinced that guy had a Robin costume and he paid male prostitutes to play Batman.

while I'm nearly convinced that Wonder Woman is at the most a lesbian, and at very least an S&M Bondage themed dominatrix in her spare time, it's for totally different reasons then her being strong and independent :o
 
without a doubt the deepest of the 4 films.
 
without a doubt the deepest of the 4 films.

Batman Returns is the deepest and the most artistic of the Batman films as well as any comic book adaptation/superhero movie.
 
Batman Returns is the deepest and the most artistic of the Batman films as well as any comic book adaptation/superhero movie.

I would have to agree with Catman on this, but I think "Forever" takes a solid second.

If anything I feel like "Forever" ATTEMPTED to explore Wayne's psychology more so than the first "BATMAN" did...

And out of the Batman films...nay...out of every comic book adaptation on celluloid, I feel that "Batman Forever" is the most "comic book" ish...and adequetely so (unlike "B&R" which was too much and "BR" which was not enough.)

It's not the most faithful ("Sin City" or "300" as examples) but "Forever" feels the most like a living, breathing COMIC BOOK.

CFE
 
I would have to agree with Catman on this, but I think "Forever" takes a solid second.

If anything I feel like "Forever" ATTEMPTED to explore Wayne's psychology more so than the first "BATMAN" did...

And out of the Batman films...nay...out of every comic book adaptation on celluloid, I feel that "Batman Forever" is the most "comic book" ish...and adequetely so (unlike "B&R" which was too much and "BR" which was not enough.)

It's not the most faithful ("Sin City" or "300" as examples) but "Forever" feels the most like a living, breathing COMIC BOOK.

CFE

Maybe another comic. But I don't know how many of the good Batman comics have all that neon.
 
no, no, no...that's a narrow-minded approach.

I don't just mean "Batman Comics"

I'm talking about the four-color universe that is "COMIC BOOK"s in general.

It's bold and vibrant and action packed and over the top just like a comic book. But unlike "B&R," "Forever" still has traces of the dark and brooding vision first enacted by Burton.

Out of every comic book film to date, "Batman Forever" is the only one for me that has found that balance and is like seeing the comic book page come alive in front of your eyes in the way it needs to. And since "Forever" is based on 60 plus years of character history as opposed to "Sin City" and "300" (which were easily adapted right onto the screen itself) I think "Forever" pulling off bringing a comic book vibe to life was more challenging and the result is more fun to watch than the Miller Adaptations.

CFE
 
I hate bold, vibrant, and action packed comics when they're bold, vibrant, and action packed like Batman Forever was though...there's no character development, it had no balance, and wasnt fun to watch at all...I think we'll just have to agree to disagree on this one, cause all I got from Batman Forever is "why did they make Two Face and Riddler gay with each other? And why are there giant statues of naked men everywhere? And why the hell is there neon in the batmobiles engine?"
 
I hate bold, vibrant, and action packed comics when they're bold, vibrant, and action packed like Batman Forever was though...there's no character development, it had no balance, and wasnt fun to watch at all...I think we'll just have to agree to disagree on this one, cause all I got from Batman Forever is "why did they make Two Face and Riddler gay with each other? And why are there giant statues of naked men everywhere? And why the hell is there neon in the batmobiles engine?"

I suppose.

Because my personal and biased appreciation of Batman mythology completely aside:

1: I don't seem to catch this proposed 'gay relationship' between Two-Face and Riddler.

2: There's giant statues of naked men in "Batman Returns." Plus I have a feeling you're just sandwiching "Forever" with "B&R" because big human statues are far more porminent in "B&R" than "Forever"

3: Why are their bat-shaped fins? Why a giant turbine, flame spitting exhaust? If Batman wanted to remain inconspicuous, why WOULDN'T he just use a supped up car WITHOUT giving it any sort of prominent features?m While I hate using the excuse ALL the time, this is at least one instance where you can fall back on the "It's a comic book" argument.

CFE
 

Users who are viewing this thread

Users who are viewing this thread

Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"