HighFivingMF
Welp.
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- Oct 19, 2009
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I'm thinking they'll subvert our Smallville grown suspicions and instead use Tommy to show just how far gone his dad is. If any -cide is going to happen here, I'm figuring it won't be patricide. I think Barrowmen's a good enough actor to be a recurring arch-enemy for the rest of the show, and it would be fun to see "Lex" turn good and "Lionel" rejecting him for not being evil enough.
Okay, I like Tommy, but I snickered a little when he did that. When he was quit, I was like "you don't exactly have a lot of work experience Tommy" and then he went to Dad - guess he didn't have too much self-respect to ask Daddy for a job. Actually, that entire scene (with Malcolm) came off a little odd to me. Tommy wasn't speaking/acting quite like I expected. Did he say his father said the nightclub thing wouldn't work out - and if so, did we see Malcolm say that?Now that he's quit being GM of the nightclub, and has asked his father for a job, we are looking at the point where Tommy and Oliver might begin to start growing apart for good.
I tend to agree. Malcolm could try to write off Robert's death as unfortunate necessity, sell it that Robert was no better than himself - a "greater good" type of thing. Tommy might possibly buy that (even though he cared about Robert), and the greater good line is the same one Oliver is using. However, what about the hostage situation? I can't recall how much the public knew about it and it being another archer. If he knows his father took completely innocent people hostage, that's going to be a much harder sell with him. I mean, he's having issues with Oliver murdering criminals, so Malcolm planning to kill thousands of innocents, and having (presumably) killed the innocent children of those that betrayed him is not something I can see Tommy accepting (at this time, I mean). Leaving out Goblin serum or some other crazy-making process, it seems to me that for Tommy to go bad, he's going to have to learn about Malcolm's plans a bit at a time instead of all at once. So he accepts one unpleasant bit and that makes more likely to accept the next, whereas if it was dumped on him all at once, he'd reject it. But maybe not.My honest thought is that, if Tommy learned about the fact that his father had something to do with Robert's death, Oliver's absence for 5 years and Walter's disappearance, he won't side with Malcolm, and won't have adequate reason to become a villain.
I prefer the Malcolm as Merlyn theory because it makes their family the opposite of the Queens; One father slays himself in a last redeeming act to drive his son to atone for their sons, and the other father slays his son in a final damning act trying to ultimately corrupt his family's legacy. It would also help define Malcolm as an irredeemably evil villain who nonetheless has a very disturbingly emotional storyline.
R.I.P. I'd say the writers took a lot of us by major surprise tonight.
Indeed. Did not see that coming. At least, not this early in the show. In my opinion, the writers didn't quite maximise the character's potential and there were a lot of missed opportunities - especially during the first half of the season where he seemed to be either just there or not at all.
It's good they didn't follow the Spider-Man trilogy blueprint.
Is it possible though (and this is probably the wrong thread for it) that if the writers were prepared to kill off Tommy Merlyn, who is a major character in the comics, that they could also kill off Laurel or even not have her turn into Black Canary?
How did you come to the decision that Tommy needed to be the one to make the ultimate sacrifice?
It was really hard. At the end of the day, it worked out for what we refer to as the creative map that, of all the characters, it’s Tommy’s death that impacts everybody. Obviously Oliver and Laurel the most, but even Thea [Willa Holland] because of their closeness and Moira [Susanna Thompson] because she’s now responsible for the death of Oliver’s best friend, and Lance [Paul Blackthorne], who knows that Laurel loves Tommy ... it’s the one character whose death impacts everybody. And that’s really what you’re looking to do. When you kill off a character, you’re closing off a variety of storylines because there’s no story to be told with that character, and the only reason to do it is to open up new storylines and more storylines by killing off a character than you have by keeping them alive. Tommy’s death will reverberate throughout the whole of Season 2, and there are even some things we have planned for the middle and end of Season 2 that would not be possible or wouldn’t have the same weight if Tommy had stayed alive.