The build-up and hype for this film has been going for at least half a year and perhaps longer. As a kid of the 80's, I grew up watching the Transformers (after GI JOE, naturally) in reruns, and when they actually returned in some reruns with CGI intro's during the 90's, I gained more of an appreciation for them, now that I was old enough to appreciate the plots more than just colorful robots fighting (in 1986 when the original flick was in theatres, I was 4, and SPIDER-FRIENDS was still on NBC. Yeah, time-warp). Many fans questioned whether even in the 21st century with CGI advances that seem light-years ahead of where they were as recent as 6-7 years ago, if a live action TRANSFORMERS movie could work. Suffice it to say, the announcement of Micheal Bay directing felt like a dagger in many fans' hearts. He is a man known for movies with explosions and not much else; a hack in a land full of hacks, and a director that even in the "me-first" land of Hollywood is considered an egomaniac. Yet, despite all that, and despite critical claims that many of his films "lower the bar" for motion pictures, all of them have been commerical hits ("Bad Boys" 1 & 2, "Pearl Harbor", "Armaggedon"), save for "The Island", which tanked.
However, there was one major sign of hope; whole Bay has been confrontational with defending the alterations to the Transformers mythos in this film, he and his producers did apparently listen to some sort of fan demand, and cast veteran voice actor Peter Cullen to reprise his role as Optimus Prime, a role he hasn't played in about a generation (he's still involved in voice acting, notably spending over a decade or longer voicing Eeyore for Winne-The-Pooh Disney animation, as well as roles in IGPX and Megas XLR). After that, in some ways many fans still weren't happy; some wanted Frank Welker to return likewise as Megatron, or wanted the VA from Beast Wars for Prime, or so on.
As for the Transformers themselves, they have reappeared and changed greatly since the 80's. BEAST WARS in the 90's saw them come back and transform into dinosaur creatures. And then there was the Armada-era stuff, which borrowed elements from Pokemon and other anime to introduce "cogs" to combine and whatnot, with more detailed, bulkier designs. And of course new waves of comics. In fact the Transformers have been reinvented so many times that the "originals" from the 80's are often called "Generation One", like video game systems.
I feel myself a longtime Transformers fan, but not an overly ravenous one. That said, I didn't care for BEAST WARS or any show aside for the original, although I did give some of the newer comics a try for a year or so, before losing interest. Some blogger backlash over the detailed redesigns and "flames on Prime's paint" are notable but I saw them as somewhat irrational; not only is this live action, but this is 2007; of course the designs will be updated and some may say they must be. What worked in 2D animation from 25 years ago will not work in Live Action in 2007. Furthermore, everything that is adapted from another medium to film is changed when it goes to film. Comics, books, even movies based on actual history or the bible make alterations, so not expecting that for Transformers is a bit naive at best.
The best comparison for what I imagined this might be like, based on the trailers, was AVP ("Aliens Vs. Predator"), a film where everyone came in expecting alien monsters to pummel each other, only to be treated to a film that was 96% about useless human stereotype characters with only teasers of what the film actually promised, which was Aliens vs. Predators. I imagined we would be getting 95% of Shia LaBeouf and Megan Fox with only the trappings of Transformers, especially with Bay on board. My expectations were quite low; I was prepared for "medium suck".
Having seen the film yesterday, I can say that while low expectations did help, the TRANSFORMERS film unto itself was actually pretty good. Don't get me wrong, it is a summer blockbuster in every way, with lots of explosions and a very simple plot. But, I guess after 3 hours of PIRATES 3 with more twists and turns than an octopus in a washing machine, something crudely simple can be refreshing. The film has much more Transformer action than I expected, and Optimus Prime got the lion's share of the dialogue. The film is about 2.5 hours long yet moves at a rate that one doesn't feel as antsy in the seat as during PIRATES 3. And finally, Shia LeBeouf lived up to the hype and was an effective star here, which was good because otherwise it may have been unbearable.
Peter Cullen's Prime starts the narration before the title credits, giving the idea that this is a film about the Transformers, and that the humans get in their way. They are after the ALLSPARK, the cube-like mechanism that gave techno-organic life to Cybertron, their homeworld that has been torn apart by the civil war between Autobots and Decepticons. When the Decepticons start to raid military institutions to hack information on it, as well as their missing leader Megatron, the Autobots are summoned from various areas to do battle once again. Amidst all this, Shia's Sam Witwicky (renamed from Spike in the cartoon) is an awkward high school teenager, anxiously hawking items on eBay to scramble 2 grand for his first car and being the butt of classmates' jokes, while still proud of his ancestor's discovery in the artic circle. As the trailers show, the beat up yellow car he and his father (played by Kevin Dunn, who seems to play nearly the same fatherly role in every flick he does) turns out to be Bumblebee, who has a life and persona all his own, whether by crudely trying to "hook up" Sam with Mikaela (Megan Fox) or by saving Sam from a pack of junkyard dogs. Sam soon finds out the car is a Transformer robot, but no one will believe him.
Elsewhere, Sgt. Lennox (an effective Josh Duhamel) and his stock of soldiers survive a Decepticon attack in Qatar and slowly advance to the final battle scene, as the Penatgon starts to catch wind of the threat when the Decepticons attempts to hack their files, soon crashing communications worldwide. Jon Voight is fine as Defense Sec. John Keller and John Turturro, having a break from Adam Sandler flicks, plays eccentric Agent Simmons, who heads an "area 51" type secret gov't cabal that reveals the U.S. knows far more about the Transformers than anyone realizes. The film maintains the idea that the Transformers are long lived and crashed on Earth thousands of years ago, and updates that to note how some of them would have been found; the ALLSPARK is under strict quatentine at Hoover Dam (the dam seemingly was built by Pres. Hoover to hide it; seems he did something right after basically being ineffective during the Great Depression), and Megatron has been kept on ice while his body has been analyzed for technological advances, sort of like the alien Vision from the ULTIMATE NIGHTMARE comic series. Sam's ancestor accidentally activated Megatron's navigation system and so the coordinates to the ALLSPARK were imprinted on his glasses, which the Autobots want. The Decepticons also find out about the Witwicky connection and gun for Sam along with the feds.
It all boils down to an explosive finale in the streets of L.A. that involves just about everything Bay enjoys; car chases, military men, explosions, and exploding car chases with military men shooting stuff.
Yes, there are alterations to the mythos. Here, at the end Optimus Prime calls Megatron "brother", hinting the mortal enemies are thus related. Rather than the "Matrix of Leadership", Prime has a "shard of the ALLSPARK" in his chest. Bumblebee is far more competant and less jokey than he was in the cartoon. Aside for Prime and Bumblebee, the other Transformers are drastically redesigned, especially Starscream and Megatron, who never looked nastier (and is voiced ever so briefly by Hugo Weaving, who has made a career out of geeky movie vehicles it seems, after this, LOTR and the Matrix films). But the heart of the mythos is intact. The Decepticons are vile, violent, and have no regard for any human life. The Autobots, especially Prime, see the potential in humanity and despite massive differences, see some simular veins (when Ironhide mentions that the human race is "violent", Prime asks if they are so different). Prime himself may have a more complicated design and some racing flames, and even LIPS, but he is recognizable. He's the toughest Transformer there is, a massive robot who can crush an enemy's skull yet grab onto Sam gently enough to save him without breaking all his bones, or ordering his troops to hide from his nosey parents. And with Prime noting that "freedom is the right of all sentient beings", this is the closest action movie recently that came close to instilling American Patriotic sentiments, whereas after Bush, most Hollywood films treat American values as fundamentally evil and warlike, and dismiss actual tryannies as "dictators will be dictators" or "we must understand better". The Transformers still "transform" by scanning other objects and changing into them, in this case vehicles. The Decepticons earn their name with holographic images of "drivers" to fool people.
But political debates are too deep for this flick, and that is not a bad thing. Shia's Sam manages to reach all the right chords so his antics don't seem annoying. The actions of the cyber techies and later the agents are played for action/comedy and it is effective. If anything, this film delivers what most popcorn audiences expect, down to a T. Great special effects (I've seen films with twice the $150 million budget look worse), effective action and one-liners, with enough homages to the past for geeks to shed a tear of nostalgia (c'mon, how can anyone deny how awesome it was to hear Optimus Prime utter his "one shall stand" line for the final showdown). Oh, and that forearm-blade Optimus had = bad-arse. Bumblebee also proved to be the little Transformer that could, barely having 1 line of clear dialogue and yet managing to be an effective, endearing character. Cullen was a treat to hear and time hasn't been a drawback in his performance as Prime, and I still can't imagine hearing anyone else voice him. Everything one imagines a leader to be like, Prime is. Megatron also has his line about "once again, you fail me Starscream" homaging the past animosity between the two baddies (Starscream always sought to betray Megatron and take over the Decepticons, finally succeeding only to pay for it with his life in the '86 film).
Despite all this, there are some drawbacks. While Prime and Bumblebee's designs are kept distinctive, some of the other Transformers seem to gell too much that it can be hard keeping characters straight in the midst of the action. FYI, on the Autobot side were the aforementioned two, Ironhide, Rachett, and Jazz, and the Decepticons had Frenzy, Starscream, Bonecrusher, Devistator, Scorponok, and Barricade. And the final blow, where Sam uses the ALLSPARK to kill Megatron with one manuver, did feel a little anti-climatic; I wanted Prime or Bumblebee to ice Megatron, not Sam. Still, considering the ending to FF2: Rise of the Silver Surfer, it was bearable. An I did wonder why all the creations made by the ALLSPARK start out instantly evil and aggressive, if Cybertron was originally supposed to be peaceful until Megatron rose to power. And no attempt at the Transformers themesong.
These were minor quibbles to me, though.
The film sets up a sequal fairly easily (Megatron could always return, or more Decepticons could crash land on Earth), and with the flick breaking records for a Tuesday and likely on pace to make back at least half of it's budget by next week, a sequal looks inevitable. I expected Bay to fumble the ball and he didn't. The film's not perfect, but it isn't supposed to be. It's a blockbuster that actually didn't bastardize the material enough that it became unbearable to watch, as the INSPECTOR GADGET film did (another 80's cartoon). The action was effective and the jokes amusing, at least for a single viewing. It has far more Transformer action than the trailers may have hinted and while of course Sam and "the humans" get much airtime, the Transformers themselves aren't treated as details, but major characters. And how can one not root for poor awkward Sam as he risks life and limb for his girl and the planet, defying a monstrous robot the size of the White House without messing his jeans. Some call Shia LaBeouf "a young Tom Hanks" and I do sort of see that simularity, at least when Hanks was younger in some of his earlier works. He'll be in INDIANA JONES 4, so he's havin' a good year.
The only people I can see outright disliking the film are overly critical types or obsessed fans who already hate any alterations to the mythos before seeing the flick. I came in with low expectations and came out with a smile on my face and no regret for my $9. Solid lines, good action, good performances (for what is required; this doesn't pretend to be an Oscar film) and lots and lots of explosions and enough effective comedy from the culture-shock Transformers and the awkward Sam, who is a rootable everyman.
Oh, and Megan Fox is 21, for those who felt guilty for drooling.
Not sure how it fares in a rewatch, but definately a fun movie; last flick I enjoyed this much was SPIDER-MAN 3, which of course was dripping with more angst and seriousness than this effort.
And who didn't cheer at the sight of that mighty blue & red truck?
Definately a solid film. 3 stars out of 4.