I'm in. If a guy wanted to watch the musical on DVD, which is the best one to start with?
We're almost past 999 posts, and for most threads, they mark the occasion by giving the new thread a creative new title. Might I suggest.
Les Miserables: even the thread will make you cry
I confess this is what actually made me research the original when I was younger, because I hadn't even heard of it until the parody.
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Trailer looks epic and I like the visual style. Definitely will see this.
I must add though that while Hathaway gives a strong performance just from the trailer, the vocals for that song were a bit underwhelming. And I'm not a Les Miserables snob when I say that. I've never seen the show (though I really wish I had before the movie came out), but I've heard that song sung out of context done with a lot more power. I do like how intimate it is, but I hope she can take it home when she needs to.
Well, I think Hathaway gave the appropriate feelings and weight to the song, and not tried to stretch her vocal just to show-off her voice. Fantine was out of money, and already sold everything valuable in her possessions, and her daughter was sick. What's more is that, Fantine was also dying from TD (from what I could remember). That was what Fantine was recalling the happier times with her former beau, and all the dreams she had before the nightmare begins. Hathaway knows this, and I think that's why her interpretation of the song is not underwhelming at all.
Agreed. On stage, they're usually singing it into the rafters, but she's dying at this point. It sounds right the way she's singing it here.
I also love that the trailer isn't trying to hide that this is a musical.![]()
I agree. There is a sense of vulnerability with her interpretation of the song that recalls all the previous hurt and the current situation. It sounds like a real human being singing the song and not just a stage performer.Agreed. On stage, they're usually singing it into the rafters, but she's dying at this point. It sounds right the way she's singing it here.
On an ironic note, both Hugh Jackman and Anne Hathaway were almost in the 2004 film version of The Phantom of the Opera.
The role of the Phantom was offered to Hugh Jackman who turned it down (too bad, because while Gerard Butler was solid in that role, Jackman would have knocked it out of the park) and Anne Hathaway almost got the part of Christine Daaé until Webber saw Emmy Rossum at the last minute and cast her in the role instead. I think that actually worked out well because Rossum has a more powerful voice and that is so central to the part of Christine (and the story of POTO) that it worked out while Hathaway's pure intensity can work for something like Les Mis much better.