Anything by Tony Daniel.
Most things from New 52, but especially Superman and Wonder Woman - not their separate ones since I love Wonder Woman and I know little of superman's current run, but their shared title. The romance always goes the same - Wonder Woman's agency is compromised and Superman takes the main heroic spotlight, and the relationship as a general concept completely misses the point of the characters - Superman's innate humanity that sees him strive to remain tied to the human world so he can live among them and understand what it is to be weak so that he can be strong for them, and Wonder Woman's mission to man's world, and her concern with diplomatically making it a better place for everyone, particularly ordinary people who are marginalised by society. To have the two most powerful characters gallivanting off together strikes a blow to that.
Anytime someone thinks they are doing a good thing by Wonder Woman by destroying Themiscira or making it disappear or making them all evil. Seriously, not only are these bad ideas, but Wonder Woman doesn't have a very well known rogues and supporting cast precisely because every second writer thinks they are being geniuses by throwing out everything and everyone the previous writer spent time building up.
Worst of all however, since I think worst should be measured by impact as well as general quality, was War Games/Crimes. It had everything - Batman being a jerk that the entire previous crossover event - Bruce Wayne Murderer - had been orchestrated to do away with, terrible writing, an obsession with grim darkness and ludicrous bodycounts and death and so on. but worst of all was the sheer sexism bordering on misogyny in the event - Stephanie Brown as Spoiler was introduced as the first canon female Robin with the editorial plan to specifically kill her. Her death came about from Batman firing her as Robin, when he had treated her as less than mud, and her disobeying his orders to do the better thing was the final straw, when just about every other Robin (all male) were given approval by Batman when they broke an order to help (hell, it's how Tim Drake got the job). She was then tortured graphically on page in a skeevy sexualised way. And then Leslie Thompkins, the kindest person in Gotham renowned for her strict adherence to the hippocratic oath, lets Stephanie die in order to teach Batman a lesson. Then Steph didn't get a memorial. Oracle is made to look like a fool who needs Batman to tell her what to do, even when she had long been established as now a hero in her own right who was out of Batman's shadow and was his equal. Batman is horrible to his allies and the police force, getting swathes of the latter killed. When his allies finally call him out on his horribleness, they call him out on the wrong thing! It decided to bring back the urban legend aspect of Batman - a character who had now been operating for ten plus years, who had been caught numerous times on camera, who was one of the seven members of the major justice league, who had travelled the world, fought Joker and all the rest, worked with Jim Gordon - and they brought it back, just so it could be debunked when someone caught him on camera. It was not only a bad story, it was a truly offensive one that revealed how truly disgusting many of the attitudes of the DC editorial were/are.
