deemar325 said:
^ I don't see how you can't just write a character period regardless of the race. I think if you just hang around and have friends of another race use your experience and or call your black/latino whatever friend up and use them as a sounding board.
If I'm gonna write about a Mexican character, I'm gonna go over it with my girlfriend or her brother because it's right there. My subject or person who can relate that experience of being latino is a phone call away so writers shouldn't be afraid to ask there black buddy or chinese pal what's the deal.
See you're thinking about in your perspective. Say you're not a minnority. Say you don't have those minority friends. Say you've never
really interacted with minorities. Believe iit or not, people live their lives that way, with the only window into that world being what they see and hear in popular media. And even great writers have trouble writing characters not like themselves. For example, David Mamet is notorious for his sometimes demeaning portrayal of females. I'm not exonerating the lack of minority presence and subpar writing of minorities in comics, but I see why that problem exists.
You also get into the question of what is an 'authentic' minority portrayal. I've seen people rag on Luke Cage for being a stereotypical thug, but when John Henry irons was Steel, some said he acted stiff, educated, too 'white'. I know black people who've been on the streets, and black people with medical degrees, what makes one character more "authentic" than the other? How it's interpreted is all based on perspective, and you simply cannot please everyone, b/c your experiences don't match everyone elses. Even if you call that friend, what make his experience more "authentic" then the one you would create? Somewhere out there, there is someone who can relate to what they've written, but it may not jibe with you.
Too top it off, comics are sales driven. How do books with minority leads fare? As well regarded as Priest's Black Panther run was by critics and fans, it struggled with sales. The Crew didn't get off the ground. Ditto for Captain America and Falcon. And War Machine. Good writing or not, if the characters don't sell, what incentive is there to create or develop minority heroes?