X3's ending vs. Superman Return's

Superman's ending wasn't boring if you were smart enough to know what it meant. And of for some reason ppl here are confusing ending with climax. We're talking about the ENDING, not the climax. Superman's ending was meaningful because Supes finally discovers that he's not alone, and the kid is his. X-men had a silly ending where the writers destroy the whole point of the film in one fell swoop.
 
Cyclops said:
But you know what made it an awesome line?

Kevin ****ing Spacey was Lex Luthor. End of story. One of the best casting decisions in the history of comicbook films.

Greatest casting decision in an extremely disappointing movie.
 
I can't believe that Sups is getting a direct sequel. WTF! That movie has yet to make a profit. (And Routh demanding more than 2 mil...please)

Where as X-men was much more of a finacial success and no offical plans for an X4 yet, but two spinoffs. Of which neither has the potential for a great sucess.

Well, I dunno about what I just said, seeing as how Sups was to be one of the greatest of all time and it sank like an anvil in water. The bad realease date and the barriage of superheroes in one freakin summer prolly had alot to do with that.

Here's a kidder for you. Superman didn't really have a lot of bad press and it had mostly ok reviews, and people just don't care...

Where as X4 had every problem, an a$$ load of bad press and reviews, and a director that no one took seriously and look, everyone saw it. 437 million + in 60 days and it hasn't hit the Asian market yet.

Now would be a great time for those fabled Superman Returns legs to kick in.
 
tonytr1687 said:
Superman's ending wasn't boring if you were smart enough to know what it meant. And of for some reason ppl here are confusing ending with climax. We're talking about the ENDING, not the climax. Superman's ending was meaningful because Supes finally discovers that he's not alone, and the kid is his. X-men had a silly ending where the writers destroy the whole point of the film in one fell swoop.

I agree with that. Superman Returns wasn't so much of an ending, as it was a conclusion to the movie and an opening for alot more to come. On the other hand, X-Men 3 wasn't so much of an ending, as it was the whole story and characters hitting a dead end and running into a wall.
 
Goddessreicho said:
I can't believe that Sups is getting a direct sequel. WTF! That movie has yet to make a profit. (And Routh demanding more than 2 mil...please)

Where as X-men was much more of a finacial success and no offical plans for an X4 yet, but two spinoffs. Of which neither has the potential for a great sucess.

Well, I dunno about what I just said, seeing as how Sups was to be one of the greatest of all time and it sank like an anvil in water. The bad realease date and the barriage of superheroes in one freakin summer prolly had alot to do with that.

Here's a kidder for you. Superman didn't really have a lot of bad press and it had mostly ok reviews, and people just don't care...

Where as X4 had every problem, an a$$ load of bad press and reviews, and a director that no one took seriously and look, everyone saw it. 437 million + in 60 days and it hasn't hit the Asian market yet.

Now would be a great time for those fabled Superman Returns legs to kick in.

Superman's legs really havnt been that bad. I mean a 58% drop is pretty good for a superhero flick (which are generally frontloaded anyway) that not only opened up on a wednesday, but had to go up against the titan that is Pirates 2 in its second weekend. The first X-men had a 57% drop in its second weekend and thats WITHOUT any major competition. Even the very well-received X2 has a 54% drop its second weekend. Ever since then its drops have been 43% and 39%, which aint bad at all. It's not Batman Begins, but it aint bad at all. You're right though, the problem is people are just not interested...and it has nothing to do with the quality of the movie. It was the same with Kong Kong and to an extent even Begins (considering that film's quality it should have made upwards of 250 mil).

Lets look at X3's legs shall we? Hmmm...a 70% drop in its second weekend where there was no competition outside of a ROMANTIC COMEDY. Only now are its legs finally leveling out. The film opened with over 100 million and couldnt even crack 250...thats bad word of mouth for ya.
 
tonytr1687 said:
Lets look at X3's legs shall we? Hmmm...a 70% drop in its second weekend where there was no competition outside of a ROMANTIC COMEDY. Only now are its legs finally leveling out. The film opened with over 100 million and couldnt even crack 250...thats bad word of mouth for ya.

That's because it's not really a movie you can keep watching over and over again, unlike LOTR or Star Wars. Fans were deceived by all the fake hype and misleading advertising. It was set up to get as many people as possible to see the movie ONCE. They weren't counting on return business.

Sr I can see over and over again. X3 I really don't want to, except for the sake of doing a little bit of research for fanfics and rewrites. And for that there's more than enough clips already posted online.
 
tonytr1687 said:
Lets look at X3's legs shall we? Hmmm...a 70% drop in its second weekend where there was no competition outside of a ROMANTIC COMEDY. Only now are its legs finally leveling out. The film opened with over 100 million and couldnt even crack 250...thats bad word of mouth for ya.

A romantic comedy with Vince Vaughn and a popular gossip column couple--that's a big difference. If "The Lake House" had opened the 2nd weekend, it would have been embarrassing.

I'm not saying 67% isn't bad...in fact, I think Fox deserved that kick in the pants for chasing off Bryan Singer...but it didn't doom the movie either. It's just a number some disgruntled fans use to feel justified somehow.

And "Superman Returns" could barely keep up with "Devil Wears Prada" on it's opening weekend...so they were both in the same boat there.
 
Spider-Fan930 said:
Greatest casting decision in an extremely disappointing movie.

No, that would be Kelsey Grammer as Beast.
 
ntcrawler said:
That's because it's not really a movie you can keep watching over and over again, unlike LOTR or Star Wars. Fans were deceived by all the fake hype and misleading advertising. It was set up to get as many people as possible to see the movie ONCE. They weren't counting on return business.

Sr I can see over and over again. X3 I really don't want to, except for the sake of doing a little bit of research for fanfics and rewrites. And for that there's more than enough clips already posted online.

You should be careful about generalising your comments as though you represent the voice of the nation. Because you don't.

Your feelings against X3 are now very well documented on here. You were never, ever going to like the movie, let's face it. Why bother to justify an inherent bias? You will say anything, and quote anything, to appear to make your own bias seem like fact. Very tiresome.

As for X3, I find there is tons more to see each time you go. Cameo characters to observe closely, great sequences to revel in. I know many many people who've been many many times. I agree that the pacing and subtlety might have been improved in places, but it's by no means a bad movie. Singer said X3 was to have been about mutants vs evolution itself, and that's what we did get. People went to see this because it was highly marketed, much more than any vague memory of the previous two movies.

In my local bookstore, Borders, a girl who was checking stock in the comics section spoke to me about X3 being the ONLY superhero movie that has hit the mark as far as she is concerned and the best by far of the X-movies.

In my local Forbidden Planet comicbook store, the guy at the checkout said he had hated SR but loved X3 and had seen it several times. At the time, I was looking at the SR merchancise (and I bought The Art of Superman Returns and the SR novelisation in an attempt to try to like the movie more and see what the hell they were thinking) so i did not influence his response in any way - he looked sheepish about saying he didn't like SR until i agreed, then he said 'But there's one comic movie i really did enjoy - X3.' He loved Beast, Angel, Juggernaut, Storm, thought Colossus underused, was actually glad that Cyclops was dead, and loved the Dark Phoenix interpretation.

I've yet to find ONE SINGLE person who hated X3. I know someone who thought it lacked Singer's touch, a few people have disliked a line or two of dialogue or questioned a part of the plot (one girl asked why they didn't try the cure darts on Phoenix, but i reminded her they had tried and she vaporised them all). But no one has hated the movie, no one said it was a bad film.

With SR, I didn't feel i ever wanted to go again because the entire premise of the movie (not a bad idea in itself to have Superman returning to earth after an absence) is badly executed to render it cringeworthy and unwatchable. An opening scene of an irrelevant, never-to-be-seen-again widow dying (immediate lack of emotional engagement for the viewer) and a child ridiculously screaming when thrown Luthor's wig (very bad scene). Clark and Superman reappear the same day and no one suspects. The totally unresolved issues between Lois and Superman - he left without telling her (out of character), she never knew about the remains of his planet (sheer absurdity), she meets and has sex with Richard quickly enough for him to believe he is father of the child (more nonsense), Luthor creates real estate no one would ever want (more stupidity). The movie is riddled with inconsistencies. A glorious and spectactular triumph of visual production style over substance and emotional content. And even the production design was flawed - why couldn't New Krypton be something more desirable, more alien, more magical, rather than craggy black rock!? Superman demonstrated his might againt the inanimate - rocks, planes, fire - but never once did he seem to engage with anything living/human to give us the conflict vital to a story. I cannot believe I watched something that could have been an epic blockbuster reduced to an emotional wasteland as barren and lifeless as Luthor's island. Must Bryan Singer stamp his understated, introspective internalised neurosis over every movie rather than bringing out the emotion?

You only have to see X2 where Cyclops vanished for half the movie and Jean didn't appear to care at all about him to realise that the Lois/Superman relationship was going to be just as soulless and underdeveloped. SR was a failure of film-making on a colossal scale - full of great moments (Superman hovering in space, listening to the noise of earth) - but a few great moments do not make a great movie.
 
X-Maniac said:
You should be careful about generalising your comments as though you represent the voice of the nation. Because you don't.

You should be careful too, because you don't either. We're just two grains of sand on a beach.

Your feelings against X3 are now very well documented on here.

Good. I stand by my posts. I like a clear situation.

You were never, ever going to like the movie, let's face it. Why bother to justify an inherent bias? You will say anything, and quote anything, to appear to make your own bias seem like fact. Very tiresome.

And you're making it your duty to distort facts and take things out of context. Your first mistake is to assume that I was never going to like the movie. Absolutely false. I loved the first 2 and I was looking forward to the third. I never read or even knew about the AICN's leaked script, I was never a member of these boards or any other X-men related boards until AFTER I saw X3. My only knowledge of X3 was an article in Rolling Stone magazine published earlier this year which explained that there was a last minute change in directors but that everything was going to be fine. The movie was coming along nicely and would feature the Phoenix saga as well as alot of touches to the fans. I then went online and downloaded a few pictures to see what the characters looked like. And that's it. I don't see where you have the gall to claim I have an inherent bias where in fact I went into the theatre with an open mind and had no idea what to expect. Only since seeing this atrocity of a film did I end up on these boards, and the answers that I got here only confirmed my suspicions for why the movie turned out the way it did.

People went to see this because it was highly marketed, much more than any vague memory of the previous two movies.
Exactly. Sounds just like my previous post, doesn't it?

In my local bookstore, Borders, a girl who was checking stock in the comics section spoke to me about X3 being the ONLY superhero movie that has hit the mark as far as she is concerned and the best by far of the X-movies.
This argument is pointless. For every person you pull out of the crowd who claims to be a lover of X3, I can find one's absolutely disgusted by this. So what does this prove? Like I told someone else, how far are you going to take this? Do a headcount and see who has more fans vs haters? Just look at the reviews themselves. This movie may make alot of money, but universal critical acclaim it's not going to get. It hasn't gotten it, and isn't going to get it. And that's a fact. Not an opinion, not a bias, but a fact.

And besides, why should I believe you? Maybe you have a secret bias and are determined to hate Superman Returns. It's your word against mine.


I've yet to find ONE SINGLE person who hated X3.

Pay more attention to the boards here. It's full of these people. So are xmenfilms.net and xmenverse.com You can even find quite a few on the White Wolf X-men films discussion section. Or are you living in self denial and refuse to accept the light of truth that there are indeed many people who do NOT like this film or just plain hate it?

I know someone who thought it lacked Singer's touch, a few people have disliked a line or two of dialogue or questioned a part of the plot (one girl asked why they didn't try the cure darts on Phoenix, but i reminded her they had tried and she vaporised them all).

Again, it's one opinion against another. Jean was killed off for the sake of plot. They wanted her dead and that's it. If she let Logan kill her, she would have let Logan Cure her. You can debate it until you turn red in the face. Ultimately it's whatever the writers set up to do. It could go either way. Claremont originally intended to write her as being cured, but had to back down once the movie's script was updated. So again it's one person's word against another.
With SR, I didn't feel i ever wanted to go again because the entire premise of the movie (not a bad idea in itself to have Superman returning to earth after an absence) is badly executed to render it cringeworthy and unwatchable.
Sounds like you have an inherent bias against the film. I found it gave me a sense of satisfaction and movie magic, of which X3 lacked both. I left shaking my head and smiling, not angry and upset the way I and alot of other moviegoers were about X3. Maybe you were determined to hate it even before you walked into the theatre.

You only have to see X2 where Cyclops vanished for half the movie and Jean didn't appear to care at all about him to realise
No, I won't realize that, because during her scene with Logan Jean was visibly upset and concerned. And she did a great job of reminding Logan that she loves Scott and to back off. I hardly consider that and the events that take place later to be soulless.


that the Lois/Superman relationship was going to be just as soulless and underdeveloped. SR was a failure of film-making on a colossal scale - full of great moments (Superman hovering in space, listening to the noise of earth) - but a few great moments do not make a great movie.
[/QUOTE]
Just like X3 is a collection of some great scenes, but put together you end up with an acrocity of a movie. The fact that X3 has divided the fanbase like this should send warning signals to the producers that somewhere along the lines, they goofed.
 
X3 hasn't divided the fanbase. It's clarified the internet division between those who love the X-Men because of Bryan Singer (the arty-farty movie theorists, generally) and those who love the X-Men because of the X-Men.

When i speak of not knowing anyone who hates it, I mean in the real world offline beyond this keyboard (work colleagues, neighbours, friends, family) - I certainly do not count this internet world as real. It's the people 'on the street' who matter and who decide whether something is a success or not. The internet is far too impersonal and dangerous for it to be reliable - anyone can pretend to be anything and say anything.

Incidentally, the people I mentioned are all real and, as i did clearly state for your benefit, I bought The Art of Superman Returns and the SR novelisation AFTER seeing the movie in an attempt to give it another chance to try to understand what the hell Bryan Singer thought he was doing. (it appears he thought that reheating Superman 2 in the microwave and serving the same meal up 30 years later was an acceptable option). I went in to see it with an open mind. But the movie disappointed me. I know only one person (I'm talkingt about offline) who went to see it (a DC Comics fan at work...he loved it, but said he doesn't want to bother seeing it again).
 
X-Maniac said:
X3 hasn't divided the fanbase. It's clarified the internet division between those who love the X-Men because of Bryan Singer (the arty-farty movie theorists, generally) and those who love the X-Men because of the X-Men.

Give Singer credit, he's a really talented director, in my book close to the likes of Raimi or Tim Burton. And give credit to people that don't lack normal attention spans and would prefer to see more from films than action piece after action piece- your saying that people who enjoy the X-films are either fans of the comics or "artsy-fartsy movie theorists".

Having said that I like the film a lot, but not as much as Superman or the other x-films. The actions sweet, but the endings of X3 are pathetic, and a bad ending can ruin certain parts of a film.
 
The only people I've seen who "hated" either film were the comic fans at the midnight showings for both, and those on the boards. Other than that I've heard nothing but positive word for both films, although a bit more positive for Supes.
 
Drago said:
Give Singer credit, he's a really talented director, in my book close to the likes of Raimi or Tim Burton. And give credit to people that don't lack normal attention spans and would prefer to see more from films than action piece after action piece- your saying that people who enjoy the X-films are either fans of the comics or "artsy-fartsy movie theorists".

Having said that I like the film a lot, but not as much as Superman or the other x-films. The actions sweet, but the endings of X3 are pathetic, and a bad ending can ruin certain parts of a film.

In general, I enjoy Singer's X-movies (seen as a whole) mostly because I enjoy the X-Men, not because I enjoy all of Singer's interpretations (or his understated/underdeveloped style). The Spider-Man movies truly captured the comicbook, and the Sam Raimi formula (and the formula of Spider-Man's writers and production designers) has to be seen as a template for success, even if i'm not overly interested in Spider-Man. Singer is nowhere near the realms of Sam Raimi or Peter Jackson or Tim Burton.

What I said has nothing to do with attention spans or non-stop action. No one wants wham-bam action. SR had plenty of amazing action - but what was between the action was lacking and too little of the action was interpersonal (i mean driven by the 'cause and effect' of emotion). We should have seen much more Superman vs Lois, Lex vs Superman, Richard vs Superman, reaction to Superman's absence and return - all those intertwining conflicts caused by his five-year disappearance.

I am not sure if Bryan is capable of achieving this type of emotion-driven action. I felt X3 was almost there, if there had been a little more subtlety in places. I don't know if Bryan will do any better with a Superman sequel to be honest - 'epic' isn't his style at all, he works on a much smaller, more confined/restrained level. But superhero movies aren't about restraint or confinement. What might have worked well when the first X-movie was made does not work well in this much more confident sci-fi movie market.

I wonder if Brett Ratner would be perfect given more time. I also wonder what Sam Raimi would do with X-Men and what Burton or Jackson would do with Superman.
 
I didnt mind Superman's ending, I really didnt.

X3 came off like Mortal Kombat Annihilation. Every character and their mother fighting and falling in 2 minute sequences.

The entire last sequence made no sense - Magneto can lift the Golden Gate bridge - okay, very cool. Why hell didnt he just drop it on the clinic and have a Brotherhood party?
 
While I wasn't particularly impressed with either ending, I guess I'll take Superman Returns ending as being the better one simply because (assuming there will be sequels), it isn't the last one. Being an X-Men fan, I was expecting more. The Cure, the Dark Phoenix Saga, the aforementioned war that has been building since 2000's X-Men . . . it all crumbles under its own weight in an attempt to incorporate too much too soon . . . each story randomly dropping off and picking up in a competition for screen time, and in the end, they all suffer for it.
 
Vile said:
The entire last sequence made no sense - Magneto can lift the Golden Gate bridge - okay, very cool. Why hell didnt he just drop it on the clinic and have a Brotherhood party?

Now that's a good question. And the answer? Probably because that would be too easy and make too much sense. And it would probably also prevent alot of the deaths that were necessary later for the sake of drama.

And that's the problem with X3. There were so many ways that all of the tragedies seen in the movie could have been prevented or entirely avoided.
 
X-Maniac said:
I am not sure if Bryan is capable of achieving this type of emotion-driven action. I felt X3 was almost there, if there had been a little more subtlety in places. I don't know if Bryan will do any better with a Superman sequel to be honest - 'epic' isn't his style at all, he works on a much smaller, more confined/restrained level. But superhero movies aren't about restraint or confinement. What might have worked well when the first X-movie was made does not work well in this much more confident sci-fi movie market.

I wonder if Brett Ratner would be perfect given more time. I also wonder what Sam Raimi would do with X-Men and what Burton or Jackson would do with Superman.

I definitely agree with the "epic" comment on Singer. His approach is one of a perfectionist, and he always focuses on the subtleties- everyone was bashing Ratner saying Singer would have done better, but I honestly can't see him bringing in any "epic" 3rd party force, but instead focusing completely on character (which is good and bad). When I watch Donner's Superman 1 I see the same character-driven stuff that Returns had (I'm still confused as to how some people who love Superman 1 can dislike Returns because its "boring" or focuses too much on character relationships).

I would love to see a true Ratner cut of X3 (wouldn't mind a true extended version of X1 either)... FOX is out of control with the way they treat their superhero flicks lately..
 
StarWars is a film you'll see loads of time in my opinion... (me = 10)

Yet i did not see must X-men or SR, yet they do deserve more extras!
 
Vile said:
I didnt mind Superman's ending, I really didnt.

X3 came off like Mortal Kombat Annihilation. Every character and their mother fighting and falling in 2 minute sequences.

The entire last sequence made no sense - Magneto can lift the Golden Gate bridge - okay, very cool. Why hell didnt he just drop it on the clinic and have a Brotherhood party?

Surely, the bridge still had to touch land on either side... if he had moved it forward to drop it on the clinic, then the other end would be offshore and falling into the bay. The bridge still functioned as a bridge, but in a different location...I doubt he could hold it in a horizontal position (we saw the strain of him lifting it), it needed to touch land at each end.
 
Out of both films I liked Superman's ending better. I just didn't like the scene in X3 where it zoomed out on Wolverine in the mansion, like it is his now.
 
tonytr1687 said:
Superman's ending wasn't boring if you were smart enough to know what it meant.
Oh do shut up. It's embarrassing.

For the record, I don't think Superman had a good ending. The Christ allegory of disappearing from the tomb was a little unecessary, and carried little weight, save for bunch of gawking individuals such as yourself, basking in pomposity of it all.

Great film, yes, but good ending? No, albeit better than X3's.
 
Neither ending satsified me unfortunately.

Lois: will you be............... around?

Superman: i'm always around!!! goodnight lois!!!

What does this even mean? It's made clear that he isn't. hence he 'returns'. I was so confused.

X3, i can't really remember the ending.

Oh, it ended with mageneto and the chess piece movie. so all this time the cure didn't even work... wow.

unfortunately neither really satisfied me... I'd say x3's was somewhat better because it brought closure. some argue that a sequel was planned for returns so it doesn't have to reslove everything yet and i don't buy that, lois and superman need to talk about their child, we as an audience need to learn more about how they even had a child, and we need to see what richard thinks of it or else, why did we just sit there watching these people go through all this drama for 2 hours and 30 minutes? This isn't sequel stuff, it's a part of this story right here in this film, the sequel will have its own. It's like nothing was really solved and everyone was right back where they began anyway... at least magneto was in jail at the end of the first x film.

now that I think of it, the endings are pretty similar. Magneto's got his powers back slightly, so nothing's really resolved. he'll be causing more trouble but the film abruptly ends so we'll never see it unless there's another film.

Both were shakey endings...
 
X-Maniac said:
Surely, the bridge still had to touch land on either side... if he had moved it forward to drop it on the clinic, then the other end would be offshore and falling into the bay. The bridge still functioned as a bridge, but in a different location...I doubt he could hold it in a horizontal position (we saw the strain of him lifting it), it needed to touch land at each end.

This is typical of the kind of rubbish about this film and a major nitpick which takes away the film's credibility and realism. The Golden Gate Bridge is a SUSPENSION bridge. Which means that by design the roadbed CANNOT support its own weight. Hence why there are towers and cables to hold it up. The way its shown in the movie, if Magneto simply dropped it the way he he did, it would have collapsed under its own weight and sank under the water. And then Magneto would have also realized that Alcatraz is about 1.2 miles from shore, the Golden Gate bridge is about 1.1 miles from shore to shore, and the segment he liberated from tower to tower is about 0.8 miles. Even if he stretched it about 1000 feet to touch land at both ends, it would have just collapsed and sank into the bay. All hype and gee-whiz cool special effects, but very little thought or realism.
 

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