I really think a big yellow oval negates the definition of stealthy.
Let's be honest, so does a gold belt.
So does a massive, loud-ass tankmobile.
I'd say he wants to be seen, myself. He talked about becoming a symbol in BATMAN BEGINS, and clearly isn't going to great lengths to be stealthy when he doesn't have to. And there's the point. Stealth is about guile and patience. Not about being invisible to light itself. If Batman doesn't want to be seen as he approaches, then he won't approach criminals from the front. After they've seen him...then they've seen him. Stealth becomes less important.
After all, Batman's supposed to be becoming a symbol, isn't he? It's not an absurd thought that he'd cement his symbolic nature for the people of Gotham with a symbol on his chest that matches, say, the Bat-Signal (what with it's "oval")? The oval is a part of the mythology, and it need not be yellow. Darren Aronofsky thought it should look more like a moon. It could look like a signal, too.
And having no lenses still puts you in the same predicament. The cowl is still in a fixed expression due to the slanted eyebrows. You can argue that having the eyes give more expression, but I guarantee you, under that mask, there's no way to tell what he's feeling simply through looking at nothing but his eyes.
This is true.
my opinion, you shouldn't have lenses because, unlike the comics or cartoon, they can't change shape. you can't squint or open them wide. contacts ... well, you have no idea where he's looking. Bale, before he exits the train, kinda did a roll back of the eyes, and that was cool. but once you get rid of the pupils or completely mask the eyes, then you're taking away another means of expression.
A good actor can compensate, with body language, or his vocal inflections. Removing the eyes removes just that: the eyes. Eyes by themselves don't say a thing. And since Bale's brows are hidden, the eyes aren't THAT important to his emoting. They might be important for an audience to feel Batman is human...but do you really want that in a series about a man losing himself to an obsession? I'm just playing Devil's Advocate here...
hey, look at Spider-Man. how often is Raimi getting his mask damaged so that you can see at least half of his face or one of his eyes?
Not all that often, actually, considering.
That's crap. Eyes do matter, and they matter a great deal.
They matter visually, yes. So do eyebrows, the forehead, cheeks, mouth muscles, etc. It's not crap to say Bale can overcome something like wearing lenses, and it's not crap to say that lenses will affect his performance (Unless he's not man enough to act through such a handicap). He'll still be giving the same performance. If he's a good, conscious actor, he'll give the performance, regardless of whether or not his eyes are covered, and his emotions will come through. Blocking out eyes will affect what the audience sees, yes. But not Bale's performance, as in, what he puts into the performance itself. Which will also affect what the audience sees.
Even in TAS, Batman's eyes are immensely expressive. How many shots do they do a closeup on his face and you watch his eyes narrow in anger, or widen in shock? The same thing happens a lot in the comics. Neal Adams, Gene Colan, Don Newton, Brian Bolland, Jim Aparo, and Norm Breyfogle are all examples of artists who change the shape of Batman's eyes to show emotion.
So? He does have a mouth and a body, and a voicebox, too. Both immensely important tools for actors.
No, but Jimmy Marsden, like LeVar Burton in TNG, had the entire rest of his face uncovered, including his forehead, which to me matters a great deal. If your eyes are covered but your forehead is exposed, it helps convey some things because movement of your forehead is integral to registering anger or surprise, for instance. Batman's forehead is perpetually furrowed on that cowl, and he's not going to have a cowl with lenses but no forehead, so we better go forehead but no lenses. It's the only option that makes sense. Although I know your response to this is going to have a lot of fun with that.
I'll give you that Georgie and Cyclops have more to work with, but that doesn't change what I'm talking about: that not having the eyes showing can be compensated for with other things.
Bale's got a mouth to work with, too, which is also very important. Removing the eyes and the forehead is a step back...but the mouth makes up for a lot. Try it. Go to a mirror, cover the top half of your face (well, at least as much as you need to in order to still be able to see...and do some subtle emoting with your mouth. And there's the body language.
Those are all important, but Batman doesn't have his entire face, because most of his face is covered by a rigid cowl. He's got his jaw, and his eyes, if they're not hidden. And I think with most of his face hidden, he can't afford to cover his eyes, or it will just be too much hidden face.
Honestly, the jaw and mouth should be enough to convey emotion.
And yet, Batman's brows don't move, which is the point. His brows don't move because it's a rigid cowl, and if his eyes were covered, they couldn't move either. All you'd have is his mouth. And since, as you so aptly pointed out, you can't tear Batman's cowl... how do you convey emotion in the climactic battle? Ditch the lenses.
How do you convey emotion? Use the jaw and the mouth. Add the proper voice work to that, and he should have no problems.
If we're talking about DD-type lenses, then you'd have a point. However, I'm in favor of contacts. And my point was, whether you use contacts or not, you still have the same problem of a rigid cowl. There is no difference between the 2 besides seeing some pupils.
See, I think Daredevil conveyed plenty of emotion when he had to. How? His jaw and mouth, and his body language.
Question for some of you: Exactly which emotions is he supposed to convey by just having eyes? As in, he happens to have eyes, because he's a human being.
Eyes by themselves do not convey emotion. Actors do.