Blader5489
CASUAL SEX!
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- May 29, 2007
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Has anyone else read this? I just got done reading the first arc, "Supreme Story of the Year", and I thought it was absolutely brilliant.
For those who aren't familiar with it, Supreme started out as a Liefield creation that was essentially a violent caricature of Superman. Moore came on board with issue #41 and rebooted the whole thing, transforming Supreme from a (pathetically) serious character to a tongue-in-cheek throwback to the Golden/Silver Age of superheroes, particularly focusing on the Superman mythos.
The artists on this book did an amazing job with the flashback sequences, which are portrayed as 50s/60s style comic books (reinforcing the whole idea of a 90s superhero reflecting on the "good old days" of his past). The word "metafiction" is very appropriate in describing Supreme, in that Moore treats Supreme as a real character in the context of the story, but also treats it as kind of a comic book within a comic book (e.g. one issue contains a gallery of classic Supreme covers, like "the Death of Supreme" and "Judy Jordan: Supreme's Girlfriend"). It's a great way of paying homage to the Golden and Silver Ages, and that's pretty much what Moore's Supreme is all about: taken at face value, it's a fun and entertaining Superman analogue, but below the surface is an absolutely genius work of metafiction. It's the antithesis of Watchmen; whereas Watchmen is a deconstruction of the superhero genre, Supreme is a celebration of it.
It's available in two trades, Supreme: The Supreme Story of the Year and Supreme: The Return. It's a shame that Moore was unable to finish that second arc (due to the publisher collapsing just two months before), because I don't think I would've loved the first arc as much if it hadn't been for the mind-blowing ending. But this is really, really damn good.
Has anyone else read it? I don't think I've seen this run mentioned a lot, if ever.
For those who aren't familiar with it, Supreme started out as a Liefield creation that was essentially a violent caricature of Superman. Moore came on board with issue #41 and rebooted the whole thing, transforming Supreme from a (pathetically) serious character to a tongue-in-cheek throwback to the Golden/Silver Age of superheroes, particularly focusing on the Superman mythos.
The artists on this book did an amazing job with the flashback sequences, which are portrayed as 50s/60s style comic books (reinforcing the whole idea of a 90s superhero reflecting on the "good old days" of his past). The word "metafiction" is very appropriate in describing Supreme, in that Moore treats Supreme as a real character in the context of the story, but also treats it as kind of a comic book within a comic book (e.g. one issue contains a gallery of classic Supreme covers, like "the Death of Supreme" and "Judy Jordan: Supreme's Girlfriend"). It's a great way of paying homage to the Golden and Silver Ages, and that's pretty much what Moore's Supreme is all about: taken at face value, it's a fun and entertaining Superman analogue, but below the surface is an absolutely genius work of metafiction. It's the antithesis of Watchmen; whereas Watchmen is a deconstruction of the superhero genre, Supreme is a celebration of it.
It's available in two trades, Supreme: The Supreme Story of the Year and Supreme: The Return. It's a shame that Moore was unable to finish that second arc (due to the publisher collapsing just two months before), because I don't think I would've loved the first arc as much if it hadn't been for the mind-blowing ending. But this is really, really damn good.
Has anyone else read it? I don't think I've seen this run mentioned a lot, if ever.