How about Rachaels insitance that Bruce do some good for once and then totally acting differently once she found out he was Batman? That's always confused me.
Well, she wanted him to do some good for Gotham. But, she never exactly told him to become a vigilante to fight crime with his fists. It was probably overkill for her, really.
Plus.....we got the ending we wanted. The only ending Batman/ Bruce Wayne can ever really have, which is to essentially be alone.
And, they're future might have some light in it as well. I mean, there's hope, which is what I liked. It wasn't the happy endng we usually get in all Bat-films.....but there's a sense of hope for Bruce.
Btw, that ending added with some of the hints along the film, just seemed like Bruce and Rachel had a relationship way back when.
I'd be for it.

Those people are like Batwing6655. They don't really "get" Burton's material, they just act like they do. If they did, they'd have to be more mature than to bash the opposition. Some of them (like Batwing6655) are obviously just Burton fans, not Batfans, who will defend what Burton did reguardless of it being good or not.
Well, one could say the exact same thing about the dudes that bash Batman Begins. There have been some Burton fans that go all out the same manner you just described. Kinda hard to determine who thew the first stone when everyone's tossing 'em.
Nothing wrong at all with The Crow. That movie's a masterpiece. It's the closest thing I can get to recreating the mood that a third Burton Batfilm would have had.
I actually think it found a balance that Burton never did. If you think about it, The Crow seemed to be a blend of BATMAN 89 and BR's type of city. It looked gothic and yet gritty.
I agree, if Burton had made a third film.....and caved in to the response from BR, we probably would have gotten a cool hybrid of his B89 and BR ambience. It's too bad he got fired before he could, b/c he was totally game for it.
That's selling the material short. If you really "get" Batman on a deep, emotional level and can see the majesty in the character, and provided you're not kind of stereotypical nerd.... you're not immature.
I'm sure there are both of those lying all over this forum, not just in BB fans. There are some who prefer Burton's not b/c of an emotional level, but simply b/c of a visual palette. Plus, someone could connect on an emotional level with the character without actually being concious of it as of yet.
Not to me, it didn't. But the average joe is all for the "realism" bunk, as proven by Begins' success. And it is narrow because it sells the material short. If it's good enough to be in the books, it's good enough to be in the films. I wanted to see the Uncanny X-Men on the screen, the guys I grew up with on the Fox series, I didn't get that. All I got was XINO.
If it's good enough for the books, it doesn't mean it's good enough for the screen. Tons of ****ty stories prove that for me.
Besides, the comics liked it, and adopted the look. I don't think Wolverine has been in his costume for quite a while, actually.
To be fair, this is a good point, but no matter what the change is in the comics, the films should stick to the widely accepted bit. If they had JUST NOW reconned Bruce in the comics to be middle-Eastern, I think we'd better stick with the classic Bruce on the screen. It is not widely accepted (and thereby, closest to the meaning of "pure") that Bruce was a disallusioned fool wandering the world.
Widely accepted? Among fans? That's like asking to go insane. Tons and tons of continuity changes confuse things, especially with purists who were there with the character from the time before would cliam younger fans are stupid or don't understand the character for accepting a different updated version.
Plus, Bruce's origin is rather convulted and in and of itself. The movie really goes somewhere the comics has never gone before, b/c to my knowledge....the comics have only managed to devote less than a page to the Bruce Wayne that first left Gotham and began his journey. We never really have seen that teenage Bruce right before he left to travel the world, the most we ever got is when he is on his journey, and even that is convuluted.
No, that's what I mean. Nolan dumbed him down to make him relatable to the average idiot. I guess Nolan didn't believe that we'd buy a man so determined and so driven as Bruce is supposed to be.
Because it is unacceptable. Nobody is that determined from the age of 8 years old to the age of 25, where absolutely nothing gets in his way or disrupts his "plan". It's too narrow, and boring. A storyteller's job is to make things interesting, give the character something to overcome. Just making Bruce Wayne the most simple minded, tunnel visioned character who's life story from age 8 to 20 doesn't deserve more than a sentence is bad storytelling, and frankly.....kinda lazy.
The only reason the comics have allowed it, is b/c they're too busy building upon Batman....and not Bruce Wayne.
That's where the supension of disbelief comes in. We believe it in the books, why not on screen? Just because the average fool can't ever be that determined doesn't mean we should dumb down such a tragic character. It isn't narrow, it's strikingly serious and powerful.
Well, we don't believe in the books. How can we? He swings through the city like he were Spider-Man, knows about 800 different fighting styles, can defeat Superman and the entire Justice League without batting an eye lash.
There's no suspension of disbelief in the books. Doesn't have to be. AND, in the comics.....it's different. They can control what we see in single images. Film needs to control what we see in a continuous flowing set of images. within a single image, you can make something that is very much impossible, looks somewhat plausible. On screen, you cannot get away with that b/c you have to show all the inbetween. The suspension of disbelief in film is on a whole different level than on a medium that requires very little suspension....if any.
For what it's worth, this relateability to Bruce Wayne is newly added by Nolan in a lot of ways. Although human, there were always parts of Bruce that were never relateable to but a few in the comic books. Raise your hand if you're a master martial artist? If you're rich?
And, it's a good idea to make him more relatable. Especially in an origin film, where the alter ego gets less screentime than others......you have to do something worthwhile with the man behind the mask.
I'm slightly hypocritical in my argument. I seem to say that it should be like the comics, unless it's a worthy alteration. What is an alteration worthy enough to diverge from the holy material? My point is that it needs to be a change that still resembles the comics, or makes an unobtrusive change. I hate that Bruce doesn't train with a bunch of teachers in BB, but I don't mind the new Batmobile origin, you know? Things like that.
And who's to determine if it's worthy and not obtrusive? You? Or would there be some massive voting booth for all of us to determine?
It's entirely too open to ever get approval from most or everyone.
As for relateability, like I said earlier: if you can't relate to the Batman of the books, then so it should be on screen. Bruce shouldn't be watered down into an average idiot for the audience to get into the film. We should only relate to him because of his mortality, that's all. Everything about Batman is supposed to be extraordinary despite his lack of powers. You take that away and you rob the audience of not only a great adaptation, but also you're selling the material short.
That's unacceptable, especially in a time where the dark, brooding hero is a dime a dozen. Batman hasn't lasted over 70 years simply by staying the same. Making him more relatable is a smart move, and saying "either you get him or you don't. Either cnnect with his mortality or not" is too pigheaded to keep the character from surviving the next 70 years.
And, his mortality in Batman Begins was very present, and his emotional connection to his father was too. Things the comics have done.....somewhat.
Well, what he displays can be best catagorized by SAD. At the Wayne party, he's jittery and unfocused, obviously because of the crowd, but alone, he shows too much focus to just be unsuave, since he quite obvious knows how to win the ladies, it's a crowd thing. When the group just thins down to Knox, Vicki and he, he's quite charming.... the audinece he's with isn't big enough to set off his SAD.
See, I read that a different way. I didn't think he suffered from anything really. Besides depression and OCD, he just doesn't seem comfortable in his own skin. I didn't think it was really a crowd thing, just a "being Bruce Wayne" thing. He didn't look unfoused or jittery, either....he just fell in love with Vicki at first sight.
And, I never got the sense that he could be suave or a ladies man. I felt like he saw something in Vicki and automatically connected with her. He did have some charm though. His date with her at the mansion was going to be horrible.....until he let her see some of who he really is, with eating dinner in the kitchen with Alfred. It just looked like love, and not himbeing the ladies man.
Oh, yes. "Year Two" I think, right? That was out of character for Batman at that point in time. Unless is was to the furtherment of a character arc (which I don't remember), making Batman suddenly kill-crazy revenge-fueled isn't Batman.
But it's in the books. There's other stuff out there that covers things as well. It's all in the books, so it must be valid, no? Joe Chill having been a part of the comics is too. If it's been done in the books, it's fair game, isn't it?